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Oscars 2026 - The nominations

kruis

kruis

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The 98th Academy Awards ceremony will be held Sunday, March 15, at the Dolby Theater in Los Angeles and broadcast live on ABC and Hulu.

Below is the list of 2026 nominees.

Best Picture
- "Bugonia"
- "F1"
- "Frankenstein"
- "Hamnet"
- "Marty Supreme"
- "One Battle After Another"
- "The Secret Agent"
- "Sentimental Value"
- "Sinners"
- "Train Dreams"

Actress in a Leading Role
- Jessie Buckley, "Hamnet"
- Rose Byrne, "If I Had Legs I'd Kick You"
- Kate Hudson, "Song Sung Blue"
- Renate Reinsve, "Sentimental Value"
- Emma Stone, "Bugonia"

Actor in a Leading Role
- Timothée Chalamet, "Marty Supreme"
- Leonardo DiCaprio, "One Battle After Another"
- Ethan Hawke, "Blue Moon"
- Michael B. Jordan, "Sinners"
- Wagner Moura, "The Secret Agent"

Actress in a Supporting Role
- Elle Fanning, "Sentimental Value"
- Inga Ibsdotter Lilleaas, "Sentimental Value"
- Amy Madigan, "Weapons"
- Wunmi Mosaku, "Sinners"
- Teyana Taylor, "One Battle After Another"

Actor in a Supporting Role
- Benicio del Toro, "One Battle After Another"
- Jacob Elordi, "Frankenstein"
- Delroy Lindo, "Sinners"
- Sean Penn, "One Battle After Another"
- Stellan Skarsgård, "Sentimental Value"

Directing
- Chloé Zhao, "Hamnet"
- Josh Safdie, "Marty Supreme"
- Paul Thomas Anderson, "One Battle After Another"
- Joachim Trier, "Sentimental Value"
- Ryan Coogler, "Sinners"

Adapted Screenplay
- "Bugonia," Will Tracy
- "Frankenstein," Guillermo del Toro
- "Hamnet," Chloé Zhao and Maggie O'Farrell
- "One Battle After Another," Paul Thomas Anderson
- "Train Dreams," Clint Bentley and Greg Kwedar

Original Screenplay
- "Blue Moon," Robert Kaplow
- "It Was Just an Accident," Jafar Panahi
- "Marty Supreme," Josh Safdie and Ronald Bronstein
- "Sentimental Value," Joachim Trier and Eskil Vogt
- "Sinners," Ryan Coogler

Documentary Feature
- "The Alabama Solution"
- "Come See Me in the Good Light"
- "Cutting through Rocks"
- "Mr. Nobody against Putin"
- "The Perfect Neighbor"

Documentary Short
- "All the Empty Rooms"
- "Armed Only with a Camera: The Life and Death of Brent Renaud"
- "Children No More: 'Were and Are Gone'"
- "The Devil Is Busy"
- "Perfectly a Strangeness"

Animated Feature
- "Arco"
- "Elio"
- "KPop Demon Hunters"
- "Little Amélie or the Character of Rain"
- "Zootopia 2"

Animated Short
- "Butterfly"
- "Forevergreen"
- "The Girl Who Cried Pearls"
- "Retirement Plan"
- "The Three Sisters"

Cinematography
- "Frankenstein," Dan Laustsen
- "Marty Supreme," Darius Khondji
- "One Battle After Another," Michael Bauman
- "Sinners," Autumn Durald Arkapaw
- "Train Dreams," Adolpho Veloso

Costume Design
- "Avatar: Fire and Ash," Deborah L. Scott
- "Frankenstein," Kate Hawley
- "Hamnet," Malgosia Turzanska
- "Marty Supreme," Miyako Bellizzi
- "Sinners," Ruth E. Carter

Film Editing
- "F1," Stephen Mirrione
- "Marty Supreme," Ronald Bronstein and Josh Safdie
- "One Battle After Another," Andy Jurgensen
- "Sentimental Value," Olivier Bugge Coutté
- "Sinners," Michael P. Shawver

International Feature
- "It Was Just an Accident" (France)
- "The Secret Agent" (Brazil)
- "Sentimental Value" (Norway)
- "Sirât" (Spain)
- "The Voice of Hind Rajab" (Tunisia)

Live-Action Short
- "Butcher's Stain"
- "A Friend of Dorothy"
- "Jane Austen's Period Drama"
- "The Singers"
- "Two People Exchanging Saliva"

