WHY SHOULD WE CARE ABOUT THESE FILMS? EQUALLY AS IMPORTANT: WHY DO THE MAIN PROTAGONISTS CARE ABOUT THESE FILMS? ADDITIONALLY: IF THESE MAIN PROTAGONISTS CARE ABOUT THESE FILMS, WHY DON'T THEY ASK ANY QUESTIONS ABOUT THEM?
Holy GOD I want to punch this show.
For the record, I can see on paper why Joe and Juliana were pursuing the films... Joe because he was instructed by the Nazis to do so, Juliana because her sister died for one of the films, so she wanted to complete her sister's job. Didn't help that Frank cried more for his dead nephew in one scene than Juliana did for her sister in the whole fucking series, but that's beside the point.
Everyone tells them that these films are super important. They'll change the world. Maybe. Or a guy wants them or something. So they watch the film. They see events happening that haven't happened. Maybe the films are fake? Maybe they aren't.
Joe I can see holding back on asking questions. He's a Nazi and has been taught to fall in line and not ask questions (and has been punished for failing to do so). But Juliana. And Frank. And everyone else.
Why the fuck would you not be asking questions? I know the answer to this of course: because the writers of this show don't want to to answer them yet.
But that is shitty fucking writing. Shitty like how the drawing of Juliana gets dropped and picked up by like fifteen fucking characters. It's like that fucking feather in Forest Gump had sex with the Travelocity gnome and had a stupid charcoal drawing baby.
Oh and Juliana left her necklace that Frank made her at his place and then he brought it to the assassination spot and dropped it and the Japanese trade minister (one of the few decent characters in this show, along with Rufus Sewell, and hell lets throw the Hitler actor in the mix too because god forbid the show writes AN INTERESTING ALLIED CHARACTER)... where were we.. oh right, the stupid necklace. So the Japanese Trade Minister finds it and keeps it and Juliana sees it at her job at the Japanese embassy (who did the fucking background check for THAT hire?) and they share a moment and he discloses a secret Japanese mass grave site and he keeps looking at the necklace (which is just some dumb fucking necklace he found on the ground) and at the end it warps him to another dimension possibly.
I'm not going to go into how shallow the majority of the dialogue in this show is.
I love the premise. I thought they did a strong job with world-building (if you ignore the aforementioned stupidity... not even going to comment on that bounty hunter in Carson City). The only characters I didn't hate were Nazis and Japanese characters, which I don't think was the point.
Honest to God, Season 2 needs to open with a graphic saying:
"Joe's boat sank on the way to Mexico and Juliana drowned swimming after it, and the Resistance has given up or something, and Frank is still around but no longer tethered by his idiot partner, and he got DJ Qualls free somehow because sure... now we pick up with our dual protagonists, Rufus Sewell who is suffering an existential crisis due to his son and Hitler, along with the Japanese Trade Minister who has returned to his dimension after suffering what he considers a hallucination, and both men must navigate the deadly political landscape as their countries gear for a potential war... oh, and we're going to introduce a NEW strong female character who the Trade Minister accidentally brought back with him, and she's going to be fucking ROUNDED and INTERESTING as she fights for the truth and asks god damn sensical fucking questions while fighting to survive and fix this new world or SOMETHING TANGIBLE LIKE THAT. Oh and Canada will be mentioned maybe."
This show is like bumping into the most beautiful person you've ever met, who introduces themselves and then says something stupidly racist. I don't know what they were thinking.