I don't care that much to be perfectly forthright.
The character was always a pretty dull one for me.
He can turn small and talk to ants? Seriously? This is supposed to be exciting?
There are better characters out there for Marvel to focus on.
I'd trust a Yost script over anything Wright could do. If it is indeed Yost.
No thats bullshit.
The 8 years came because Wright wanted to do Worlds End because his freind and producer of his other movies got sick and he had promised to do another movie with him and Marvel was ok with delaying Ant Man to let him. Heres an interview from last year.
http://www.cinemablend.com/new/Edga...-Man-Doesn-t-Make-Him-Hypocrite-39177-p2.html
Latino-Review claims scoop:
This is certainly going to be a costly exit for both sides. Not just financially but in terms of how both are seen about town. There's a reason that Thor 2 and Capt America 2 (which I both enjoyed I have to say) were directed by former TV helmers.
Feige obviously wants to switch to a TV production style chain of command where the producers and writers are ranked 'higher' than the director. Marvel are clearly operating a policy where a 'showrunner' (Feige in this equation) controls the artistic vision of the output (films and TV) and his word/vision is louder than any director they hire. Clearly it's a case of the director having to tow the party line or youre fucking replaced ASAP.
Marvel is not, and never will be, a place for auteurs on any level. Apparently even Shane Black was more of an 'creative editor' on Iron Man 3 rather than a director controlling all aspects of the production. I imagine the same would have been true of Whedon on The Avengers.
Not so at WB. While Warners have clearly fallen behind in the comic book movies 'cold war' it's clear that they have taken a more auteur driven approach to their DC properties. In short Marvel may have been crushing it of late but that comes at a cost. Marvel will never have directors like Edgar Wright or even Chris Nolan adapting their work because it runs against how they do business.
This is true.FYI, the vast majority of mainstream Hollywood films are run in this fashion, in which the producers have the ultimate creative power over the director. Only really powerful directors (Spielberg, Scorsese) have the power of final cut.
I don't know that WB is really that much "the land of the auteurs" either. Nolan and Affleck can do whatever they want, but even Snyder has to cowtow to studio demands (and said as much perhaps too candidly at last year's SDCC).
What you wanna fight about it? Yost is a great writer both on animated TV and comics. He'd do an Ant-Man movie justice.
The Thor script was fine though.
I don't know about Latino-Review's overall track record,
FYI, the vast majority of mainstream Hollywood films are run in this fashion, in which the producers have the ultimate creative power over the director. Only really powerful directors (Spielberg, Scorsese) have the power of final cut.
Not to the degree that Marvel has. As I said there's a reason that Marvel hasn't been chasing 'name' directors but instead choosing to work with TV directors and people with just one or two credits under their belt, it's because they aren't looking for directors to 'authour' their work.
That's what you are going to get from Chris Yost, a sterile and lifeless story that will fit firmly in the MCU. He is the Great Value version of writers. Disney will still make money of merchandising and control the supply chain.It was "fine" though. That's what Thor 2 was in essence; it was ok. An inoffensive sequel that broke no boundaries or did anything exciting in particular.
I think it's pretty blatantly clear they never intended Pym's story to play out exactly as it does in the comics, hence this;
(Age of Ultron teaser where the Iron-Man helmet resembles the Ultron head)
They're not above changing details of the comic to fit the films, hence why we don't get a real Donald Blake alter-ego for Thor.
I believe Feige's given an interview before where he explicitly states this. I think he was discussing Louis Leterrier's work on The Incredible Hulk, in fact.
When people applaud Marvel's production pipeline, they're essentially applauding the 40s/50s Hollywood studio system.
Marvel tells its directors upfront that they won't have final cut, though; it's written into their deal, not sprung on them later.
Marvel tells its directors upfront that they won't have final cut, though; it's written into their deal, not sprung on them later.
There is an alternate universe in which Antman released already and The World's end doesnt exist, thats a better reality than this one.
What are the chances that Marvel realizes it's losing more than it is gaining from Edgar Wright leaving and compromises and asks him to come back?.
go Joss. I knew he'd be pissed about this.
What are the chances that Marvel realizes it's losing more than it is gaining from Edgar Wright leaving and compromises and asks him to come back? I can't imagine how in the world they'll get this movie about by next summer if they don't event have a solid director anymore.
Does that go for Whedon as well? I wonder if it was always like that or it was implemented post-Disney buyout
That's what you are going to get from Chris Yost, a sterile and lifeless story that will fit firmly in the MCU. He is the Great Value version of writers. Disney will still make money of merchandising and control the supply chain.
They didn't seem to have told Edward Norton that.Marvel tells its directors upfront that they won't have final cut, though; it's written into their deal, not sprung on them later.
They didn't seem to have told Edward Norton that.
Reminds me of Macklemore's self serving tweet after the Grammys (although, Macklemore's tweet was much more slimy for a different reason)
"Hey nerds, I'm on your side! I won't actually do anything about it, but I'll tweet and show I'm one of you!"
Reminds me of Macklemore's self serving tweet after the Grammys (although, Macklemore's tweet was much more slimy for a different reason)
"Hey nerds, I'm on your side! I won't actually do anything about it, but I'll tweet and show I'm one of you!"
There is an alternate universe in which Antman released already and The World's end doesnt exist, thats a better reality than this one.
I agree but would also say that the best directors were able to make personal works within the studio system in those years. Ford, Hawks, Hitchcock, Sturges, Fuller. So a great writer/director (Black, maybe Gunn or Wright) could feasibly follow the Marvel blueprint while satisfying the higher ups.I believe Feige's given an interview before where he explicitly states this. I think he was discussing Louis Leterrier's work on The Incredible Hulk, in fact.
When people applaud Marvel's production pipeline, they're essentially applauding the 40s/50s Hollywood studio system.
They didn't seem to have told Edward Norton that.
This "scoop" reeks of bullshit considering what we already know about how Marvel Studios' process works, on multiple accounts. From forcing the inclusion of franchise characters to the script rewriting (lol).Latino-Review claims scoop:
I don't want Wright's masterpiece sacrificed for a superhero movie, thanks all the same.
Scorsece and Spielberg are way beyond the point where they aren't also major producers in their own films.
What you wanna fight about it? Yost is a great writer both on animated TV and comics. He'd do an Ant-Man movie justice.