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Star Trek: TNG

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whytemyke

Honorary Canadian.
This show is awesome. I've forgotten how awesome this show really was until I started watching it at one and two pm on Spike.

really, patrick stewart is awesome. Brent Spiner is awesome (Data) too.

oh well. good shit. just thought you all would appreciate being reminded of it.
 
yea awesome show.

loved the interaction between teh crew I even liked that one season where they had the old ugly Doctor.
 

borghe

Loves the Greater Toronto Area
great show.

shitty $100 season boxed sets. well, actually the sets are pretty good, but I'm not paying $100 for a single season of TV on DVD.
 

Ecrofirt

Member
The show is awesome, but what the hell does spike do to the picture?

It's very highly interlaced or something, it's odd. It's almost like watching a 320x240 video on your TV.

They do something similiar with CSI and is pisses me off.
 

tedtropy

$50/hour, but no kissing on the lips and colors must be pre-separated
Ecrofirt said:
The show is awesome, but what the hell does spike do to the picture?

It's very highly interlaced or something, it's odd. It's almost like watching a 320x240 video on your TV.

They do something similiar with CSI and is pisses me off.

Yeah, the shows looks like they're stretched vertically or something. The format probably makes it easier for them to play their incredibly obtrusive in-show advertising. Because, let's face it, actual commercials just aren't enough.
 

BojTrek

Banned
I would buy every Star Trek: TNG and DS9 if they were priced at $49.99-$59.99... I cannot see paying $1400 for 14 seasons (combined) of both shows...

Plus I would probably never watch them... I haven't touched Buffy or Angel on DVD and I own them all... CRAZY... I like giving money away...
 

whytemyke

Honorary Canadian.
Mashing said:
TNG is great, but do yourself a favor and watch DS9 if you get a chance. It's even better.

See, I couldn't stand DS9. Actually, Voyager was decent for me, but both DS9 and Enterprise failed to really entertain me the way TNG does. I think my beef with DS9 is that the cast is a bit odd. I really liked Ed Furlong as a commander, but the rest of it just wasn't that entertaining in my eyes. Oh well.
 
Deep Space Nine and Season 3 to 7 are the best Star Trek Out there. Voyger is ok at times and so is TOS, Enterprise is just getting good now.
 

lexi

Banned
What a coincidence this thread is, I just started watching Star Trek: TNG a couple of days ago, I'd never even seen a single episode beforehand. And yes, it is awesome. Kinda wish there was a Vulcan among the Bridge crew though (Only seen TOS).
 

silenttwn

Member
Deep Space Nine is amazing. I just got into it recently. Really, all the other newer Star Treks are nothing compared to it... it stands on it's on two feet as a good show that doesn't depend on the franchise to make it good. It starts up kind of slow though, that's the only bad part which is why I think it turns a lot of people off initially. I'm kind of embarrassed to say this, but I was moved by "The Visitor," which is an episode that has an older grown up Jake trying to save his dad, Sisko, whose stuck in like a time loop or something. It's been the only thing on TV to be so touching for me.
 

borghe

Loves the Greater Toronto Area
IMHO the best of TNG is easily as good as the best of DS9. all good things...must come to an end is simply one of the greatest series finales ever. but seriously, arguing which one is better is like arguing which LOTR movie is better. both are so freaking good that the only other sci-fi TV that I can think of that compares to them is the new BSG and Serenity.

but I'm still not paying $100 a season for them.
 

Shouta

Member
"The Visitor" just recently showed on Spike (yesterday actually). Easily one of the best Star Trek episodes ever. So moving.
 

teiresias

Member
The TNG episode "Darmok" is one of my favorite episodes of television ever.

Also, you haven't seen scenery chewing until you see Stewart and David Warner in the two-parter where Picard is being interrogated. It's an amazing couple of episodes, I think it was "Chain of Command" but I might be wrong.
 
i remember i liked the episode where they had a trial to decide if data was human. I really need to rewatch the series somehow so many great episodes.
 
