To be fair, the article puts that blame on Lord and Miller and not on Ehrenreichs acting capabilities.His performance is being compared to Ace Ventura, apparently.
http://movieweb.com/han-solo-movie-alden-ehrenreich-compared-jim-carrey-ace-ventura/
...What?They say also said he started this mutiny between the directors & studio.
This is what happens when you hire models instead of actors.
Rian Johnson
Ava DuVernay
Ryan Coogler
Susanne Bier
Edgar Wright
Joe Johnston
and/or JJ Abrams
Nice.Would that it were so simple.
If this is a trainwreck then I hope they ditch the side-films and just concentrate on proper episodes. Would much rather the story keeps going forward rather than wallow in prequel hell.
Well then.
Agreed. I'm not saying anything bad about the actor playing Han, but Harrison Ford is Han Solo, and nobody to me will ever be a replacement. Same with Indiana Jones.
I can't see DuVernay and Edgar Wright fitting into this stucture you're describing at all.
There's a very interesting detail regarding cameras and placement. Lucasfilm wanted at least 12 cameras and positions for every take but the Miller and Lord were using only two. That's weird. Having 12 cameras allows for more editing options. The only reason to limit the cameras s to prevent the studio from imposing their vision in the editing process. That's a very aggressive move for a directing duo managing a franchise that's worth over a billion dollars.
In other words, I would have fired them as well for using 2 cameras instead of 12.
Funny how many different angles one could take to present the Hollywood Reporter's story and the OP chose "THEY HIRED AN ACTING COACH FOR EHRENREICH."
Nothing wrong, but of all the tidbits.
Here's what I've been thinking, after reading this thing, and seeing the scuffles/scrapes LFL's gotten in with their current methodology of "This white man is young and semi-successful in the indie realm let's throw $200 mil at em and make a Star War"
Lucasfilm needs to start treating their Cinematic Universe for what it actually is: A big fat TV Miniseries
That's really all Cinematic Universes are, for the most part. You just subtract the TV and add $200 mil budgets. But this is what the studios are about now, this is how blockbusters work. Sequels aren't doing it anymore. You have to build these giant, multi-film narratives that can branch out and spin-off.
And in order to do that, you need to adopt the television production model, because TV's been doing it for years now, and some of the best filmed entertainment IN the past 20 or so years is coming out of television. Everyone knows this, it's not surprising or bold to say.
If film studios are increasingly biting the notion of a Writer's Room or "Story Group" or whatever they want to call the overseeing brain trust of a fictional universe, then they (and Lucasfilm specifically, it seems) need to go the next step and also adopt the notion of a Director's Bench.
Find the 5 or 6 directors you know fit the needs of your production, the specific blend of talent, creativity, ingenuity, leadership, organizational skills, and efficiency, and then lock 'em down. Rotate em through. (which gives them time to go off and make their own things, as well)
This is basically where we're headed already. People have been thinking about our entertainment entities as sports teams as it is for a pretty damn long time. Might as well lean into it, right? Studios getting into the cinematic universe game are probably gonna have to start building those benches. Drafting directors. Signing 'em to contracts.
Imagine a Lucasfilm where, no matter WHAT gets announced, you know that either
Rian Johnson
Ava DuVernay
Ryan Coogler
Susanne Bier
Edgar Wright
Joe Johnston
and/or JJ Abrams
is going to be making it. Boosts your confidence, right? It'll boost production's, too.
I dunno. Just seems to me like this is basically where we're heading anyway. Might as well get out in front of it. Filmmaking was already a collaborative thing that made "auteur theory" fit like David Byrne's suit. This sort of large-scale storytelling? Might as well make it a full on team sport.
We're heading back to the 40s & 50s, I think, in terms of how the sausage gets made.
Pretty much everyone thought it was a good idea. In no small part because a Han Solo movie is a bad idea, and Lord&Miller are known for turning bad ideas into great movies.
Why would they NOT applause?
The boss has a meeting with the crew, announces the new director, you think people will just sit there with crickets chirping? In any work environment people will applaud.
This won't change the fact that this movie is a dumb idea, no one can do Han Solo, period. This is a cash grab because they don't want to do something entirely new
12 cameras sounds like an absolute nightmare to keep track of on set, honestly. There's giving yourself enough options to play around in the editing room, and having so many you're only distracting yourself from the fundamentals of the scenes in editing.
