Open up your centaur_2.mp4 (which you said is not interpolated and using your magical combining fields charm) in quicktime, then using the arrow keys frame by frame through it. Oh HOLY FUCKING SHIT what's that, frame 1 and 2 are exactly the same. It's just showing each frame for 2 frames!
Open up the centaur_2(interpolated).mp4 in quicktime, then using the arrow keys frame by frame through it. OH HOLY FUCKING SHIT what's that, frame 1 and 2 are different.
You mean you CAN'T magically create double the frames by combining the odd fields of 1 interlaced image with the even fields of another image, and that you need interpolation.
WOAH!
If you refuse to even load up your own files into quicktime and look at them, then fine that's your choice, but any one can do it and see what I'm saying is correct.
Go on, load those files up into quicktime and frame by frame through them. I dare you to do it.
I own the camera used to shoot this film, I shoot for a living, the only way to get true 60fps is to shoot in 60fps. Other than that, you're just frame blending. And with the RED, the 3d footage isn't 2x24fps interlaced footage to get 48. Both parallaxes are being shot at 48.
So he's not just line doubling, but discarding odd fields? Wow.Open up your centaur_2.mp4 (which you said is not interpolated and using your magical combining fields charm) in quicktime, then using the arrow keys frame by frame through it. Oh HOLY FUCKING SHIT what's that, frame 1 and 2 are exactly the same. It's just showing each frame for 2 frames!
This movie made me nauseous before I've even seen it. I checked the local ticket price for HFR 3D showings and threw up in my raisin bran. I will never feel comfortable paying $20 for a movie.
So he's not just line doubling, but discarding odd fields? Wow.
Sad, but expected. I personally can't wait to see this in 48fps but I can see how a lot of people won't like it. I'm still not sure why they went with 48fps instead of 60.
FUCK. Is there a list somewhere of these theaters???Happily for fantasy fans with weak stomachs, hardly anyone will actually be able to see The Hobbit in its 48fps glory, because fewer than five per cent of cinemas have the necessary equipment.
So he's not just line doubling, but discarding odd fields? Wow.
Yadif is an interpolation filter.That's not what the program does.
MPEG2Source("encode.d2v",cpu=0)
AssumeTFF()
yadifmod(mode=1, edeint=nnedi2(field=-2))
Crop(0,0,-0,-0)
*about AssumeTFF(): it could be AssumeBFF() instead, depending on your file (T for top frame first, B for bottom frame first)
we'll see about that later
Interpolation does that.
When you line double 60 fields per second you'll get 60 frames, and each one should be different. That frames are repeating means he's repeating the even field where the odd should be, which can actually reduce artifacts at the expense of temporal resolution. Hence, throwing out odd fields.He's not throwing out the odd fields, all that's happening to get the 60fps is showing each frame twice. Meaning in the original video Frame 1 is now frame 1 and 2 of the new video, and Frame 2 becomes frame 3 and 4 of the new video. So the odd fields are also being line doubled, it's just also showing each frame twice. Which is dumb, you don't really get anything out of doing that. You'd be better off interpolating each frame so that at least then there's movement on each frame.
Easier to just simply double everything over the 24fps standard. And from what was read about Cameron showing off 48fps and 60fps footage, the jump between 48 and 60 was not as noticeable as 24 to 48.
This movie made me nauseous before I've even seen it. I checked the local ticket price for HFR 3D showings and threw up in my raisin bran. I will never feel comfortable paying $20 for a movie.
He's not throwing out the odd fields, all that's happening to get the 60fps is showing each frame twice. Meaning in the original video Frame 1 is now frame 1 and 2 of the new video, and Frame 2 becomes frame 3 and 4 of the new video. So the odd fields are also being line doubled, it's just also showing each frame twice. Which is dumb, you don't really get anything out of doing that. You'd be better off interpolating each frame so that at least then there's movement on each frame.
Yadif is an interpolation filter.
When you line double 60 fields per second you'll get 60 frames, and each one should be different. That frames are repeating means he's repeating the even field where the odd should be. Hence, throwing out odd fields.
Edit:
Nevermind, found it! So glad there is one near me.