Makeup and Hairstyling
- "Frankenstein," Mike Hill, Jordan Samuel and Cliona Furey
- "Kokuho," Kyoko Toyokawa, Naomi Hibino and Tadashi Nishimatsu
- "Sinners," Ken Diaz, Mike Fontaine and Shunika Terry
- "The Smashing Machine," Kazu Hiro, Glen Griffin and Bjoern Rehbein
- "The Ugly Stepsister," Thomas Foldberg and Anne Cathrine Sauerberg

Original Score
- "Bugonia," Jerskin Fendrix
- "Frankenstein," Alexandre Desplat
- "Hamnet," Max Richter
- "One Battle After Another," Jonny Greenwood
- "Sinners," Ludwig Göransson

Original Song
- "Dear Me" from "Diane Warren: Relentless"
- "Golden" from "KPop Demon Hunters"
- "I Lied To You" from "Sinners"
- "Sweet Dreams Of Joy" from "Viva Verdi!"
- "Train Dreams" from "Train Dreams"

Production Design
- "Frankenstein"
- "Hamnet"
- "Marty Supreme"
- "One Battle After Another"
- "Sinners"

Sound
- "F1"
- "Frankenstein"
- "One Battle After Another"
- "Sinners"
- "Sirât"

Visual Effects
- "Avatar: Fire and Ash"
- "F1"
- "Jurassic World Rebirth"
- "The Lost Bus"
- "Sinners"

Casting
- "Hamnet"
- "Marty Supreme"
- "One Battle After Another"
- "The Secret Agent"
- "Sinners"
 
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My picks. I haven't seen everything in the categories.

Best Picture
F1
Frankenstein


Achievement in Directing
Paul Thomas Anderson


Actor in a Leading Role
Timothy Chalamet


Actress in a Leading Role

Kate Hudson for song sung blue i guess


Actor in a Supporting Role

Stellan Skarsgard

Actress in a Supporting Role
Elle Fanning


Original Screenplay

Marty Supreme


Adapted Screenplay

Frankenstein


Casting

Marty Supreme


Animated Feature

KPop Demon Hunters Best of a bad year


Production Design
Frankenstein


Cinematography
Frankenstein


Costume Design

Frankenstein


Film Editing
F1


Makeup and Hairstyling

Smashing Machine


Sound
F1


Visual Effects

Jurassic World Rebirth


Original Score

Frankenstein


Original Song

Golden
 
I was reading an article on the Oscar nominations about who got snubbed or who got unexpectedly nominated.

www.latimes.com

The biggest surprises and snubs of the 2026 Oscar nominations

Awards columnist Glenn Whipp breaks down who's in and who's out after Thursday's Oscar nominations announcement.
www.latimes.com www.latimes.com

This paragraph stood out:

Article:
SURPRISE: "F1" (picture)
There's a demographic in the motion picture academy affectionately known as "steak-eaters," men in the autumn of their years who appreciate a good Dad Movie centered on old(ish) guys who most definitely know best. With membership broadening, this demo has lost a bit of its influence over the years. But the dudes can take a victory lap today, celebrating the nomination of Joseph Kosinski's swaggering, vroom-vroom sports movie.


What the hell is wrong with these movie critics and their hate for regular folks....
 
16 (!!) nominations for Sinners. Looks like every eligible category except Best Actress. Oh brother. Why not 17?

Anyway, OBAA and Marty Supreme are my picks for the year.

Sad to see No Other Choice with zero noms. Should get one for cinematography.

No anime nominated for animated feature despite major success for Demon Slayer and Chainsaw Man. Kind of criminal to put Elio on there but not those.
 
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Sinners with 16 nominations!

Sinners Michaelbjordan GIF by Warner Bros. Pictures
 
I didnt see sinners but wow what a resounding success it has been.

Idk if it'll get best picture but I think cooler is def getting it for directing. MBJ might cinch a win.

A lot of these movies I didnt see tbh. I still gotta watch F1
 
calistan said:
Watch them give every award to an inferior version of From Dusk Till Dawn.

My picks would be One Battle After Another plus Emma Stone.
Click to expand...

One Battle After Another was such a bad movie ... Couldn't make its mind up whether it was a serious movie or a satire of crazy terrorists ... Awful misleading trailers that made Leo del Caprio's character look like the hero of an action movie when in the movie he was a bumbling weed smoking fool who chased his daughter for most of the movie for no avail. The bad guys were all white and most of them were caricatures of racists and fascists whereas all the non white characters were heroes, even the indian guy who at one point delivered the daughter to her captors but ultimately redeemed itself.

OBAA was well-shot and directed, but the movie itself, the plot and all the characters, is absolute trash. Hated it.
 