Ewan is practically standing there and they decide to make a Han Solo movie. Now it's all going to hell. Disney deserves this.
with this amount of money, no one cares about how hard it is to track just hire more people.
Exactly. 100% agreed. I've been arguing this for years. What is Kevin Feige? He's a blockbuster show runner on the biggest show in the world.
Yes, it's a reversal of the 70's auteur movement, but it works and works well.
To do what?
I bet when all is said and done. The movie turn out fine and do well.
To be fair, the article puts that blame on Lord and Miller and not on Ehrenreichs acting capabilities.
There's a very interesting detail regarding cameras and placement. Lucasfilm wanted at least 12 cameras and positions for every take but the Miller and Lord were using only two. That's weird. Having 12 cameras allows for more editing options. The only reason to limit the cameras s to prevent the studio from imposing their vision in the editing process. That's a very aggressive move for a directing duo managing a franchise that's worth over a billion dollars.
In other words, I would have fired them as well for using 2 cameras instead of 12.
They need to give us the Obi-Wan movie first, then we can talk.
...What?
Always felt "this is a cash grab" was a weird complaint when it came to studios greenlighting certain blockbusters films.
All blockbusters are supposed to make as much money as possible. They're all cash grabs. That's sort of the nature of a corporate industry.
I have a feeling that he was underperforming and felt that the demands were too great on him resulting in hyperbole.His performance is being compared to Ace Ventura, apparently.
http://movieweb.com/han-solo-movie-alden-ehrenreich-compared-jim-carrey-ace-ventura/
I don't want good looking douches in decent franchises, look at what happened to Prometheus. Let's keep these idiots locked to romantic comedies and young adult films.
A cash grab means not putting in actual effort. Not difficult to understand.
I don't want good looking douches in decent franchises, look at what happened to Prometheus. Let's keep these idiots locked to romantic comedies and young adult films.
It's not that weird. Many of the top directors don't shoot any coverage. It can be the mark of a great director actually. But yeah most directors shoot with tons of more angels especially the ones that don't know what they want. But if you do know what you want, there's no real reason to shoot with many angels.
..what happened to Prometheus? Logan Marshall Green is great, Fassbender almost salvaged the movie, Idris Elba and Charlize Theron were shit but that was because of the script.I don't want good looking douches in decent franchises, look at what happened to Prometheus. Let's keep these idiots locked to romantic comedies and young adult films.
Eeehhhhh.Funny how many different angles one could take to present the Hollywood Reporter's story and the OP chose "THEY HIRED AN ACTING COACH FOR EHRENREICH."
Nothing wrong, but of all the tidbits.
Here's what I've been thinking, after reading this thing, and seeing the scuffles/scrapes LFL's gotten in with their current methodology of "This white man is young and semi-successful in the indie realm let's throw $200 mil at em and make a Star War"
Lucasfilm needs to start treating their Cinematic Universe for what it actually is: A big fat TV Miniseries
-Snippity snip-
We're heading back to the 40s & 50s, I think, in terms of how the sausage gets made.
...Right.I don't want good looking douches in decent franchises, look at what happened to Prometheus. Let's keep these idiots locked to romantic comedies and young adult films.
A cash grab means not putting in actual effort. Not difficult to understand.
It works for Marvel but I don't want it spreading everywhere.
I'd say Obi being a mostly absent side-character in the original trilogy, versus being a much bigger character in the prequels.I love Harrison Ford as Solo, Indy but what is the difference between Obi and Han when Ewan plays Obi Wan and everyone wants his solo film?
Alec not cool so doesn't matter?
You guys are misinterpreting this. It's not 12 cameras, it's 12 setups. A setup is just that, meaning the camera and lighting is setup for one specific angle. When you change angles, you have to move the camera, move the lights, fly in or out parts of the set, etc., and set it all up again.12 cameras sounds like an absolute nightmare to keep track of on set, honestly. There's giving yourself enough options to play around in the editing room, and having so many you're only distracting yourself from the fundamentals of the scenes in editing.
DuVernay's already worked somewhat within it (helped on TFA) and is currently doing Wrinkle in Time for Disney. She's already in the fold and knows how to work with the production apparatus.
You could swap out Wright if you don't like for someone like Rachel Talalay. Or Neil Marshall.
I love Harrison Ford as Solo, Indy but what is the difference between Obi and Han when Ewan plays Obi Wan and everyone wants his solo film?
Alec not cool so doesn't matter?