Fresno: Fresno Stadium 22 & IMAX
No. Interlaced video has temporal resolution on each field, so you get 60fps just line doubling. Discarding odd fields and repeating even fields in their place is just sometimes done to remove the discrepancy in alignment, leaving you with consistent progressive video that has half spatial resolution and half temporal resolution.Ahh see he's line doubling 30fps footage, and frame doubling it to create 60fps footage.
Fuck yeah!
Anyone else bummed that this movie itself is being almost overshadowed by the tech aspect of it? I'll be seeing in 24 fps but only because I don't like 3D. I'd happily try 48fps first otherwise.
Holy shit! Is it really that much? Fuck that.
I already hate 3D and the extra cost, it has caused me to avoid many movies in the theater since I couldn't get to a non 3D showing when we wanted to go, so whatever, rentals. But if this also starts becoming more of the norm? Fuck going to the theater.
48fps is only available for 3D?
I get a headache watching juddering camera pans with the very low frame rate we've gotten used to. I welcome your 48fps.
To actually be on topic: There's a significant difference between 2D and 3D display, because the focus on a 2D image is entirely flat and your eye can scan anywhere keeping the same perceived depth. This is pretty easy and makes the act of watching a movie highly passive if not relaxing. When it becomes 3D, though, the perceived focal depth becomes uneven and you must choose where on the image to focus. Rapidly moving images can easily overwhelm you as you try to keep up.
There is also a dissonance between the focal depth of each eye lens individually, and the orientation both eyes must use to look at the same object in space. Each eye is seeing a flat image on the theater screen, so that conflicts with what you have to do for the latter.
One thing I try to do is to remind myself to blink and give my eyes a rest on occasion.
The Article said:The Sunday Times attempts to explain the reason for the queasiness scientifically by quoting the work of Adrian Bejan, author of Design in Nature.
Apparently, eye movement normally combines long and fast horizontal sweeps with short and slower vertical movements.
However, 48fps film requires the eye to sweep up and down faster than usual in close-ups to absorb unparalleled detail on a big screen, causing cognitive strain.
Depends on your theater. I live in Queens so tickets are already $14. The theater near my parents doesn't charge extra (over 3d) for the HFR showing, so it's $18 for them.
Shin Johnpv: Oh shit, I think I get why we're talking past each other. There's really no point to storing blank lines in digital form, so interlaced video is usually stored with even and odd lines occupying one frame.
Agreed. Just hope the movie is a good watch the old fashioned way. I mean 48 FPS is sort of interesting, but I can't sit through anymore 3D.Anyone else bummed that this movie itself is being almost overshadowed by the tech aspect of it? I'll be seeing in 24 fps but only because I don't like 3D. I'd happily try 48fps first otherwise.
B] I'd love to conduct some kind of double-blind test to see how much of these motion sickness cases are purely psychological or placebo[/B].
And yet I'm not agreeing with you.You're right on the money with your posts
And yet I'm not agreeing with you.
Well, 48 fps is probably going back in the garbage bin for another decade. I don't see movie studios wanting to touch this.
Why would someone pretend to be nauseous? Either to you or to themselves? My nausea is QUITE distinct. It is DEFINITELY caused by watching 3D with glasses and is easily replicable.
Should have shot it in IMAX.
The budget would have skyrocketed.
I remember going over a study in one of my classes about how it isn't our eyes that can tell the difference in frame rate it is the way our brain receives it. 24-30fps were the frame rate that we best process information when looking at a screen. Anything higher and our brain knows it is fake; can't properly process it. Our eyes are more than capable of recording hfr's though. Although the guys that did the study were not sure if it is because we are not use to that high of a frame rate.
So maybe that's why people are getting headaches?
Considering 24fps being standard was a technical limitation, not a stylistic choice, I call bullshit.
Read the last sentence of the first paragraph. It would make perfect sense since we have been condition to viewing in those formats throughout our whole lives.
Nope.
But that would be different because we are engaging the video game as to just watching. You ever watch a video and notice frame drops that you didn't see when you were playing the same game on the same format?I think we can rule out people who play video games since we commonly expose ourselves to higher framerates for extended periods of time.