30th May: Belgium, France, Switzerland - French
9th August: Germany, Switzerland - German
14th September: Italy, Switzerland - Italian
Damn, was hoping for like an official production shot or something. I have the same screenshot from my own discs as well =P Thanks though. I wish Boyle would come back to scifi...
Boyle needs to go back to working with Alex Garland.
Looks like he's doing 28 Months Later? Wonder if Boyle is attached to that
Boyle talked ages ago about doing 28 Months Later. Until it's shooting I wouldn't get your hopes up on it ever happening.
Boyle talked ages ago about doing 28 Months Later. Until it's shooting I wouldn't get your hopes up on it ever happening.
Is that Ripley? Dig the avatar change.
Yes, that is Ripley.
The movie opens next week Internationally? Avoiding spoilers for a whole week is going to be hell.
I think it's socially irresponsible for people of Jett, Solo and Sculli's stature to change their avatars. They've posted so much that their avatars become a huge part of their identity. I think after 1000 posts you shouldn't be allowed to change your avatar anymore.
Man, I reeeeally hate those two. I didnt get the initial widespread love for Star Trek 2009, it felt more like a goofy, big budget SNL skit than a franchise reboot (Abrams gotta share blame too, he really doesn't come off as sincere all the time and a lot of the sentiment in Super 8 felt forced). I hope they don't get attached to Legendary's Godzilla reboot, I was sooooo relieved that Michael Bay didn't get attached to it, can you imagine? Godzilla with a PRO-military slant? shudders
Agreed on Orci and Kurtzman, and especially on Abrams. I feel very... manipulated during his movies. ST 09's opening where Kirk's dad sacrifices himself didn't bring out the man tears, but groans. It was so contrived, along with Giacchino's sappy, overbearing score. Super 8's emotional climax was super cheap as well. The stuff with the kids just being kids felt a lot more genuine and sincere than Abram's deliberate attempts to tug at heart strings.
Oh, and Star Trek 2009 works because of it's simply great direction and impeccable cast of actors, and in spite of it's shitty screenplay.
I think it's socially irresponsible for people of Jett, Solo and Sculli's stature to change their avatars. They've posted so much that their avatars become a huge part of their identity. I think after 1000 posts you shouldn't be allowed to change your avatar anymore.
I mean, imagine if one day Chinner stopped using that duck avatar. There'd be pandemonium.
And Spock was rediculously over emotional and a weird jerk. I call this version Spock-Jerk or "Spork" for short.
I feel my Michael Cera avatar was becoming iconic before I had this godawful Whedon avatar laid upon me.I think it's socially irresponsible for people of Jett, Solo and Sculli's stature to change their avatars. They've posted so much that their avatars become a huge part of their identity. I think after 1000 posts you shouldn't be allowed to change your avatar anymore.
I mean, imagine if one day Chinner stopped using that duck avatar. There'd be pandemonium.
Super 8 has Abrams assured direction, and it starts off well enough establishes some fun relationships and dynamics between the kids that the audience can actually give a damn about them, and then suddenly it switches gears to all this paranormal/mystery bullshit that really just distracted from the actual story and the real stakes. It was kinda like watching someone make their own version of E.T. without really understanding why that movie is such a classic.
Maybe the most beautiful scene in any scifi movie ever. IMO.
You happen to have super HQ of this?
Man, I reeeeally hate those two. I didnt get the initial widespread love for Star Trek 2009, it felt more like a goofy, big budget SNL skit than a franchise reboot
Agreed on Orci and Kurtzman, and especially on Abrams. I feel very... manipulated during his movies. ST 09's opening where Kirk's dad sacrifices himself didn't bring out the man tears, but groans. It was so contrived, along with Giacchino's sappy, overbearing score.
Agreed on Orci and Kurtzman, and especially on Abrams. I feel very... manipulated during his movies. ST 09's opening where Kirk's dad sacrifices himself didn't bring out the man tears, but groans. It was so contrived, along with Giacchino's sappy, overbearing score. Super 8's emotional climax was super cheap as well. The stuff with the kids just being kids felt a lot more genuine and sincere than Abram's deliberate attempts to tug at heart strings.
