EW: Obviously, the other big thing we have going on here in this episode is youre going back and forth between time periods. Theres the present and whats happened in the events leading up to it, and we see the past events in black and white. I know you guys didnt originally shoot it that way, but then at some point decided its going to make it a clearer read going back and forth. Tell me about the decision to go to that black and white, and how it sort of changed the perspective for you guys on that episode.
Nicotero: We always knew there was gonna be a visual cue. When we shot it, I think Scott and I had talked about the idea that it was probably gonna be desaturated flashbacks, and then oversaturated present. Every sequence that takes place in present-day is very action-packed. The cameras always moving, very fast-paced, people are running, people are screaming, people are firing guns. So in the first version of the episode, we had oversaturated the present day and desaturated the past. The trick was when we did it, we looked at it, and it looked like The Wizard of Oz. Our world is not oversaturated, our show is not oversaturated. So when you saw the really vibrant greens of the forest, it made the world look too alive. First thing we noticed when we looked at it was, Wow, the zombies, they dont look dead anymore, because now that pale color has been accentuated.
Im interested and hopeful that when we do the DVD there will be an all-color version because I think our audience is savvy enough to put those pieces together, and put those clues together, and that was always what I was hoping for. The visual effects in color are breathtaking. The zombie stuff in color is really breathtaking. When you take the color away, the quarry looks very monochromatic, but when the color is there, you really see the differentiation between the walkers and the truck and the quarry walls. So Ive been pushing Scott to put a color version of the episode on the DVD because it has a different flavor.