Man, what the fuck?
Man, what the fuck?
A crime family in the dying age of family business. See why it ain't easy being a Gerhardt with the cast and crew.
Because America sucks.
Because America sucks.
Na, blame them for putting season one on fucking Hulu exclusively.
I do kinda wish Michael Hogan had a little more to do than just sit and glower. I mean, I understand that's the role. But I wanna see what he'd do with this dialog man.
Why.
Goddamn, another excellent episode.
Wait till the season finale where he finally gets up with a revolver in hand and shoots Dodd in the head before keeling over.
Have they said if they're leaving clues re: season 3 in this season like they did last year? I could see the Gerhardts in 1951 as maybe being the story that next season focuses on.
Agree~
That would be kinda cool. Like if in every season the show went further and further back until it was basically a Western.
As I noted in the renew/cancel thread, I don't think the show is in any danger of not being renewed by FX, but it's still disappointing to see the low numbers.Great episode, too bad about the ratings though, I hope the show gets picked up.
As I noted in the renew/cancel thread, I don't think the show is in any danger of not being renewed by FX, but it's still disappointing to see the low numbers.
Man, Lou really likes being in risky situations, doesn't he?
On this edition of Polite Fight, the TV analysis show thats erudite with a light bite, video producer Gus Spelman and editor-in-chief John Teti direct your gaze to the double-standoff sequence that anchored the latest installment of Fargo, The Myth Of Sisyphus. A comment by Pray For Mojo on Zack Handlens episode review helps kick off our conversation about Lou Solversons two tense confrontations with unlawful types. At first, Gus thinks that the sequence was too repetitive, but as we take a closer look, we see that the similarities between the scenes help accentuate the differences between the approaches of the Fargo and Kansas City syndicates.
Gus and I also examine the set dressing and shot framing that make the salon into Peggys house of horrors. As a hub of casual information-trading, the salon is where the townspeople are liable to piece together the far-flung pieces of the Waffle Hut mess, and Fargos reliably purposeful filmmaking helps us feel the building pressure on Peggy.
Embarrassing a civilian needs needs to teach a Sheriff how do his his job. He wasn't even close to entertaining the idea of a hit-and-run even though all evidence pointed to it. Fucking shoe on the tree, man. Liked how Peggy's trying to shoot the theory down with what i said: who's going to hit someone and drive with his body home? On that front things are progressing okay, i just don't get why the kickstart the plot this season with a more or less inexplicable behavior by Peggy.
Embarrassing a civilian needs needs to teach a Sheriff how do his his job. He wasn't even close to entertaining the idea of a hit-and-run even though all evidence pointed to it. Fucking shoe on the tree, man. Liked how Peggy's trying to shoot the theory down with what i said: who's going to hit someone and drive with his body home? On that front things are progressing okay, i just don't get why the kickstart the plot this season with a more or less inexplicable behavior by Peggy.
Not sure how Mike knows and states as a fact Rye was the shooter and is now likely on the run, and on the other hand his family are none the wiser. Rye's name wasn't in the news, right?
This show would be a whole lot better if it didn't try so hard to emulate Coen brothers-style conversations, since it never succeeds. The plotting and characterization is good enough without it, and it's very distracting.
This show would be a whole lot better if it didn't try so hard to emulate Coen brothers-style conversations, since it never succeeds. The plotting and characterization is good enough without it, and it's very distracting.
Jean Smart is totally getting an Emmy for this.
I think it's safe to say that most people watching this show have never seen the film on which the show is based. It's probably more distracting because you know what they're trying to do.
I can't speak for the US of course. But in my area the only people watching this show are also Coen brothers fans. It's a very specific show with a weird kind of humour. My bet would be that most people who watch this show are familiar with the Coen bros and at least the Fargo movie.
I think it's safe to say that most people watching this show have never seen the film on which the show is based. It's probably more distracting because you know what they're trying to do.
Well for me personally the only reason I began watching the first season was due to seeing Fargo for the first time a year beforehand and loving it.
Also apparently the other cop Lou was with in the last ep. was mentioned in the first season when Lou first met Gus.
S2 supposedly has a more comedic tone and is also expected to explore early issues of feminism.
Is this thread spoiler free? I finished season one yesterday and I really liked it. I loved the dry humour. Started watching season 2 today and I've seen the first two episodes. I don't know, I'm not feeling it so far. And this quote from the OP:
I'm not seeing this in the first two episodes. It's so much more serious and gritty compared to the first one, and I don't love this direction. It's like the exact opposite of what I liked from season 1. But it's not awful of course, it's just different so far. Still good.
Also, how many episodes have been aired? I thought the whole season 2 was on Netflix, but apparently it's only updated to episode 3...