Star Trek: TNG is the best series evar!!! :D :D :D :D :D


But damn, the DVD series is so expensive! Over $100.
The series is dead more than 10 yrs now. Can't they bring down the prices?
 

explodet

Member
teiresias said:
The TNG episode "Darmok" is one of my favorite episodes of television ever.
Agreed, that was an awesome episode... great sci-fi with the acting to back it up.

teiresias said:
Also, you haven't seen scenery chewing until you see Stewart and David Warner in the two-parter where Picard is being interrogated. It's an amazing couple of episodes, I think it was "Chain of Command" but I might be wrong.
Yeah, all the scenery chewing is all in the second episode, I usually skip the first part. I still get a kick out of that episode.

"THERE ARE FOUR LIGHTS"
 

Manics

Banned
whytemyke said:
This show is awesome. I've forgotten how awesome this show really was until I started watching it at one and two pm on Spike.

really, patrick stewart is awesome. Brent Spiner is awesome (Data) too.

oh well. good shit. just thought you all would appreciate being reminded of it.



Thanks man! Awesome post!
 
I still don't get the love for DS9. It was so hit and miss for me. A lot of fluff and stand alone eps breaking up the good main storyline. I absolutely hated the extensive religious themes and the Bajorans because of it. I liked them before in TNG, but by stressing so much religious theme on their episodes made them boring for me. I'd say Enterprise Season 4 is by far better than any single season of DS9.
 

Escape Goat

Member
Only problems i had with TNG were technical like set design and lights. It was mrginally better than TOS sets (you could tell they were sound stages). And the lighting seemed to be "Lets put a bright overhead light for the entire scene" type of style.

DS9 had very good lighting and solid sets. Granted the station was mostly a permanant set but with the evolution of special effects and such it made it cheaper to have higher quality production values.
 

ManaByte

Member
Best show ever. The I saved all the stuff I wrote for it while at IGN:

Season One:
Star Trek: The Next Generation takes place roughly eighty years after the voyages of Capt. Kirk and crew. It's a new century, a futuristic new ship, and a new cast.

In the big seat we have Patrick Stewart as Captain Jean Luc Picard, his "number one" is Jonathan Frakes as Commander Riker, third in command is the android Data played by Brent Spiner, the Enterprise D's doctor is Beverly Crusher played by Gates McFadden, and the ship even has a counselor named Deanna Troi played by Marina Sirtis. The first season of the show featured the rest of the crew in slightly different positions on the bridge. Everyone's favorite Klingon, Worf (Michael Dorn), wasn't security chief yet as that position was held by Tasha Yar (Denise Crosby) until two-thirds through the season. Also, the coolest engineer since Scotty, Geordi LaForge (LeVar Burton) was only a helmsman during this inaugural season.

With no history for the characters, all of their development had to take place over this season, and for some characters it did, while others would have to wait a couple seasons until they would really become fleshed out. For example, in Season One we find Data's evil twin Lore (in one of the best episodes of the year Datalore), learn a bit about Picard's past on the Stargazer and his missions there (The Battle), are introduced to Picard's holo-novel character Dixon Hill (The Big Goodbye), say goodbye to Yar in Skin of Evil which makes her return in one of the greatest TNG episodes ever a high point of the series, and more.

In season one, we are introduced to Q, a "villain" who would carry over to both Star Trek: Deep Space Nine and Star Trek: Voyager and be a reoccurring character every season on Star Trek: TNG. He opens and closes the series like bookends. We also see the Ferengi for the first time in The Last Outpost, but nothing can compare to the season's finale.

In The Neutral Zone the Romulans return after decades of silence with the coolest and most foreboding line one could hope for: "We, are back." It brought a merely average introductory season to a stunning close and told you that this show was capable of greatness, which would definitely be seen in the coming years.

