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I really thought moonlight knight had more swagger than tuxedo mask. Even if it was short lived.
Except not. The anime and manga are significantly different in both content and tone, and not just from a lack of monsters of the week in the manga. The Dark Kingdom story proceeds and ends differently in the manga than in the anime.It's all usually based within the same premise and for one reason or another does something different to end at a pretty similar result.
Oh yeah. 49 episodes. Act Zero is kinda okay, but the Special Act is shit.And I honestly walked into PGSM expecting an Arc 1 play by play with some fluff to fill the episode count. I walked out 51 episodes later being glad it did it's own thing.
I disagree. You'll appreciate what it does differently more being more familiar with what the anime did instead, particularly the massive shift in outlook.I guess what I'm saying here to anybody who hasn't watched PGSM who is a fan of the series to do that ASAP. Leave all you know about Sailor Moon at the door and look at it as a fresh experience. You'll appreciate it more.
Except not.
Oh yeah. 49 episodes. Act Zero is kinda okay, but the Special Act is shit.
I disagree. You'll appreciate what it does differently more being more familiar with what the anime did instead, particularly the massive shift in outlook.
I guess what I mean by the end when I think aboutand not the endings to the different versions. No matter what happensCrystal Tokyois always the implied end result. All the nastiness that takes place in Sailor Moon is always proceeded by the implied Happy Ever After End. But because of all the turns that Sailor Moon takes in all its various forms it becomes questionable how you get to the implied and alleged end.Crystal Tokyo
Only the Anime ends in a happily ever after leading up to Crystal Tokyo. Anime s1 ends in a reset button happily ever after just like PGSM. The manga ends with "for now we can be happy with Usagi and Mamoru getting married and setting up Crystal Tokyo, but eventually all must perish".
Agreed. No matter what though they get there in whatever way they get there.
Narrative ending in Crystal Tokyo is the same as narrative ending in a hopeless and incredibly costly battle between Sailor Cosmos and Sailor Chaos?
Narrative ending in Crystal Tokyo is the same as narrative ending in a hopeless and incredibly costly battle between Sailor Cosmos and Sailor Chaos?
The manga is fairly fatalistic throughout, and a common theme is the idea that the existence of good calls forth the existence of evil.See this is where the disconnect happened for me and you can see it forming or having formed in other posters whether they've read the manga or just watched the show. It's a severe wtf moment along with all the other stuff in the final arc.
ReXXXSoprano said:I'd assume so with implied Happy End. The problem with the compare/contrast of events is that they'll always have to take into account the time travel element. Every time we hear about Crystal Tokyo there's always something that comes into conflict with implied Happy End is introduced. And it always seems to be set right in the end. In this case I have to assume Cosmos' interaction with Usagi is what set implied Happy End back on track with Cosmos taking the 2nd Chance to defeat Chaos in the future. Problem with any theory is only Naoko Takeuchi knows the answer to that or any question on the subject. So everything I say about implied Happy End is speculatory at best. But the evidence would lead you to believe that implied Happy End is the result no matter what. Which in the case of the manga may be left to the reader to decide.
The manga is fairly fatalistic throughout, and a common theme is the idea that the existence of good calls forth the existence of evil.In the manga, Usagi decides that despite this it is a battle worth waging. In PGSM, it takes a decidedly negative slant.
Speaking of which, the six Animate Cassette Collection sound dramas are definitely worth checking out. All but the third are highly comedic and tongue-in-cheek, and the first three were directed by Kunihiko Ikuhara.A friend once told me he'd consumed basically everything in this franchise, and when I say everything, I do mean everything, having shown me a list of things that would probably take a diligent person six months to work through if not more. Dubs, subs, manga, dramas, albums, live action...the list goes on.
Except not. The anime and manga are significantly different in both content and tone, and not just from a lack of monsters of the week in the manga. The Dark Kingdom story proceeds and ends differently in the manga than in the anime.The Black Moon story is probably closest to the manga but is carried out differently. Sailor Moon S has a different ending than in the manga.Usagi attempts suicide. Queen Metalia takes center stage in the manga. There is no reset or desire for one. Usagi accepts her identity as Princess Serenity. The anime has to introduce a repair arc to allow the story to continue to where the manga went.Supers is almost completely different from the manga.Saturn actually destroys the world. Professor Tomoe dies.Stars isn't even in the same realm of what the manga does.What Nehelenia starts at the very end of the anime she had already done at the beginning of the manga and was winning. The anime diverged so much that they had to retread the story to set up Stars.Starlights are minor players. There is no light of hope. Extremely fatalistic conclusion in the Galactic Cauldron.
Except we're talking about a place and time far beyond that of Crystal Tokyo, and all Sailor Moon does is give Sailor Cosmos the determination to continue back. Also, from what Takeuchi has said about Cosmos, it can be said that she's Sailor Moon after finally being forced to accept the power she turns down in the present. From what the manga says, there may yet be victory for her, but it's only after she's lost everything else she knows and loves in the process.
