Sapiens
Member
I think this would be a great fit for him if true... I don't know why he has to do a trilogy though.
It would suit the manga to convert it into more than one film, imo.
I think this would be a great fit for him if true... I don't know why he has to do a trilogy though.
I'm thinking they will change the title to "Stuart" or something along those lines lol
There is absolutely no chance, if the movies are made, that they are both set in Japan and rated R. It's just not gonna happen.
I'm thinking they will change the title to "Stuart" or something along those lines lol
So either WB assumes that a massive audience will come out based alone on Nolan & Akira name recognition, or the film is adapted for a US setting.
A lot of Akira is social criticism and religious elements. Might as well do it as a Western take rather than emulating the Asian one.
It's a good and unique 6 volume sci-fi dystopian sort of Manga that became a groundbreaking tentpole of anime with it's adaptation (directed by the Manga's writer).
Akira is the name of a major character- saying anymore would spoil it though; really suggest watching or reading it (and avoiding too many online descriptors).
It's excellent as a film, and excellent as an anime if you want a more complete tale.
As for the Nolan hate....don't get that either. Personally don't think Akira can be or needs to be adapted though.
As long it's not set in "Neo America"
Man of Steel was good. Better than Captain America. Both of them.
But a lot of that social and religious criticism is very specifically based in Japanese culture, and a culture specifically colored by being the only country in the world that's had a nuclear bomb dropped on it. Not saying you couldn't translate it to America, but it wouldn't work the same way, and probably not anywhere near as powerfully, either.
Plus, you'd have to imagine that Christopher Nolan is a pretty smart guy. He knows the knocks on his filmmaking tendencies, and he's tried addressing them in little ways as he moves along. I have a hard time believing he rolls into WB, suggests taking over Akira, and doesn't immediately recognize that he's now going to have to answer questions as to why he feels like the story is automatically improved by taking it out of Japan, removing it from that cultural context, and giving the story to a bunch of older white men. That's a question he can't avoid if he signs on. So if he's not prepared to attempt answering that question, much less have a good answer for it - why would he take the job?
Still, those three are all verifiable Hollywood A-listers with multiple hits to their credit already. The casts were packed with stars and the marketing nailed home that point. Nolan has tremendous name recognition among film circles, but most of America still cares about a recognisable star.I think it's possible (highly possible) that WB believes Nolan's name is the draw. I don't think anyone at the studio thinks Leo DiCaprio is why Inception worked, and the McConnaissance wasn't enough of an explanation for why Interstellar worked. Christian Bale isn't why Batman worked, either. Nolan reinvented Batman, and that reinvention of Batman is almost 100% laid at his feet.
So they might think that whatever prestige the "Akira" branding might add would be enough to stand-in for whatever "star power" he'd otherwise have to lean on (that he hasn't really leaned on) in addition to his name and his reputation as being the guy who makes the smart blockbusters you can watch and feel like you ate your veggies.
Pls no. That movie was awful and would be worse in modern times.
Would Nolan really choose this as the hill he wants to die on?
This is amazing.McConnaissance
nolans got a great track record of subbing in actors from the british isles in place of characters actual ethnicity in his adaptations so I can wait to see what hes going to do here
Nolan has tremendous name recognition among film circles, but most of America still cares about a recognisable star.
That's why it's the question, for me. He's got enough clout to push the issue. If anyone at that studio could make the case that he doesn't want to, and he shouldn't have to, change the fundamental nature of Akira for the sake of making a movie out of it, it's probably Nolan. Would he be willing to spend that capital on this movie?
And if not - then what about the material is calling to him so much that he's looking to ride herd over another three-part comics-adaptation? And what angle could he possibly provide to Akira that would somehow justify taking it out of Japan and giving it to Joseph Gordon Levitt and Leonardo DiCaprio? Is there even such a thing? And if there isn't, why would Nolan be dumb enough to convince himself that's the way he should go?
nolans got a great track record of subbing in actors from the british isles in place of characters actual ethnicity in his adaptations so I can wait to see what hes going to do here
Well we wouldn't get many speeches that's for sure.Akira will be played by Michael Caine.
Concept sells, but you still need high profile talent in front of the camera to get attention. Studios still pay a bulk of budget to get hot stars, because they bring in cash. The audience will be more willing to give your film a chance if they've got a familiar point of reference.I'm not certain this is really true. Or rather, the definition of "star" has become diluted enough that it doesn't mean what it used to mean. I really do think Nolan's name has recognition, period. The marketing for every movie after Batman Begins put Nolan right up front. The casts are solid, yes, but Warner Bros makes sure to let everyone know that the real draw isn't that Leonardo DiCaprio is stealing dreams, or Matthew McConaughey is surfing killer waves in outer space. It's that Christopher Nolan is going to fuck with your senses again. That's almost always the thrust of the marketing for all his films.
What America will and won't show up for has less to do with stars, and more to do with branding/concept, anymore. They don't even have to be all that familiar with the branding, so long as its presented strongly, and they can wrap their heads around the concept. Nolan and WB have created a little brand for themselves, and it's very successful, and it's tied into making very large sci-fi that seems very smart for a blockbuster.
Akira fits right in with that. But an Akira taken out of Japan and placed in Manhattan is going to draw a lot of spotlight and heat. Hell, Matt Damon got caught being a dumbass on Project Greenlight last night and that's multiple articles and a 5 page thread here, yunno? Is Nolan, or the studio, willing to eat the shit they're guaranteed to eat if they proceed with whitewashing one of the single most widely known Anime ever made?
You do not "remake" perfection.
Concept sells, but you still need high profile talent in front of the camera to get attention.
As for potiental controversy, I somewhat agree. The audience most likely to care about Nolan or Akira is also the most likely to take offense at a whitewashed cast, or a sloppily westernized take on the material. But if they can sell the core of America on a Sci-Fi adventure with grand visuals and big name actors, that controversy gets drowned out.
Oh man now I want this.I bet Nolan could make a great Death Note movie.
If Nolan has tighter grip on this, than what he had for Man of Steel, there chance the films will look great visually.