But there were other good episodes besides the "big ones". Where No One Has Gone Before and 11001001 are two of the more entertaining shows in the season. The former introduces us to The Traveler, who would reappear later in the show's run to finally take away Wesley Crusher who by that time would have become the most annoying character on the show as he would always save the damn ship and make the seasoned Starfleet officers look like idiots. While 11001001 was simply an entertaining episode where the Enterprise was stolen by small walking computer aliens.

Despite the season's high points, there are some real stinkers here. Episode such as Code of Honor, Hide and Q, The Arsenal of Freedom, and the horrible Conspiracy were not only poor episodes they also showed off how bad the budget was in these early seasons (before the show would go on location for outdoor shoots). Arsenal of Freedom in particular is pretty bad when it comes down to effects, and Conspiracy ends with something of a minor cliffhanger that was never resolved in the series.

It may be the worst of all seven seasons of the show, but I'd take this one above average season over any year of Star Trek: Voyager. And hey, that face off with the Romulans in The Neutral Zone is still damn cool.

Season Two:
When the season opens in The Child, we learn the Dr. Crusher has taken a post at Starfleet Medical and has been replaced by Dr. Pulaski (Diana Muldaur). Wesley is now the helmsman of the Enterprise, replacing Geordi who has become the Chief Engineer.

Riker now has his famous beard that he'll keep until Star Trek: Insurrection, Worf is now fully the Chief of Security due to the death of Tasha last season, and the season introduced Ten Forward and Guinan (Whoopi Goldberg) as the bartender and someone Picard has a long history with.

This season is probably most famous for introducing the Borg in the episode Q Who? where Q reappears and flings the Enterprise to a far off system where they encounter the mind-less cyborgs for the first time.

Other excellent episodes in the second season include The Measure of a Man, Loud as a Whisper, and Elementary, Dear Data. Those first two episodes established that the series was perfectly capable of dealing with heavy subject matter, while the third established the Data/Geordi relationship a bit as well as setting up a cool villain that will reappear later in the series run.

Another episode I like is Pen Pals, if only for a nice scene at the end with Data and Picard. Throughout the series you see how much Picard enjoyed teaching Data about humanity, and again you see the beginnings of that here in a small scene in the Ready Room at the end of the episode.

The Outrageous Okona shows Data trying to understand humor, The Icarus Factor pits Riker against his father and features John Tesh as a Klingon, The Dauphin while featuring some of the cheesiest effects of the season also features on of the first TV appearances of Mädchen Amick, the Romulans reappear in Contagion, and Lwaxana Troi even makes a return visit to the Enterprise in Manhunt.

However, despite all the season has going for it, the season finale is simply the worst Star Trek episode ever filmed. In Shades of Gray, Riker is stung by an alien plant and is stuck in sickbay having "memories" of the past two seasons. It's nothing more than a damn clip show and is a tarnish on an otherwise great series.

With these first to seasons out of the way, the series has nowhere to go but up. It only gets better from here on out.

Season Three:
Season Three defined the look of the series for the rest of its run. It's the fist year where the new uniforms appeared, the special effects received a nice facelift, the lighting of the show was a bit better, and it even received a new opening title sequence.

But, those are just superficial improvements. The real greatness of this season comes in its choice of episodes, which includes two of the best Star Trek shows ever, and that is out of all of the episodes of all five television series.

I'll get to those gems in a bit, as there are some very good episodes in this third year aside from the obvious biggies.

I really love the opening teaser to Evolution (the season premiere) as it takes its time and sort of establishes that the show has come into its own and is going to be much larger in scope than the previous two seasons.

Ensigns of Command is neat in that it tells the story of a human colony on a planet that is hostile to human life due to radiation. These people have adapted to the hazard, but a race of aliens hold territorial rights to the planet and are on their way to destroy them so someone has to convince the people to leave. Since Data is the only one on the Enterprise who can survive the planet he must convince these people (who have never seen an android before) to leave their homes before they are annihilated.

