So was there an overarching point to the UFO stuff that I missed?
It's hard to say. I think it's just the overall Coenism of 'embrace the mystery'.
In Cue & A, we raid the record collections of our favorite television shows, including FXs Fargo, which solidified its reputation as one of TVs best shows in season two thanks in part to the work of music supervisor Marguerite Phillips.
Fargo went back to its roots in its second season, flashing back to 1979 and focusing on a young Lou Solverson (Patrick Wilson) as he becomes ensnared in a bloody battle between the Gerhardts, a small-town crime family, and the corporatized syndicate horning in on their turf. Marguerite Phillips, who also wrangles music for HBOs Togetherness, came aboard to source dozens of songs for season two, having little to go on from season one, which contained very little licensed music. Luckily showrunner Noah Hawley had plenty of ideas, many of which were borrowed from Coen brothers films. This interview covers the music from season two, and it discusses major plot points in detail.
The last two episodes have somewhat tainted my impression of an otherwise great season.
So was there an overarching point to the UFO stuff that I missed?
I loved it. The show was firing on all cylinders this season from start to finish. It's one of those rare shows where I was genuinely excited to watch it each week to see how it unfolds. The writing delicately balanced the violent, weird, and humorous events each week, and stretches of the dialogue were superb. This show made me grin as much as anything else this year, but they also put together incredibly tense scenes as well as layering in social commentary. The cast, while lacking the wattage of S1, was wonderful and it was nice to see so many underrated character actors working well here (Dunst! Wilson! Danson! Smart! etc...) along with a few new discoveries (Bokeem Woodbine & Zahn McClarnon in particular).Hey Cornballer I'd be curious to hear your thoughts on this season now that it's over
Lou on Lou: A Conversation with Patrick Wilson, Keith Carradine and Noah Hawley
Waffles and Bullet Holes: A Return to Sioux Falls
The Films of Ronald Reagan: Extended Fargo cut
The True History of Crime in the Midwest
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This sounds like the best thing, even if just for the title alone.Lou on Lou: A Conversation with Patrick Wilson, Keith Carradine and Noah Hawley
Fargo spins such a unique tapestry. Even spoilers don't matter because while the story is great, it's what it does that is so special. You could say "Bear dies in episode 8" and it wouldn't even be a spoiler. The proper response would be "Sure, but how, why, how was it shot, what did they do with it?!". Can't wait for S3, despite my secret hope that they would keep tracking backwards in time to a badass 20's midwest-Boardwalk-Empire-thing... maybe someday.
I loved it. The show was firing on all cylinders this season from start to finish. It's one of those rare shows where I was genuinely excited to watch it each week to see how it unfolds. The writing delicately balanced the violent, weird, and humorous events each week, and stretches of the dialogue were superb. This show made me grin as much as anything else this year, but they also put together incredibly tense scenes as well as layering in social commentary. The cast, while lacking the wattage of S1, was wonderful and it was nice to see so many underrated character actors working well here (Dunst! Wilson! Danson! Smart! etc...) along with a few new discoveries (Bokeem Woodbine & Zahn McClarnon in particular).
In terms of production design, they nailed just about everything - the setting, the costumes, the visuals (split screen, fake movies, shot framing), soundtrack, etc... It all worked so well. I do have some minor quibbles including things that I brought up here, but these were very small issues that didn't bother me in the face of a show that was this well constructed. Fargo, the TV anthology, never really seemed like a good idea, and then Season 1 turned out to be a great ride. For the show to return with a more ambitious season season and turn out this well is amazing. I'm looking forward to what's next, and I'll happily rewatch the first two seasons in the meantime.
they are going to 2010 and looking at "selfie oriented culture" i believe.
That soon? Wow
I got a press release about the Blu-ray today.
I finished the season yesterday, by watching the finale. It was good, and definitely satisfying, but it didn't show everything I was expecting it to. That's okay, though, because we didn't need to seeLou's wife suffer any more, and I'm glad I didn't have to watch that.