One part I really hated during that scene where Kirk's dad is giving his life is when his wife is trying to suggest names and he laughs and says "Not Tiberious, it's the worst!" Like "a-huck! Nudge, nudge dumb audience, here's your laugh sign! It's endearing yet funny because he's about to die yet is unintentionally making an inside reference! You saps eat this kind of cheeky one liner up, right???"
"Manipulated" is the worst of all GAF film criticisms. Every film ever* is manipulating you. That's the point.
My thoughts exactly. He doesn't respect the audience's intelligence enough. One part I really hated during that scene where Kirk's dad is giving his life is when his wife is trying to suggest names and he laughs and says "Not Tiberius, it's the worst!" Like "a-huck! Nudge, nudge dumb audience, here's your laugh sign! It's endearing yet funny because he's about to die yet is unintentionally making an inside reference! You saps eat this kind of cheeky one liner up, right???"
One part I really HATED in Super was 8 during the height of tension in the monster lair scene when the stupid housewife/hair lady wakes up and makes some stupid comedic line about not knowing where she is. Totally killed the tone. I also hated the stoner guy. There's nothing I dislike more than spoon fed corn moments in modern big budget movies.
If I read this much into movies while watching them, I wouldn't enjoy a single one.
If I read this much into movies while watching them, I wouldn't enjoy a single one.
You would enjoy the good ones.If I read this much into movies while watching them, I wouldn't enjoy a single one.
Count me in!You and me, one and the same on this stuff.
He didn't write the movie, y'know?I'm glad I care to read enough into movies where I can tell the difference between a director that doesn't take occasional detours to outright pander to the audience and funny lines that actually work and that don't all but wreck otherwise good, pivotal scenes.
Obviously. But when it doesn't feel sincere or justified in doing so, then it's a problem. When a character I barely know bites it or when the soundtrack outweighs the drama of the moment, the director's intended emotional effect is lost. It draws attention to the disconnect between what I'm feeling and what I'm supposed to feel.
Does that sound more reasonable to you?
You and me, one and the same on this stuff.
He didn't write the movie, y'know?
He did the best with what he was given, the only reason the movie was well-received was because of his direction and the performances; all of your problems stem from the script.No, but he's the director and is ultimately responsible for what ends up in the movie and the overall tone, y'know?
It's when the film doesn't do it with a deft hand. It's like it tries to jerk you along with it clumsily, rather than something that feels organic. War Horse is a great example of this. It doesn't really do the leg work required for its big emotional moments to payoff, yet acts like it has.
That said, I disagree with you about Star Trek. I enjoy the hell out of it and can't wait for the sequel.
Count me in!
I'm glad I care to read enough into movies where I can tell the difference between a director that doesn't take occasional detours to outright pander to the audience and funny lines that actually work and that don't all but wreck otherwise good, pivotal scenes.
He did the best with what he was given, the only reason the movie was well-received was because of his direction and the performances; all of your problems stem from the script.
...y'know?
He did the best with what he was given, the only reason the movie was well-received was because of his direction and the performances; all of your problems stem from the script.
...y'know?
I'm not exactly a huge fan of the J.J. Abrams stable, but I still enjoyed that one overall. I think it did its job, as a dumb fun movie.I know ST 09 is pretty well-regarded and I can totally understand the reasons why. It's a fun movie. Just not my type of fun.
Star Trek was never going to be fucking Blade Runner. It's a summer popcorn blockbuster written by Kurtzman and Orci.I love that part in the Dangerous Days documentary where Ridley says "Well, I didn't like the part where Decard makes a wink-wink one liner about 'counting down Electric Sheep' after shooting a replicant but that's how they wrote the scene and the studio insisted the audience would get a laugh and it'd ease the tension, so what could I do??!"
Well, Star Trek wasn't always about dumb summer popcorn fun, so I can see why some would be disappointed. The reboot could have been good science fiction (that is to say, it could have explored interesting ideas).Star Trek was never going to be fucking Blade Runner. It's a summer popcorn blockbuster written by Kurtzman and Orci.
Star Trek was never going to be fucking Blade Runner.
It's a summer popcorn blockbuster written by Kurtzman and Orci.
But seriously though, if you guys want to hate on Kurtz/Orci movie, we can all just bash Cowboys and Aliens together.
Seriously Daniel Craig had, like...zero characterization in that film. What the hell.
New-found appreciation for her now. Thanks, although not sure if that was the intended effect.