Booby Trap introduces the character of Dr. Leah Brahms who reappears later in the series as a real person, but appears here as a hologram on the holodeck who Geordi falls in love with while using the Dr.'s knowledge to free the ship from a radiation booby trap. It also lays a little foreshadowing in the Picard/Guinan relationship with a line spoken here that will be explained through the actions in Times Arrow, Part 2 in season six.

The Enemy is one of those classic war stories where two enemy pilots are stranded together. Here, Geordi is stuck with a Romulan officer on a harsh planet while the Enterprise lies on the brink of conflict with the reoccurring Romulan captain, Tomalak.

The Price becomes interesting now as it set up an episode of Voyager. This is the show where the Enterprise is overseeing negotiations for a wormhole that leads to the Delta Quadrant. At the end of the episode, two Ferengi go through the unstable wormhole, where they become trapped and reappear years later in the aforementioned Voyager episode.

Q makes his third season appearance in Deja Q where he pops onto the Enterprise without his powers.

In the latter half of the season, The Offspring is one that stands out. This is the one where Data creates a daughter named Lal. It's a small, and sweet episode that's a break from the heavier stuff in the season. A bit of a flashback to Season Two's The Measure of a Man is here with an admiral who wants to take Lal away from the Enterprise to study her. It's also the first episode directed by Jonathan Frakes.

A big Worf story arc that will continue for a couple seasons really kicks off this year with Sins of the Father where his brother Kurn enters the picture and the Klingon's really start to be defined. This episode (along with last season's The Emissary) set up Reunion in Season Four and that season's cliffhanger finale Redemption.

Everyone's favorite neurotic engineer Barclay shows up in Hollow Pursuits, a somewhat silly episode where the officer is addicted to the holodeck and carries out programs with other members of the Enterprise crew in humorous roles.

Other good episodes in Season Three include The Most Toys where Data is kidnapped by a collector, Sarek where Spock's father enters the Next Generation universe for the first time, the funny episode Ménage à Troi that has Troi, her mother, and Riker kidnapped by the Ferengi, and a popular one titled Tin Man where the crew encounters a living ship.

Season Three would be a good season if it only had those episodes, but it doesn't. It has two episodes that are so perfect they uplift the entire season and define it as the best of all seven years. Four has some choice episodes, and year five has some stunners such as The Inner Light, Darmok, Unification, and I, Borg, but these two episodes in season three are truly in the top echelon.

Of course, I am talking about Yesterday's Enterprise and The Best of Both Worlds, Part 1.
Yesterday's Enterprise opens by establishing a small character trait of Worf that is completely silly for a strong Klingon warrior, but will go down in TNG history as one of the little details about him that is almost always mentioned: he loves prune juice. Silly yes, but it's one of the in-jokes that made this series so fun.

The episode kicks into gear when the Enterprise encounters a temporal rift in space. As soon as a ship exits that rift, something changes on the Enterprise. Uniforms are different, the bridge is darker, and Worf is no longer at tactical but rather the long-dead Tasha Yar is.

We soon learn that the mysterious ship is the USS Enterprise NCC-1701 C. The ship was originally destroyed 22 years ago while defending a Klingon outpost, but since it went forward in time and never faced its destiny, the Federation is locked in a brutal war that isn't going well. They are actually facing defeat.

The Enterprise D is no longer a ship of exploration, and since they never went to the planet where Tasha was killed in the original timeline, she is alive and well and only Guinan can tell that something is wrong.

In the end, Guinan informs Tasha of her fate in the real timeline, so Yar decides the go back with the Enterprise C, which sets up a character who will appear at the end of season four.

This episode is just packed with great moments. Aside from the opening and the first appearance of the Enterprise C, there's the chilling scene in Ten Forward where Guinan tells Tasha that she's supposed to be dead, and then the nice moment at the very end where Guinan asks Geordi to tell her about Tasha.


