triplestation
Member
Get Alfonso cuaron on this shit playa
Some of the best Showa films have great human plots that could be reworked to work without kaiju. Invasion of the Astro-Monsters (which was actually a coproduction with a US studio) and Destroy All Monsters are two such ones.
2014's human plot wasn't the best, but it was still better than most of the Japanese Godzilla films.
Edwards wanted to keep the Showa-esque nature of the film a secret if I remember correctly.
And he did a damn good job at it too. That scene with Godzilla swimming in formation with the US Navy was worth it alone.
I've always liked the version of Godzilla where he is the defender of the Earth better. Not the overly human friendly version from some of the worse Showa films, but the version that doesn't go out of his way to destroy humanity.
Man, none of you nerds deserve Godzilla 2014.
I'm not sure it's a big loss. He created some stunning visuals and one truly memorable moment, but he also made the most boring Godzilla movie ever.
Honestly, the amount of Godzilla isn't the issue.Also, Godzilla 2014 had more Godzilla screen time than 9 of the other 29 movies. I was honestly surprised to see vs. MechaGodzilla and Ghidorah so low since those are kind of my favorites. It also beats out the original 1955 movie by a full minute;
Also, you see Godzilla in the 2014 movie for 9 minutes and 56 seconds. For comparison, here's the screen time for other movie monsters;
The Blob (1958): 1 minute, 26 seconds
Jaws (1975): 4 minutes
Alien (1978): 3 minutes, 36 seconds
Cloverfield (2008): 3 minutes, 26 seconds
With the exception of the Blob, none of those monsters have a full body shot in the first hour (Blob clocks in at 21:47). Cloverfield's director put it best; “there’s nothing more terrifying than the dread, the anticipation of seeing something.”
The problem with Godzilla 2014 isn't a lack of monster; it's lack of good human. They bump off Bryan Cranston way too early, Strathairn only interjects "military stuff" when Watanabe isn't dropping pseudo-philosophical gibberish, and Aaron Taylor-Johnson has all the charm and emotion of a wet gym sock. There's a lot wrong with Godzilla'14, but laying it solely at the feet of "not enough monster!" isn't it.
Nailed itHonestly, the amount of Godzilla isn't the issue.
It's the way Edwards went about hiding him. There came a point where it was no longer about building suspense and dread, but rather blue balling the audience. The way he'd reveal the monster, only to pull a "gotcha" on the audience by then switching to a TV screen, or something similar, as if it was some comedy, was utterly terrible, and only served to upset audience.
You don't unveil the monster and then try to pretend you didn't and try to hide him again.
Honestly, the amount of Godzilla isn't the issue.
It's the way Edwards went about hiding him. There came a point where it was no longer about building suspense and dread, but rather blue balling the audience. The way he'd reveal the monster, only to pull a "gotcha" on the audience by then switching to a TV screen, or something similar, as if it was some comedy, was utterly terrible, and only served to upset audiences.
You don't unveil the monster and then try to pretend you didn't and try to hide him again.
I believe Tull even went as far as to describe Edwards as the "next Chris Nolan".
!
I was always a little surprised they stuck with him this long considering Godzilla had almost historically bad legs.
I was always a little surprised they stuck with him this long considering Godzilla had almost historically bad legs.