Cool, definitely interested
And yeah going back to your comment about being a small press comic book writer, I only started reading comic books last year. Like really reading them. I had dabbled here and there, had a few volumes of Ultimate X-Men and Spiderman, knew that Spawn and Hellboy and Kickass were based on comics. But I always had that "comics are mostly superheroes and not really anything for adults" attitude. Which is ironic because that's kind of how my parents are towards video games, and I'm always trying to explain with examples like The Last of Us and Gone Home and SOMA
So when I finally started digging into comics, and discovered the vast vast ocean of indie comics and Image and Vertigo and all the sci-fi and horror and noir/crime series from them and smaller companies, it was an eye-opener. Much like when I discovered podcasts, it was like there was this whole new medium I knew nothing about, waiting to be explored
So yeah, guys like you, keep up the awesome work.
Cheers - much appreciated for the interest and kind words. It's a slog of an industry, not due to the work (it's great fun and I love it, as well as enjoy meeting readers and talking about story/comics/process) but because distribution and marketing is difficult if you're not one of the 'big boys'. So it’s easy to get lost in the shuffle. Local shops help but it’s a market where there are lots of small fish like us, swimming in a tiny pond already full of big fish. Even some Image creators struggle to the point of cancellation before their time, so non superhero genres being big sellers outside of Vertigo is only really something which has fully emerged in the last 15 years.
Things are better now than they have been for about a decade, but until the industry finds a better distribution model we’re very limited. I sell far more at conventions than I do in shops, although sales trickle along in London and Birmingham, so I’m grateful.
Anyhoo, Comics! I’ll just post the most recent stuff I’ve been part of:
Magic of Myths – fantasy adventure – artist: Sergio Calvet – currently 2 seasons in a 6 season series
“Eve has been chosen to become a mythological heroine, for an all-important and life-defining mission. She just doesn’t know exactly what this mission is yet…
“Dragged from her life and job as an English literature teacher living in the USA, Eve is thrown into a strange, yet familiar fantasy world full of myths, fairy tales and monsters – often without warning. Forced to prove her skills with magical armour and weapons in a variety of tests and battles, she awaits the time where her stuffy and unusual tutor, Tink, will reveal who and what she’s doing this for...
...but when she finds out, it changes everything... “
Magic of Myths is inspired by the likes of Sandman, Alice in Wonderland and Buffy the Vampire Slayer – a story about stories, how we shape our own tales/myths and the perils of seeking fame/glory without knowing the costs.
It’s been successful enough to lead into our most recent story, a one-shot spin-off called:
Magic of Myths: Faerie – Shakespearian fantasy - artist: Sergio Calvet
“Robin is brutally, desperately, outrageously unhappy.
“Incensed at what she feels is vicious character assassination by The Bard in his play A Midsummer Night's Dream, Robin sets about to put things right – by any means necessary.
“But in her quest to reclaim her identity, this feisty sprite stumbles across a sinister plot that will change the realm of Faerie – and Robin’s life – forever. And sets in motion devastating consequences that will be felt across the entire world for centuries to come… “
This is a story which dovetails into the main series of Magic of Myths. It’s currently our fastest selling book in the series and, along with Magic of Myths, has been used to also help teach kids in schools in the UK about William Shakespeare.
Clockwork Watch – Transmedia steampunk drama – artist: Jennie Gyllblad; creator Yomi Ayeni – currently working on the third and final book in the main series (which started as an Indigogo campaign)
“When British society is promised something new, Her Majesty’s Government appoints a group of esteemed scientists to create a brighter future. They look to an Indian visionary for help. Chan Ranbir, Master Kineticist at Calcutta University - a man with dreams of a world aided by clockwork servants.
“But for the Ranbir family, life is only going to become more complicated - and while their arrival in Victorian London heralds the rise of science, it's at the expense of morality...”
I’m an adapting writer for these as Yomi is the creator who originally wrote them as films (we’re still working to get a film done) – so I was hired to work the screenplays into graphic novels. It’s essentially a story about clockwork servants being created to aid British society during the Victorian era, but they eventually gain sentience and start a civil rights movement – and as such, create a massive and violent schism in that same society as a battle for equality begins. But at the heart of this, is a story of a damaged young boy trying to live up to his father’s expectations while at the same time fighting his way out from his shadow.
This led to a three issue spin off series which I edited and consulted on:
Clockwork Watch: Tick Tock IPA - Transmedia steampunk drama - artist: Jennie Gyllblad; writer: Yomi Ayeni
“A tale of perseverance against the odds, the fight for civil rights, and a history of the Victorian era's first internationally renowned Pale Ale."
I’ve also done stuff for the
Dead Roots anthology and some of the
Unseen Shadows (novel) universe comics, to name but a few. Hopefully our profiles will grow - we're exhibiting at San Diego Comic Con for our 4th year this July, so please do come over and say hi if any of you are attending.