The real heavy hitter comes in the form of the season finale. The Best of Both Worlds, Part 1 is by far not only the best and most popular TNG episodes, but it's also one of the best cliffhangers ever. It's the episode that defined Picard for the rest of the character's life and it also established The Next Generation as one of the best shows on television.

While investigating a disappearance of a colony, the Enterprise learns that the day the Federation has been dreading has arrived: The Borg is coming.

The episode of course draws from the season two show Q Who? where the crew was introduced to the cybernetic aliens by Q. It slowly builds up, until the ship finally runs into the cube ship, Picard turns from the viewscreen, and speaks one of the most haunting lines in the season "Mr. Worf. Dispatch a subspace message to Admiral Hanson. We have engaged The Borg." Haunting, because that line triggers a line of events that will not be resolved until season four.

Picard is captured by the Borg, and assimilated into the collective as Locutus. With Riker in command, the Enterprise crew comes up with a plan to fire a beam from the main deflector to disable the Borg ship. With the words: "Mr. Worf. Fire." Riker ends season three on a cliffhanger, and when it originally aired everyone was left with their jaws on the floor.

The show is a defeat. It ends on a low note. And it's one of the definitive moments in the entire seven year, four movie, run of The Next Generation.

Thankfully, we'll only have to wait two months for part two on DVD.

This season had the strongest writing thanks to a new writing staff, the most character development, and was the most well rounded season of the show in my opinion. There's action, hard drama, and some humor.

If you can only buy one season of TNG on DVD, make it this one. After watching it, you'll find some way to buy season four if only to have part two of Best of Both Worlds.

Season Four:
Season Three of Star Trek: The Next Generation is widely considered to be the best of the bunch. Not only because it contains some of the best episodes in the show's seven-year run, but also because it was an amazing transitional year for the show where it began to evolve into the TNG fans remember. It also defined the look of the show until the end of its run.

Season Four is just as good. This year the show finally solidified into the TNG we all remember. It's the year where the writers began to focus on the characters more and their relationships with each other. It's also the year when the continuing Worf storyline began, and opened up the Star Trek series to the idea of serial storylines (something that defined the final few seasons of DS9). Where year three defined the look of the show, year four defined the storytelling.

Something fans will love about this seven-disc set is that the episodes are in their correct order as opposed to their production order. "Family" is on the disc immediately following "The Best of Both Worlds, Part 2", as it should be (it's an epilogue to the two-parter). When the series is shown in syndication, the shows are usually broadcast in their production order, which puts "Family" a couple episodes after "BOBW".

With Picard captured by the Borg, season three ended with the show's first cliffhanger and part one of what is considered to be one of the best episodes in the show's history.

"The Best of Both Worlds, Part 2" opens with Riker in command, moral on the ship low, and the Federation facing annihilation. While the crew of the Enterprise scrambles to put together a plan to rescue Picard, Starfleet is slaughtered by the Borg at Wolf 359 - a name that almost every Star Trek fan knows due to this episode.

To rescue their captain, the crew comes together like never before, and the show builds up to one of the tensest conclusions in any Star Trek episode. It brings to a close the most shocking cliffhanger in the show's seven-year run. You really can't ask for a better episode to kick off a season than this.

An interesting bit of trivia on the episode is that three of the ships destroyed at Wolf 359 just happened to be the three ships that Riker was offered command of at one point or another in the series. This was done because Frakes once made a funny comment about the writers at a convention before the episode was written.

Aside from that great season opener, there are some excellent episodes in this season:

"Family" was produced a few episodes after "The Best of Both Worlds, Part 2", even though the show takes place immediately after that one, and is shown in syndication a few episodes after the two parter. It's an epilogue where the Enterprise returns to Earth for repairs while Picard returns home to France to make up with his brother (Jeremy Kemp who was General Streck in Top Secret!), Wolf's human parents visit him on the ship, and Wesley receives a recorded message from his father. This is also the only Star Trek episode that never shows the bridge of the ship. Shocking, but true.