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kruis said:
One Battle After Another was such a bad movie ... Couldn't make its mind up whether it was a serious movie or a satire of crazy terrorists ... Awful misleading trailers that made Leo del Caprio's character look like the hero of an action movie when in the movie he was a bumbling weed smoking fool who chased his daughter for most of the movie for no avail. The bad guys were all white and most of them were caricatures of racists and fascists whereas all the non white characters were heroes, even the indian guy who at one point delivered the daughter to her captors but ultimately redeemed itself.

OBAA was well-shot and directed, but the movie itself, the plot and all the characters, is absolute trash. Hated it.
Click to expand...
The terrorists and the fascists are both the bad guys.
 
Hookshot said:
Sinners has been on Sky but I didn't bother watching it. Is it actually worthy of all those nominations or was it just a quiet year?
Click to expand...
Don't know about slow year - more like the culmination of a really weird 10 years or so.

Suffice to say that if Sinners had been released at the same time as From Dusk Till Dawn, in 1996, it would have got exactly as many Oscar nominations as From Dusk Till Dawn did.
 
Sinners is really good but if it wins best picture it was crappy year for film. Unfortunately I have not watched any of the other nominees.

Sinners was an above average horror movie but essentially forgettable after leaving the Theatre. I was really entertained for a couple of hours but best picture no way.

Honestly the terrible musical scene in the middle of sinners should disqualify the movie, completely ruined the vibe of the movie for me.
 
wipeout364 said:
Sinners is really good but if it wins best picture it was crappy year for film. Unfortunately I have not watched any of the other nominees.

Sinners was an above average horror movie but essentially forgettable after leaving the Theatre. I was really entertained for a couple of hours but best picture no way.

Honestly the terrible musical scene in the middle of sinners should disqualify the movie, completely ruined the vibe of the movie for me.
Click to expand...
We all know why Sinners got so many nominations, there is no need for elaborate speculation.
 
Sinners should win for "Most OK Movie". It's fine. The kind of movie you never think about until you see it mentioned and then you think "Oh yeah, I saw that." Zero impact.
 
wipeout364 said:
Sinners is really good but if it wins best picture it was crappy year for film. Unfortunately I have not watched any of the other nominees.

Sinners was an above average horror movie but essentially forgettable after leaving the Theatre. I was really entertained for a couple of hours but best picture no way.

Honestly the terrible musical scene in the middle of sinners should disqualify the movie, completely ruined the vibe of the movie for me.
Click to expand...

I can judge your opinion and general taste based on what you thought of the music history scene in this movie. We see you.
 
kruis said:
One Battle After Another was such a bad movie ... Couldn't make its mind up whether it was a serious movie or a satire of crazy terrorists ... Awful misleading trailers that made Leo del Caprio's character look like the hero of an action movie when in the movie he was a bumbling weed smoking fool who chased his daughter for most of the movie for no avail. The bad guys were all white and most of them were caricatures of racists and fascists whereas all the non white characters were heroes, even the indian guy who at one point delivered the daughter to her captors but ultimately redeemed itself.

OBAA was well-shot and directed, but the movie itself, the plot and all the characters, is absolute trash. Hated it.
Click to expand...

The One Battle After Another trailers constantly showed Leo's character bumbling about, not remembering the password to find his daughter's whereabouts because he was too stoned. Not sure how you missed that.
 
Hookshot said:
Sinners has been on Sky but I didn't bother watching it. Is it actually worthy of all those nominations or was it just a quiet year?
Click to expand...

Sinners is amazing and blows away From Dusk Til Dawn. Don't really get the comparisons anyway outside of the obvious surface level stuff. From Dusk Til Dawn was a fun B-movie that subverted expectations in an entertaining way. Sinners is a borderline masterpiece.
 
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JimmyRustler said:
We all know why Sinners got so many nominations, there is no need for elaborate speculation.
Click to expand...
It's partly that but the type of film that is up for tons of awards has shifted a bit in recent years to include a lot of more blockbuster films.

And the first 2/3rds IMO is really good and has some unique artsy shit that Hollywood loves. Definitely isn't just a From Dusk til Dawn rip-off as people keep saying.

I thought the last third was kind of laughable though but there's also pretty decent sized chunks of OBAA that are bad.

in the end these are awards for Hollywood not for us so even stuff like Coogler getting such a "first dollar gross" deal can influence voting.
 
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Giallo Corsa said:
F1...in best movie category...fucking LMAO

I just can't anymore

PS: same thing for Sinners, it's one of the most predictable, mediocre movies of the past few years, Jesus Christ man...
Click to expand...


