I, Too, Sing America [NY Times]
It is located pretty much next to the Washington Monument in Washington DC, and will be opening September 24.
The NY Times Arts & Design section has a review of the museum up too, with flowery words but also some details about the architecture, construction, and people behind the project.
An additional article from a week back about some of the politics involved: How the Fight for a National African-American Museum Was Won
It is located pretty much next to the Washington Monument in Washington DC, and will be opening September 24.
The Smithsonian’s National Museum of African American History and Culture opens on Sept. 24 in Washington after a long journey. Thirteen years since Congress and President George W. Bush authorized its construction, the 400,000-square-foot building stands on a five-acre site on the National Mall, close to the Washington Monument. President Obama will speak at its opening dedication.
Appropriately for a public museum at the heart of Washington’s cultural landscape, the museum’s creators did not want to build a space for a black audience alone, but for all Americans. In the spirit of Langston Hughes’s poem “I, Too,” their message is a powerful declaration: The African-American story is an American story, as central to the country’s narrative as any other, and understanding black history and culture is essential to understanding American history and culture.
Unusually, the museum had to start from scratch without a collection. It ran an “Antiques Roadshow”-style project in 15 cities that encouraged people to give heirlooms from their closets and attics, and yielded some of the 40,000 objects the museum now holds. About 3,500 artifacts will be on display in the opening exhibitions, many of them treasures donated by ordinary people.
There's obviously significant areas outlining and displaying slavery and segregation. The museum's lower levels are chronological. The upper level is cultural achievements and contributions.Shackles and an Auction Block
Exhibition text for the shackles reminds visitors that, “Like many other slaveholders, Jefferson owned his own children.”
The slave auction block came from Hagerstown, Md. It was sitting on a street corner on a small patch of grass in front of a gas station.
Photographs and short videos at the link.Donated by Ginette DePreist, Portland, Ore.
Marian Anderson’s jacket and skirt
“I know that she was scared to death. That’s one thing that she kept telling us. Here is this young woman coming from Europe full of hope and sees that she is the object of racial division and found herself in front of 75,000 people on a Sunday morning. By nature, Aunt Marian was very soft-spoken. She really wanted throughout her career to be known as the woman with the golden voice more than the woman who started this movement, and so I don’t think she was very comfortable in that role.”
The NY Times Arts & Design section has a review of the museum up too, with flowery words but also some details about the architecture, construction, and people behind the project.
An additional article from a week back about some of the politics involved: How the Fight for a National African-American Museum Was Won