[Little Witch Academia TV] - 13
[
Me watching this episode]
Now, as I've been dumping on this series for months on end, it's only fair that I give the series its due when it actually does something right. I've already praised episode 8 for the things it does well, but the strengths of that episode as almost completely disconnected from the rest of the series - it's largely just an entraining visual showcase. Episode 13, meanwhile, almost feels like the pitch idea of
Little Witch Academia as a TV series, because it really brings together all the elements that could have been
potentially good, but never where.
I'm actually curious who wrote this particular 'School Festival Arc' because it feels almost completely disconnected from the way the series has been structured up until now. It actually nearly all the previous episodes look like filler because they were all about
nothing, where as this story has an actual core. So, why does this succeed where the previous episodes have all fallen terribly short?
Well, the obvious and easiest answer is: the writing. It feels like this episode was written by a human being who understands characters, motivations and story beats. In this episode, it feels like all the characters have clearly thought out and reasoned motivations. In this episode, Akko is actually charming and her imperfections are literally her charm - she also has more motivation than simply "wanting to be like Chariot". In this episode, Akko feels like she has friends, and you can understand why Akko might actually be able to motivate her friends. In this episode, Professor Ursula actually fulfils her role in the show perfectly, she doesn't tell Akko how to solve a situation but she provides her with the ability to reach a solution. In this episode, Diana is depicted like a human being, something that hasn't been the case since her introduction.
I think actually well reasoned motivations have to be the biggest success of this episode. Akko has multiple breakthroughs here. Firstly, she's not literally the worst witch on the planet. Secondly, she trains and not only does it feel like she's self-motivated it feels like progress it made in a reasonable manner. Thirdly, she identifies not that she wants to be like Chariot, but she explicitly says
why she wants to be like Chariot, namely, to entertain others. But this simple motivation is actually built upon in this arc. Akko actually wants to help the ghost, and she develops a plan to do so on her own (!) and successfully recruits help from her friends and teacher. Heck, her friends don't want to do it at first (wow, they're actually been characterised as more than just doormats to Akko's every want!) but she eventually wins them over in a manner that makes sense. You actually care about everything Akko is doing here because you feel like she's doing it all for the right reason and she's working hard.
Sucy remains a cipher as ever, but Lotte actually gets some decent moments here too. She starts off indifferent, keen to follow tradition and remain unambitious. However, two (yes, she has more than one motivation in a single episode!) things push her to change. Firstly, other's point out how little she strives to achieve, and secondly Akko's relentless enthusiasm for magic is enough to rekindle her own love for magic. This kind of feels like how her character was always supposed to work in
theory but in practice she's been a literal nothing character. Here, she actually gets a moment at the end of the episode which was built up by events that happened at the start. I know that sounds like basic writing, but it's a level this show has never achieved before!
Diana is yet another interesting case. It seems like this episode was going to play her character as boringly straight as ever, but that's not actually the case. Yes, Diana does perform a very showy and impressive piece of magic during the festival, but her boring 'perfection' is undermined here significantly. Firstly, she's shown as being ignorant when she assumes Akko is a worthless flake, so much so that even Lotte (!) has to stand up to her. This undermines Diana's ability to judge others. Later, we see Akko pointedly confront Diana before Akko goes on stage, and for the
>>>first time ever<<< it feels like Akko actually feels like a literal and philosophical rival to Diana. After Akko's performance, Diana is forced to confront the fact that while her own performance was of great technical merit it was ultimately meaningless, where as Akko's performance actually helped a soul and entertained people. She doesn't look satisfied to be receiving praise when she knows Akko's performance has more true worth than her own. It's actually going to be interesting to see the fallout of this take place next week (yes, I actually care about where this story is going!!!).