Going to agree here, saw Sinners in theaters due to all the hype and it was one of the most boring, mediocre, predictable & not scary in any way films I've ever seen. This whole list is why I don't bother with most modern films.

analog_future said:
Sinners is a borderline masterpiece.
Click to expand...

help me reaction s GIF
 
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Giallo Corsa said:
F1...in best movie category...fucking LMAO

I just can't anymore

PS: same thing for Sinners, it's one of the most predictable, mediocre movies of the past few years, Jesus Christ man...
Click to expand...
Agreed on F1. Top Gun was much better, that should have gotten the nom when it was out.

But lol at calling Sinners "one of the most mediocre films in years". Really now?
 
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———
Major films that didn't get any Oscars nominations:

Jay Kelly
Superman
Sorry, Baby
Materialists
After the Hunt
28 Years Later
The Long Walk
No Other Choice
Wicked: For Good
War of the Worlds
The Testament of Ann Lee
Kiss of the Spider-Woman
Demon Slayer: Infinity Castle
Wake Up Dead Man: A Knives Out Mystery
Mission Impossible: The Final Reckoning
———
 
I don't understand the love for Marty Supreme. To me it was massively overlong and directionless, briefly touching on myriad themes (American post-war entitlement; the exploitative relationship between money and talent, etc) without exploring them in any way or letting them form into the connective tissue the film desperately lacked. It's very much a 'might have worked if it hadn't also done this' type of film, where its parts are so disconnected from each other that they often end up clashing and diminishing each other. The whole thing being a loosely connected sequence of vignettes, for instance, might have been able to coast through on momentum as a fun if meaningless time had the film not been two-and-a-sodding-half hours long, where ninety minutes would have sufficed quite comfortably. The ping pong was entirely abandoned for the middle act, which wouldn't necessarily have been a problem had it not been the basis for the finale. Timothee Chalamet is good in it and carries the film as far as he can, but it's certainly not such an amazing or deep performance that there wasn't a hard limit on how far that is, particularly since the character is not especially deep. For a character so fiercely determined and ambitious, the sentimental ending also struck completely the wrong note. I can see why the Oscars might pick up on it, but the audience scores I've seen are positive as well and it just didn't do anything for me at all.
 
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xandaca said:
I don't understand the love for Marty Supreme. To me it was massively overlong and directionless, briefly touching on myriad themes (American post-war entitlement; the exploitative relationship between money and talent, etc) without exploring them in any way or letting them form into the connective tissue the film desperately lacked. It's very much a 'might have worked if it hadn't also done this' type of film, where its parts are so disconnected from each other that they often end up clashing and diminishing each other. The whole thing being a loosely connected sequence of vignettes, for instance, might have been able to coast through on momentum as a fun if meaningless time had the film not been two-and-a-sodding-half hours long, where ninety minutes would have sufficed quite comfortably. The ping pong was entirely abandoned for the middle act, which wouldn't necessarily have been a problem had it not been the basis for the finale. Timothee Chalamet is good in it and carries the film as far as he can, but it's certainly not such an amazing or deep performance that there wasn't a hard limit on how far that is, particularly since the character is not especially deep. For a character so fiercely determined and ambitious, the sentimental ending also struck completely the wrong note. I can see why the Oscars might pick up on it, but the audience scores I've seen are positive as well and it just didn't do anything for me at all.
Click to expand...
I don't think the ending is that sentimental. It's the realization that all of his hopes and dreams are now crushed under the weight of taking responsibility for his messy, self-centered actions. After taking this journey with him to achieve his dreams by any means necessary with every ounce of spirit he has, it's kind of a downer, but a necessary coming of age moment.
 


———
Oscar nominations by distributor:

Warner Bros. 30
Neon 18
Netflix 18 (including shorts)
Focus Features 13
A24 11
Apple 6
Walt Disney 4
GKIDS 2
Sony Pictures Classics 2
HBO Documentary Films 1
Independent Film Company/Shudder 1 MasterClass/Greenwich Entertainment 1
PINK 1
Universal 1
Viva Verdi! 1
WILLA 1
———
 
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Of the Best Picture nominees I've just got The Secret Agent to check out. That comes out over here next month so I'll see it then.

I'd like Marty Supreme to win Best Picture. But I can see One Battle After Another winning it, which is fine with me since I thought it was great. A bit surprising to see F1 get nominated. I liked it but wouldn't have had it on that level. I guess they're maybe wanting to have more films in that category that have a wider appeal, which is part of why the Best Picture category now has 10 nominees, but I feel like Sinners walks that line well of being well made but also having a broad appeal.