Implied Happy End in assumption encompasses anything that happens after the status quo of Crystal Tokyo is introduced within implied Happy End and that is the basis for all my speculation. And it's hard to really try to make sense of anything when there's no concrete proof of what actually took place when Cosmos went to her time to possibly put implied Happy End back on track. If that's even what happened. It could possibly be that Chaos wins no matter the interaction between Cosmos and Usagi and that the original events of Chaos destroying everything still stand as the possible THE END regardless of any positive intervention by any party. But with no actual evidence one way or the other we're left with a myriad of possibilities that even leave continued implied Happy End in question. But if I'm going to go with continued implied Happy End for Cosmos then she defeats Chaos and pulls a plot device out and puts things right. And this would be in tune with what usually happens when things go haywire. No matter what without a concrete answer about what really happens it always will be speculation.
Regardless, it's fairly different animal from the anime's highly optimistic and unambiguously happy ending.
Huh? The Sailor Stars series was aired here in Poland.
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I wonder if you guys managed to watch to the last season, which involved the three characters to the left (who are girls pretending to be boys in the show, that's why they gain boobies and hips when they transform). Hell, I wonder if US reached the lesbian duo at the upper right.
Disagree:
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Sailor moon does not hold a candle to MKR, but it's still decent.
AGREED. +1, Like, Word, etc.It's all usually based within the same premise and for one reason or another does something different to end at a pretty similar result.
And I honestly walked into PGSM expecting an Arc 1 play by play with some fluff to fill the episode count. I walked out 51 episodes later being glad it did it's own thing. I really loved the focus on the girls outside of fighting evil and saving the day to really expand on them as characters.
The Dark Mercury Saga is an excellent example of this. Fucking unexpected plot twist that blew my mind. And another reason I proudly play for Team Ami. None of the other girls could've pulled that off. And Minako's death. That whole thing was well executed story telling even though you know she wouldn't stay dead. But the fact they'd even do it was kind of shocking to me. Even though Sailor Moon is no stranger to dealing with mortality issues.
I guess what I'm saying here to anybody who hasn't watched PGSM who is a fan of the series to do that ASAP. Leave all you know about Sailor Moon at the door and look at it as a fresh experience. You'll appreciate it more.
I watched it until they introduced Uranus and Neptune and lost interest shortly after that. I watched some of Super S and that was nice, except Chibi-usa and that unicorn what the heck.
Supers (not Super-S) is just horribly uneven, not just bad. Quite a few episodes are actually really good in that series, and it's not just the ones that Junichi Sato and Kunihiko Ikuhara were in direct control of.That seems to be the usual reaction.
Super S is just bad.
AGREED. +1, Like, Word, etc.
Seriously, loved this series, specially the plot points you mention.in particular was handled very well and I thought the actresses did a great job, specially Mars and Venus, they had awesome chemistry together. I also liked the introduction ofMinako's Deathbut I felt they didn't use the character enough and wasted her potential (and her song "Change of Pace" was crack for me back in the day lol). The only change I didn't like wasKuroki Mio.Sailor Luna
Supers (not Super-S) is just horribly uneven, not just bad. Quite a few episodes are actually really good in that series, and it's not just the ones that Junichi Sato and Kunihiko Ikuhara were in direct control of.
Also, Chibiusa is not what was wrong with Supers. If anything, meddling by Toei messed things up.
That seems to be the usual reaction.
Super S is just bad.
The anime did its own thing. It didn't take itself all that seriously much of the time while the manga was quite the opposite, and it's great for that. Focusing on "plot episodes" or battles instead of the character interaction, stylistic animation, and comedic moments kind of misses the point.All I can do is nod my head in agreement. And this is one of many examples of why Sailor Moon would benefit from a Dragon Ball Kai approach. To make an anime that captures the more serious tone that the manga portrays and that the way the story is handled.And that final scene of SuperS with Chibiusa and Helios was too good. So DAWWWW worthy.
The anime did its own thing. It didn't take itself all that seriously much of the time while the manga was quite the opposite, and it's great for that. Focusing on "plot episodes" or battles instead of the character interaction, stylistic animation, and comedic moments kind of misses the point.
So rather than taking out "filler", they should just take out eps that didn't work, like that terrible kendo girl episode. Every single Fish Eye episode can stay.
My whole thing is wanting to see an anime adaptation that completely captures Takeuchi's vision for Sailor Moon. Whatever that vision might happen to be. And that's why I brought up Kai. DB Kai showed that a runback of what you've seen before can work. Sailor Moon is a completely different beast to even approach in that way but it could be done. Just somebody do the shit, please.
Supers (not Super-S) is just horribly uneven, not just bad. Quite a few episodes are actually really good in that series, and it's not just the ones that Junichi Sato and Kunihiko Ikuhara were in direct control of.
Also, Chibiusa is not what was wrong with Supers. If anything, meddling by Toei messed things up.
What's wrong with loving a sentient horse that is actually a person?I guess. I just kinda hate the unicorn love that kid has.
What's wrong with loving a sentient horse that is actually a person?