I've been a Patrick Wilson fan for years, and enjoy his performances in horror movies, and he deserves a ton of credit here. He was great. I like that he's also a likeable guy in general.
It was also nice to see the Season 1 cast in the dream, see Ted Danson in something good again, and see the end of the Gerhardts' story.
I still don't really like that they brought UFOs into the mix, because it cheapens the show, and I also don't like the whole Tripoli thing. It is not believable.
Yeah they ripped that right out of raising arizona, gave me more of a chuckle than anything. Not sure why they did that.
I loved it. The show was firing on all cylinders this season from start to finish. It's one of those rare shows where I was genuinely excited to watch it each week to see how it unfolds. The writing delicately balanced the violent, weird, and humorous events each week, and stretches of the dialogue were superb. This show made me grin as much as anything else this year, but they also put together incredibly tense scenes as well as layering in social commentary. The cast, while lacking the wattage of S1, was wonderful and it was nice to see so many underrated character actors working well here (Dunst! Wilson! Danson! Smart! etc...) along with a few new discoveries (Bokeem Woodbine & Zahn McClarnon in particular).
In terms of production design, they nailed just about everything - the setting, the costumes, the visuals (split screen, fake movies, shot framing), soundtrack, etc... It all worked so well. I do have some minor quibbles including things that I brought up here, but these were very small issues that didn't bother me in the face of a show that was this well constructed. Fargo, the TV anthology, never really seemed like a good idea, and then Season 1 turned out to be a great ride. For the show to return with a more ambitious season season and turn out this well is amazing. I'm looking forward to what's next, and I'll happily rewatch the first two seasons in the meantime.
"What's your name?"
"Tripoli."
"No, not that name. You're not a City, and neither am I. We're men with names. My name... is Noah. And you?"
"Hanzee."
"Interesting name. I won't forget it."
Hanzee means shadow. His new first name is Moses. Hanzee...Moses. Shadow Moses!
Anyhow, i'm still trying to recover from people trying to downplay the UFO appearance as not a bad, cheap, dues ex machina piece of writing that saved the main character's life.
You can't seriously believe that they couldn't write the same story without a UFO in it?
You can't seriously believe that they couldn't write the same story without a UFO in it?
I had no idea what they were talking about with the Tripoli stuff at the end. Why would I remember some bit character from a couple of scenes in the first season, y'know? I thought Hanzee was going to move to the actual city in Libya, because he's "done with this life". Didn't realise they were implying he was going to plastic surgery himself into a fat white guy and get killed by Billy Bob until I saw reviews online.
Frankly, a twist that dumb has me rethinking the whole season at this point. I'd assumed there was method to the madness, but knowing the writers could come up with something so silly makes me wonder how much weirdness was weirdness for the sake of weirdness. Fargo is supposed to be absurd, but I don't want to just watch the Anything Goes Because Why Not Zany Funtime Hour.
Can't believe they just straight ripped off. This season felt very lackluster compared to the first.The Shield
Hanzee means shadow. His new first name is Moses. Hanzee...Moses. Shadow Moses!
Apparently there were a lot of UFO reports coming from Minnesota in the '70s. I think it's just because the story is told in a 'based on a true story' way and this is what eyewitnesses could have said in that time and place.So was there an overarching point to the UFO stuff that I missed?
...how did they rip that off? Only thing I can think of is, but that's under a vastly different circumstance/context.Mike Milligan ending up at a desk job
I couldn't agree more. The last 2 episodes were a pretty big let down in my book.
I'm with you.. the way the season ended honestly made it go from an amazing season to just a great one for me.I am fine with the UFO. It fits just fine with the "shocking true stories!" sort of thing. The forced connections to the first season were terrible. Mike's arc ending with a scene that played for laughs (even if in a clever way) was terrible. The entire final episode was pointless and cast a bad shadow on all preceding episodes.
Instead, a misplaced (but obviously intended) British sounding narrator tells us they don't know for sure; that we don't know for sure.