The Hobbit film leaves fans with an unexpected sickness

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This movie made me nauseous before I've even seen it. I checked the local ticket price for HFR 3D showings and threw up in my raisin bran. I will never feel comfortable paying $20 for a movie.
 
I feel extremely sorry for those affected by nausea from the film, though I do not suffer from it myself I will be seeing this film in 24fps and 2D because I do find 3D jarring.
 
I own the camera used to shoot this film, I shoot for a living, the only way to get true 60fps is to shoot in 60fps. Other than that, you're just frame blending. And with the RED, the 3d footage isn't 2x24fps interlaced footage to get 48. Both parallaxes are being shot at 48.
 
Open up your centaur_2.mp4 (which you said is not interpolated and using your magical combining fields charm) in quicktime, then using the arrow keys frame by frame through it. Oh HOLY FUCKING SHIT what's that, frame 1 and 2 are exactly the same. It's just showing each frame for 2 frames!

Open up the centaur_2(interpolated).mp4 in quicktime, then using the arrow keys frame by frame through it. OH HOLY FUCKING SHIT what's that, frame 1 and 2 are different.

You mean you CAN'T magically create double the frames by combining the odd fields of 1 interlaced image with the even fields of another image, and that you need interpolation.

WOAH!

If you refuse to even load up your own files into quicktime and look at them, then fine that's your choice, but any one can do it and see what I'm saying is correct.

Go on, load those files up into quicktime and frame by frame through them. I dare you to do it.

You could do that in MPC. Welcome to field conversion.

BTW... The new frames via Interpolation look like shit when done frame by frame.


I own the camera used to shoot this film, I shoot for a living, the only way to get true 60fps is to shoot in 60fps. Other than that, you're just frame blending. And with the RED, the 3d footage isn't 2x24fps interlaced footage to get 48. Both parallaxes are being shot at 48.

What you're saying is true. Frame blending is a hack method for making 60Hz video. But what counts is how it looks in motion.
 
Open up your centaur_2.mp4 (which you said is not interpolated and using your magical combining fields charm) in quicktime, then using the arrow keys frame by frame through it. Oh HOLY FUCKING SHIT what's that, frame 1 and 2 are exactly the same. It's just showing each frame for 2 frames!
So he's not just line doubling, but discarding odd fields? Wow.
 
Sad, but expected. I personally can't wait to see this in 48fps but I can see how a lot of people won't like it. I'm still not sure why they went with 48fps instead of 60.
 
So he's not just line doubling, but discarding odd fields? Wow.

That's not what the program does.



MPEG2Source("encode.d2v",cpu=0)
AssumeTFF()
yadifmod(mode=1, edeint=nnedi2(field=-2))
Crop(0,0,-0,-0)

*about AssumeTFF(): it could be AssumeBFF() instead, depending on your file (T for top frame first, B for bottom frame first)
we'll see about that later

Interpolation does that.
 
Sad, but expected. I personally can't wait to see this in 48fps but I can see how a lot of people won't like it. I'm still not sure why they went with 48fps instead of 60.

Easier to just simply double everything over the 24fps standard. And from what was read about Cameron showing off 48fps and 60fps footage, the jump between 48 and 60 was not as noticeable as 24 to 48.
 
Happily for fantasy fans with weak stomachs, hardly anyone will actually be able to see The Hobbit in its 48fps glory, because fewer than five per cent of cinemas have the necessary equipment.
FUCK. Is there a list somewhere of these theaters???


Edit:
Nevermind, found it! So glad there is one near me.
 
So he's not just line doubling, but discarding odd fields? Wow.

He's not throwing out the odd fields, all that's happening to get the 60fps is showing each frame twice. Meaning in the original video Frame 1 is now frame 1 and 2 of the new video, and Frame 2 becomes frame 3 and 4 of the new video. So the odd fields are also being line doubled, it's just also showing each frame twice. Which is dumb, you don't really get anything out of doing that. You'd be better off interpolating each frame so that at least then there's movement on each frame.
 
That's not what the program does.



MPEG2Source("encode.d2v",cpu=0)
AssumeTFF()
yadifmod(mode=1, edeint=nnedi2(field=-2))
Crop(0,0,-0,-0)

*about AssumeTFF(): it could be AssumeBFF() instead, depending on your file (T for top frame first, B for bottom frame first)
we'll see about that later

Interpolation does that.
Yadif is an interpolation filter.

He's not throwing out the odd fields, all that's happening to get the 60fps is showing each frame twice. Meaning in the original video Frame 1 is now frame 1 and 2 of the new video, and Frame 2 becomes frame 3 and 4 of the new video. So the odd fields are also being line doubled, it's just also showing each frame twice. Which is dumb, you don't really get anything out of doing that. You'd be better off interpolating each frame so that at least then there's movement on each frame.
When you line double 60 fields per second you'll get 60 frames, and each one should be different. That frames are repeating means he's repeating the even field where the odd should be, which can actually reduce artifacts at the expense of temporal resolution. Hence, throwing out odd fields.
 
