DragoonWalker
Member
Interesting, I never really considered that anime would pull from Ralph Bakshi. His stuff is... so rugged and ugly (in a charming way). Lots of character, especially the early ones as you noted (Fritz the Cat, Coonskin, Heavy Traffic). Certainly there's some overlap there with Lupin pt 1.The first paragraph you are talking about Western pop-culture and general pop-culture's influence on anime in the past. Now, when I get too critical of modern anime; it tends to draw some bad attention. So, I can say that as a whole, I don't like it. I can also say why I can't get into it. However, I want to make sure the this thread doesn't end up like some of the past GAF classic anime threads where there was some warring going on between the different generations of anime. So, back to that pop-cultural influence. Let me ask a question. Who was one of the most renegade and daredevil-type animators in the West of the 1970's? To me...Ralph Bakshi. Ralph Bakshi drew inspiration from pop-culture and classic film to create the crazy stories and elaborate rotoscoped animation in many of his feature films. I would say that it's undeniable that Japanese in the 70's and 80's probably had more of a pull influence from seeing Bakshi's Wizards, Fire & Ice, LoTRs, Cool World, American Pop, and possibly some of his earlier ones too (the one's that were the most extreme).
Someone brought up in this group awhile back in a post how the Japanese had based several characters on a blonde singer (Italian, I believe but I'll have to search for that post). So, it seems no coincidence that early anime liked certain characters to have a European look to them. There's also the art-style of Crying Freeman. The realism in the character design alone is something I've seen in only a handful of older anime. The story is far beyond what I see writers would be willing to push today. Read the manga or watch the OVA. Either way, it's more like watching a piece of Western cinema mixed with Japanese and Chinese influence.
Some obvious parallels can be drawn from BladeRunner and A.D. Police. I get that many OVAs and anime movies in the 80's wanted to include cyberpunk elements that were a hat-tip to BladeRunner. However, I recall an entire scene of a Boomer (similar to a replicant) being chased through a glass window...that's straight out of BladeRunner when the snake charmer replicant is chased by Harrison Ford and breaks through a window.
Let's make this topic bigger.
Take a look at this fanmade BladeRunner poster. Try to think of all the classic anime the characters remind you of. Almost seems like BladeRunner was made in Japan sometimes when I watch it.
But past that into the 80s, Western crime, action, and sci fi films seem like the biggest influence to me. Like you said, Blade Runner, besides AD Police it clearly also inspired the related Bubblegum Crisis (starting with the name Priss). But not just these, pretty much all 80s sci fi anime that's not mecha related owes their aesthetic to Blade Runner, including Cyber City Oedo, Goku Midnight Eyey, and Ghost in the Shell (then you got Kojima's Snatcher, which is anime Blade Runner: The Game). Then are lots of OVAs which names I can't remember that borrow images or characters from Star Wars Ep IV, James Bond, Mad Max, Commando and The Terminator (Daicon IV, Birth, Black Magic 88, Winds of Amnesia, Robot Carnival, it's all mixed up). The images come to mind but it's been a long time so the lesser ones fade away.
Good discussion though! Really glad you opened up this thread. Brings back great memories.
If you grew up in the 80s or early 90s, a good deal of saturday morning cartoons were outsourced to Japan. Specifically as you said, Tokyo Movie Shinsha. TMS handled the animation for the legendary Batman: The Animated Series, which continues to look amazing to this day. It also handled favorites like Ducktales, Inspector Gadget, and Tiny Toons, which resulted in high quality animation that was just leagues beyond the stuff that was done back in the states. Then you got Topcraft who did The Last Unicorn. These were, of course, many of the same animators who worked on your anime favorites, and if you look past the designs you'll begin to see some anime flavor slip through. Fascinating stuff really.In a way this doesn't count due to being an American show but I think it should.
Back in 1984 we got The Transformers which everyone knows about but also in 1984 the little known show "Mighty Orbots" was also released. Basically in the future, a team of robots (And their Human creater/leader) called Mighty Orbots work for the usual "Galactic Patrol" type enforcement to battle against evil, in particular the Shadow organization led by Umbra. In Voltron fashion the Mighty Orbots would combine to form a giant robot, also called Mighty Orbots - and perhaps also looks a little too similar to Godmars. =P
What makes this show special is the animation duties were completely handled by TMS and Osamu Dezaki, who directed all the episodes. The production quality of this show is pretty wild, with Dezaki still in full Cobra mode and being allowed to go all out of the art and animation. Everything is high quality and the animation is generally always moving or in some action; utilizing more frames than you'd find in any Japanese animation outside of movies. Not to mention very complex camera work which frequently employs(And requires) the use of full environment animation. Couple that with amazing background and Cobra-lite art direction (Sans the individual Orbots) and you've got one of the best looking shows to come out of Japan.
Cobra!? Not quite.
I don't know what budget they gave Dezaki for this show but he definitely used it:
The big caveat of course is...the show itself is rather mediocre. By the standards of 80s tv cartoons the writing and storytelling is well, substandard. This is a show to en joy purely based on the animation, art and general production.
Only 13 episodes were made before it was sued by Tonka due to the name "Orbots" and the use of "Mighty" being too close to Gobots. Since the show wasn't a big hit during it's short run, rather than fight the lawsuit they pretty much dumped the show and moved on. For a long time a limited number of episodes were only available on VHS though a few years ago a dvd of the complete series was released.
If you're a fan of Dezaki or 80s animation in general then definitely give this one a look.
Speaking of TMS, I've been falling in love with Sherlock Hound lately. Sorry if already discussed in the thread, but it's such a great watch if you're specifically a Castle in the Sky fan, the tone is heavily similar. That can't really be said for other Ghibli films: