FinalBossWithTheMostPower
Member
Having just finished Mafia: The Old Country I wanted more, so I picked up Mafia III: Definitive Edition on Amazon for $5.99 as a digital code.
When the game launched in 2016, I dropped it early. The opening felt disjointed and I never pushed past those first chapters. Coming back now, I see it differently.
The game has flaws. I'm still early (less than 5 hours) so mission reptition hasn't hit yet, and some systems show their age, especially when compared to a newer implementation like the weapon wheel appearing in the lower left of the screen versus a complete screen overlay. But as a whole it holds up and offers more than it was ever given credit for.
New Bordeaux still looks great ten years later. The atmosphere is rich, the soundtrack is perfectly chosen, and the story is rooted in its era with characters that carry weight. It also does not shy away from dealing with race and the realities of the late 1960s, which may have been part of why it was dismissed at the time. Was it open world fatigue, or was it discomfort with a Black protagonist in that setting?
What makes it stand out are the details. The collectibles like the playboy mags, the mood, the way everything ties together. It's dripping with style.
Now that I have finished The Old Country and can view the series as a quadrilogy, I think this entry is something special. Each has its own identity, and 3 deserves to be remembered as an essential part of that story.
Anyone else revisited it after 'The Old Country?'
When the game launched in 2016, I dropped it early. The opening felt disjointed and I never pushed past those first chapters. Coming back now, I see it differently.
The game has flaws. I'm still early (less than 5 hours) so mission reptition hasn't hit yet, and some systems show their age, especially when compared to a newer implementation like the weapon wheel appearing in the lower left of the screen versus a complete screen overlay. But as a whole it holds up and offers more than it was ever given credit for.
New Bordeaux still looks great ten years later. The atmosphere is rich, the soundtrack is perfectly chosen, and the story is rooted in its era with characters that carry weight. It also does not shy away from dealing with race and the realities of the late 1960s, which may have been part of why it was dismissed at the time. Was it open world fatigue, or was it discomfort with a Black protagonist in that setting?
What makes it stand out are the details. The collectibles like the playboy mags, the mood, the way everything ties together. It's dripping with style.
Now that I have finished The Old Country and can view the series as a quadrilogy, I think this entry is something special. Each has its own identity, and 3 deserves to be remembered as an essential part of that story.
Anyone else revisited it after 'The Old Country?'