This movie made me nauseous before I've even seen it. I checked the local ticket price for HFR 3D showings and threw up in my raisin bran. I will never feel comfortable paying $20 for a movie.

I already hate 3D and the extra cost, it has caused me to avoid many movies in the theater since I couldn't get to a non 3D showing when we wanted to go, so whatever, rentals. But if this also starts becoming more of the norm? Fuck going to the theater.
 
He's not throwing out the odd fields, all that's happening to get the 60fps is showing each frame twice. Meaning in the original video Frame 1 is now frame 1 and 2 of the new video, and Frame 2 becomes frame 3 and 4 of the new video. So the odd fields are also being line doubled, it's just also showing each frame twice. Which is dumb, you don't really get anything out of doing that. You'd be better off interpolating each frame so that at least then there's movement on each frame.

Do you have VLC media player?

Okay open up the centaur 2 mpg. Now select de-interlace. Now select Bob.

That is all the new video is doing without interlaced artifacts when you pause.

I usually use Interpolation (The one that creates new frames), but purists like that method for MPEG2 videos. Or so I'm told.
 
Yadif is an interpolation filter.

When you line double 60 fields per second you'll get 60 frames, and each one should be different. That frames are repeating means he's repeating the even field where the odd should be. Hence, throwing out odd fields.

Ahh see he's line doubling 30fps footage, and frame doubling it to create 60fps footage.
 
Ahh see he's line doubling 30fps footage, and frame doubling it to create 60fps footage.
No. Interlaced video has temporal resolution on each field, so you get 60fps just line doubling. Discarding odd fields and repeating even fields in their place is just sometimes done to remove the discrepancy in alignment, leaving you with consistent progressive video that has half spatial resolution and half temporal resolution.
 
Anyone else bummed that this movie itself is being almost overshadowed by the tech aspect of it? I'll be seeing in 24 fps but only because I don't like 3D. I'd happily try 48fps first otherwise.
 
I get motion sickness, so this news sucks if true. Not sure what to think, though. What they're describing doesn't really sound like what I get.

Never got sick from a 3D movie before. Shaky cam like Cloverfield? Yes. But not 3D.

Anyway, here's to hoping.
 
I get a headache watching juddering camera pans with the very low frame rate we've gotten used to. I welcome your 48fps.
 
Holy shit! Is it really that much? Fuck that.

I already hate 3D and the extra cost, it has caused me to avoid many movies in the theater since I couldn't get to a non 3D showing when we wanted to go, so whatever, rentals. But if this also starts becoming more of the norm? Fuck going to the theater.

Depends on your theater. I live in Queens so tickets are already $14. The theater near my parents doesn't charge extra (over 3d) for the HFR showing, so it's $18 for them.
 
To actually be on topic: There's a significant difference between 2D and 3D display, because the focus on a 2D image is entirely flat and your eye can scan anywhere keeping the same perceived depth. This is pretty easy and makes the act of watching a movie highly passive if not relaxing. When it becomes 3D, though, the perceived focal depth becomes uneven and you must choose where on the image to focus. Rapidly moving images can easily overwhelm you as you try to keep up.

There is also a dissonance between the focal depth of each eye lens individually, and the orientation both eyes must use to look at the same object in space. Each eye is seeing a flat image on the theater screen, so that conflicts with what you have to do for the latter.

One thing I try to do is to remind myself to blink and give my eyes a rest on occasion.

This is one thing I've been saying for a while. Focal point will remain the biggest standing issue with non volumetric 3D for the foreseeable future. Now, if we managed to combine plenoptic light field photography with some super advanced eye tracking tech we may be able to get around this. But a combination of technologies like this at acceptable resolutions and framerates is probably some 20 years away from prototype stage.

The Article said:
The Sunday Times attempts to explain the reason for the queasiness scientifically by quoting the work of Adrian Bejan, author of Design in Nature.

Apparently, eye movement normally combines “long and fast horizontal sweeps with short and slower vertical movements”.

However, 48fps film “requires the eye to sweep up and down faster than usual in close-ups to absorb unparalleled detail on a big screen, causing cognitive strain”.

Quite possibly the most unscientific explanation and misunderstanding of vision I have ever seen. If there's "unparalleled" detail on the screen in this movie, then people must not be able to leave their homes most of the time without succumbing to motion sickness. While the exact resolution of the human eye is difficult to define (and even varies depending on lighting conditions), it is still far higher on average than that of a cinema screen at normal viewing distance and DEFINITELY higher than 48fps, leading one to perceive far more visual information per second in daily life than on a 48fps 3D screen. I'd love to conduct some kind of double-blind test to see how much of these motion sickness cases are purely psychological or placebo.
 