For Best Director I assume that goes whichever way Best Picture will, so probably PTA. But I could also see Safdie winning it, which would be quite something since I when the Safdies decided to go their seperate ways it seemed like most people expected Benny to the the one to stand out.

Chalamet for Best Actor. DiCaprio is also always going to be a contender for that but while I thought he was great in it I preferred Chalamet's performance. I think Ethan Hawke could be a dark horse for that one too.

Jessie Buckley for Best Actress, although I've still to see If I Had Legs I'd Kick You and I've heard Rose Byrne is great in that. Renate Reinsve was fantastic too.

Inga Ibsdotter Lilleaas for Best Supporting Actress. Probably harder for her to win it since it's not an English language film but she's great in it.

Stellan Skarsgard for Best Supporting Actor. Again, it's maybe trickier to win it for a performance that's mostly in another language but him having a higher profile than Inga Ibsdotter Lilleaas might put him in a better position than her.

The simplicity of Blue Moon's story, where it's just people talking rather than featuring big set pieces like OBAA or Sinners could make it good shout for Original Screenplay. Kind of interesting that Marty Supreme is nominated for Best Original Screenplay whereas OBAA is Adapted when both are loosely based off of books. I wonder what the cut off is for when it goes from adapted to original.

I would guess that Frankenstein will do well with the Production Design and Costumes. But Marty Supreme did a great job of replicating the era it takes place in. It's maybe just not as grand as the style Frankenstein goes for.

I was initially surprised to see It Was Just an Accident listed as the French submission for International Feature but obviously with how that film was made it makes sense that the Iranian government isn't going to be the ones to push it.I've still to see that but I'm hoping to soon.
 
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calistan said:
Don't know about slow year - more like the culmination of a really weird 10 years or so.

Suffice to say that if Sinners had been released at the same time as From Dusk Till Dawn, in 1996, it would have got exactly as many Oscar nominations as From Dusk Till Dawn did.
Click to expand...

Quentin Tarantino GIF by MIRAMAX
 
EviLore said:
I don't think the ending is that sentimental. It's the realization that all of his hopes and dreams are now crushed under the weight of taking responsibility for his messy, self-centered actions. After taking this journey with him to achieve his dreams by any means necessary with every ounce of spirit he has, it's kind of a downer, but a necessary coming of age moment.
Click to expand...
I thought this was interesting from Safdie talking about the ending:
G9MS7M2WYAAx_P4
 
EviLore said:
Major films that didn't get any Oscars nominations:

Jay Kelly
Superman
Sorry, Baby
Materialists
After the Hunt
28 Years Later
The Long Walk
No Other Choice
Wicked: For Good
War of the Worlds
The Testament of Ann Lee
Kiss of the Spider-Woman
Demon Slayer: Infinity Castle
Wake Up Dead Man: A Knives Out Mystery
Mission Impossible: The Final Reckoning
Click to expand...
Is that the War of the Worlds with Ice Cube sat at a desk? History will not judge this year's Oscars kindly for passing that one over.

Im surprised Wicked For Good didn't get anything, since the previous one got a few nominations. It was a decent film.
 
EviLore said:


———
Major films that didn't get any Oscars nominations:

Jay Kelly
Superman
Sorry, Baby
Materialists
After the Hunt
28 Years Later
The Long Walk
No Other Choice
Wicked: For Good
War of the Worlds
The Testament of Ann Lee
Kiss of the Spider-Woman
Demon Slayer: Infinity Castle
Wake Up Dead Man: A Knives Out Mystery
Mission Impossible: The Final Reckoning
———
Click to expand...


Wake Up Dead Man and The Testament of Ann Lee are surprise snubs, for sure.
 
EviLore said:


———
Major films that didn't get any Oscars nominations:

Jay Kelly
Superman
Sorry, Baby
Materialists
After the Hunt
28 Years Later
The Long Walk
No Other Choice
Wicked: For Good
War of the Worlds
The Testament of Ann Lee
Kiss of the Spider-Woman
Demon Slayer: Infinity Castle
Wake Up Dead Man: A Knives Out Mystery
Mission Impossible: The Final Reckoning
———
Click to expand...

Having just seen it a few days ago, it really is a pity that No Other Choice didn't get anything. For me it's one of the most outstanding films of this past year. I've not seen all of the films in the International Feature category and it does seem like it's a strong year for it this year. But I'd have liked to have seen it get a nomination for that and Cinematography at least.
 
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