Mortimer Brewster
Member
So WB is pulling a Paramount now and farming out films for Blu Ray Release.
The film didn't age well imo, I watched the heist shootout and these guys are standing out in the open like action heroes.
You're out of your mind.
Such a brilliant film. The ending with Moby's god moving over the face of the waters and the hand clutch always nearly brings me to tears. Just a brilliant, beautiful, moving epic in all ways, and DeNiro's last great performance.
Michael Mann invented this urban style. Nobody can get these sorts of shots of the urban metropolisis, and those that get close (Drive) are- imitating Manns style.
You saw it in Collateral too, and from the vibe I get from a lot of you guys- Miami Vice too. But I think Miami Vice, the TV Show is still superior, with Collateral and HEAT being his magnus opus.
I need to give this another watch. I haven't seen this in 20 years or so. I remember thinking it was okay and way overhyped back then (like most of Michael Mann's stuff), but I will see how I feel after some major distance from it. I think the only Mann film that I will feverishly defend is The Insider. Fuck, that movie deserved to do so much better than it did.
I don't think Mann's messed with this movie much beyond snipping out the "detritus" line and "FEROCIOUS, AREN'T I?" back when it was released on DVD.
I mean unless you count the slightly altered color grading and slight crop on this 4K remaster.
You're out of your mind.
Such a brilliant film. The ending with Moby's god moving over the face of the waters and the hand clutch always nearly brings me to tears. Just a brilliant, beautiful, moving epic in all ways, and DeNiro's last great performance.
The film didn't age well imo, I watched the heist shootout and these guys are standing out in the open like action heroes.
I think it's quite flat. No emotion at all. Quite silly really. Are we supposed to feel something for these two? Like they could've been best bros or something? The meet at the café is silly, boring and pompous too. Funny that. A too long vehicle with lots of different character just to have that much ballyhooed café scene. I used to think much of this movie. These days not at all.
If I have too chose a movie by Mann I'd select Collateral. Tighter. More focused
Haha that line always bothered the shit out of me! What did he replace detritus with?
Nothing, he just edited around it. But hardcore Heat fans can't let it go.
So now she just says, "Sift through ________" and what nothing ?
I wonder if the audio track is different?
I understand it was intentional by Mann, but I found it essentially broken on the current bluray outside of having a literal home theater with accompanying surround sound system and sound-proofing. Either most of the dialogue is too low, or you turn it up loud enough and your roof blows off in the action scenes and the neighbours start complaining (that sudden helicopter cut, yikes). I had to sit there with the remote constantly adjusting the volume up and down; it's no way to watch a film.
Probably the best ending to a Mann film. Masterclass film all around. I already own the old blu but I guess I'll have to double dip.
I gotta go with Thief for best Mann and Mann ending still. That shootout and then him peacing out is that good shit. Heat is great too though.
Heat had the bigger impact on me because alot of time was spent giving depth to these two characters, which is very well done. Thief is great as well and it works without needing that much depth to the main character because of how he lives his life, a drifter of sorts. It also has the second best soundtrack in a Mann film outshined only by The Last of The Mohicans.
Best shootout in cinema history. I'm in.
Remastered Blu-ray vs Old Blu-ray. The color grading on the older Blu-ray looks better IMO.
I'd still give it to Tangerine Dream since it helps tell the icy, industrial story so perfectly, but Last of the Mohican's score makes that climax
So WB is pulling a Paramount now and farming out films for Blu Ray Release.
oh is that how to spell his name? i never turned on subtitles to find out cause the volume was maxed out =) especially during the gun fights, those sounds were surreal.WaingroStaring.gif
oh is that how to spell his name? i never turned on subtitles to find out cause the volume was maxed out =) especially during the gun fights, those sounds were surreal.
It's up there, though
GREAT ASS
She gotta GREAT ASS.
Should lock it up for that. You can get your thread locked WALKIN YOUR DOGGY.
The weird thing about this set is that nobody seems to know whether or not he's actually fucked with the movie? At least that's what I heard a couple days ago - it wasn't a guarantee he hadn't gone back in and tweaked it some.
This doesn't even come anywhere close to Heat. Firing an MP5 one-handed is really fucking stupid.
Omg I need this.For N. America. Damn Brits already got theirs in February.
From Blu-ray.com:
The new badass cover:
Blu-ray.com review of the new transfer from the UK release:
YouTube 1080P clips:
Street shootout Part 1/Part 2
Final confrontation
Amazon Links:
Canada
USA
Lock if old. Yadda yadda yadda. Great (not big) ass!
Seamless branching's been around for years. Is it that hard to include the theatrical cut alongside the current one?Nothing, he just edited around it. But hardcore Heat fans can't let it go.
Seamless branching's been around for years. Is it that hard to include the theatrical cut alongside the current one?
considering how very weird the sound mix in Blackhat was, I'd believe it.I hear he's somewhat deaf now (no pun intended) and a nightmare to deal with for sound mixers. Hopefully he didn't fuck with that aspect.
What a pointless "remaster."
considering how very weird the sound mix in Blackhat was, I'd believe it.
can I just say that I'm still salty, 22 years after the fact, that Heat got basically zero award recognition in its own time. Not a single Oscar nom (not even for sound effects, the biggest gimmie of all time maybe), not even a single flipping Golden Globe nod. Braveheart got all the friggin laurels and it wasn't even the best movie to come out that year about a Scottish folk hero (Rob Roy cleans its clock).
C'mon, audiences and critics of 1995. A masterpiece is staring you right in the face, acknowledge it!
Wasn't it intentionally filmed grainy anyway? What good is another remaster going to do?
Finally watched the movie last year. Good flick up until the end. Man has a moral code throughout his life, and decides to go against all of that for the sake of the "plot" of this story.