Shin Johnpv: Oh shit, I think I get why we're talking past each other. There's really no point to storing blank lines in digital form, so interlaced video is usually stored with even and odd lines occupying one frame. 60 fields per second basically becomes 30fps video, jagged edges and all.
 
Depends on your theater. I live in Queens so tickets are already $14. The theater near my parents doesn't charge extra (over 3d) for the HFR showing, so it's $18 for them.

Mine will probably be less than $20 then. But still probably more than I'd be willing to pay. I'll stick with 2D 24fps.
 
Shin Johnpv: Oh shit, I think I get why we're talking past each other. There's really no point to storing blank lines in digital form, so interlaced video is usually stored with even and odd lines occupying one frame.

You're right on the money with your posts:


Line doubling takes the lines of each interlaced field (consisting of only even or odd lines) and doubles them, filling the entire frame. This results in the video having a frame rate identical to the field rate, but each frame having half the vertical resolution, or resolution equal to that of each field that the frame was made from. Line doubling prevents combing artifacts but causes a noticeable reduction in picture quality since each frame displayed is doubled and really only at the original half field resolution. This is noticeable mostly on stationary objects since they appear to bob up and down. These techniques are also called bob deinterlacing and linear deinterlacing for this reason. Line doubling retains horizontal and temporal resolution at the expense of vertical resolution and bobbing artifacts on stationary and slower moving objects. A variant of this method discards one field out of each frame, halving temporal resolution.

Line doubling is sometimes confused with deinterlacing in general, or with interpolation (image scaling) which uses spatial filtering to generate extra lines and hence reduce the visibility of pixelation on any type of display.[3] The terminology 'line doubler' is used more frequently in high end consumer electronics, while 'deinterlacing' is used more frequently in the computer and digital video arena.

http://en.wikipedia.org/wiki/Deinterlacing
 
Anyone else bummed that this movie itself is being almost overshadowed by the tech aspect of it? I'll be seeing in 24 fps but only because I don't like 3D. I'd happily try 48fps first otherwise.
Agreed. Just hope the movie is a good watch the old fashioned way. I mean 48 FPS is sort of interesting, but I can't sit through anymore 3D.
 
3D makes me nauseous. And is uncomfortable to the point where I will drive out of my way to see this in 24fps at a 2D theater. Not because I am a hipster, but because that is the way I wish to see it.

B] I'd love to conduct some kind of double-blind test to see how much of these motion sickness cases are purely psychological or placebo[/B].

Why would someone pretend to be nauseous? Either to you or to themselves? My nausea is QUITE distinct. It is DEFINITELY caused by watching 3D with glasses and is easily replicable.
 
I had some episodes of kinetosis on the past, I guess it will be 24fps for me. :(


Not that I have any choice, piece of shit cinemas.
 
And yet I'm not agreeing with you.

I know we're arguing semantics. But the videos are in 60Hz are they not?

Frame by Frame it's not comparable to natively shot 60fps video in clarity. But in motion they are similar which the average joe won't notice.
 
Yeah. I'm getting really tired of people throwing around "hipster" to describe people who want to watch it in 2D.

I'm a big believer in watching films the way they're intended by the director. That's why in most cases i dislike all this 3D stuff, as it's clearly a push by the publisher. But if Peter Jackson intended it to be watched this way, i'll give it a shot. But it won't be on my first night of watching it with friends. I don't want to risk out first viewing, on what could become a big distraction.
 
I remember going over a study in one of my classes about how it isn't our eyes that can tell the difference in frame rate it is the way our brain receives it. 24-30fps were the frame rate that we best process information when looking at a screen. Anything higher and our brain knows it is fake; can't properly process it. Our eyes are more than capable of recording hfr's though. Although the guys that did the study were not sure if it is because we are not use to that high of a frame rate.

So maybe that's why people are getting headaches?
 
I remember going over a study in one of my classes about how it isn't our eyes that can tell the difference in frame rate it is the way our brain receives it. 24-30fps were the frame rate that we best process information when looking at a screen. Anything higher and our brain knows it is fake; can't properly process it. Our eyes are more than capable of recording hfr's though. Although the guys that did the study were not sure if it is because we are not use to that high of a frame rate.

So maybe that's why people are getting headaches?

Considering 24fps being standard was a technical limitation, not a stylistic choice, I call bullshit.
 
Considering 24fps being standard was a technical limitation, not a stylistic choice, I call bullshit.

Read the last sentence of the first paragraph. It would make perfect sense since we have been condition to viewing in those formats throughout our whole lives.
 
Read the last sentence of the first paragraph. It would make perfect sense since we have been condition to viewing in those formats throughout our whole lives.

I think we can rule out people who play video games since we commonly expose ourselves to higher framerates for extended periods of time.
 
I think we can rule out people who play video games since we commonly expose ourselves to higher framerates for extended periods of time.
But that would be different because we are engaging the video game as to just watching. You ever watch a video and notice frame drops that you didn't see when you were playing the same game on the same format?
 
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