"Brothers" features the return of Lore as both he and Data meet their father, with Brent Spiner playing all three roles. It also introduces the emotion chip that Data will eventually install in Star Trek: Generations.

"Remember Me" features the return of the Traveler who helps Wesley rescue his mother who is trapped in a rapidly collapsing warp bubble. "Reunion" really kicks off the ongoing Worf storyline when his son Alexander is introduced and begins the big Klingon soap opera that will end this season in another cliffhanger. "Legacy" takes us to the colony where Tasha Yar grew up, and "Future Imperfect" has always been one of my favorite episodes of the season where Riker wakes up, in what looks to be the far future, as the captain of the Enterprise.

"Final Mission" sees the departure of Wesley Crusher from the show, "Data's Day" is a cool little episode that's a diary of sorts showing a typical day on the Enterprise for everyone's favorite Android, while "The Wounded" gives us a look at the Cardassians and is a decent Chief O'Brien episode that gives him a back-story dealing with the Federation/Cardassian war.

"Galaxy's Child" brings Geordi face to face with Dr. Leah Brahms, whom he fell in love with on the holodeck in last season's "Booby Trap". This episode will also be the source for a story that Geordi tells Scotty when the two meet in the sixth season episode "Relics". "Clues" is another good episode where the crew is knocked unconscious for over a day, even though the computer and Data says otherwise.

One of the highlights of season four is Q's return in the Robin Hood episode "Qpid" where the omnipotent being teleports the crew of the Enterprise (and Picards babe Vash) to Sherwood Forest, with each one taking on the guise of a different Robin Hood character. Worf is hilarious with one-liners such as "Sir, I protest. I am not a merry man!", or the scene where he grabs Geordi's lute and smashes it against a tree. It's a lighthearted and fun Q episode.

"Identity Crisis" is one of the creepier episodes as Geordi and another crewmember are slowly transformed into these bizarre aliens with these creepy blue veins that glow bright when UV light is shined on them. The episode "Half a Life" brought David Odgen Stiers onboard one of the many great guest stars that the series will see over the years as a love interest for Lwaxana Troi. The drama in the episode evolves when it's revealed that he's from a planet where once someone reaches the age of 60 they must end their life.

Jonathan Frakes directed yet another great episode with "The Drumhead", which deals with a trial onboard the Enterprise, while Geordi was brainwashed by the Romulans and turned into a killing machine in "The Mind's Eye". That episode also marks the first appearance of Sela, who will be fully revealed in the "Redemption" two-parter that closes this season and begins year five.

The season comes to a close with two pretty good episodes. "In Theory" (directed by Patrick Stewart) sees Data attempting a relationship with a human crewmate, and "Redemption, Part 1" is the first part of the Klingon civil war where Lt. Worf leaves Starfleet to serve with his fellow Klingons to defend the Empire. It's not as shocking as "Best of Both Worlds" was, but it's still a very strong ending to a great season.

Season Five:
Season Five of TNG is probably best described as the "deep" season, due to some of the great stories that were told in this year. There are some amazing episodes in this season, one of which may possibly be the best Star Trek episode from any series, but there are also a couple of stinkers. This year was also one of celebration and mourning for Star Trek fans as the season began during the 25th Anniversary of Trek, and ended without its creator.

Just as Seasons Three and Four were bridged by a cliffhanger, Season Five opens with Part II of "Redemption" which deals with the Klingon civil war as Worf fights alongside his people. While not nearly as good as the opening to Season Four, where the Picard was rescued from the Borg, Season Five comes out swinging immediately after the season premier.

"Darmok" comes early in the season and is one of its best. When the Enterprise meets with "The Children of Tama", a race whose language is "incomprehensible" by humans, Picard is transported down to a deserted planet with the captain of the Tamarian ship (Paul Winfield). On the planet, Picard must learn to communicate with this alien and over the course of the episode, the Captain is able to decipher the alien language and a bond is formed between the two. This episode also marks one of the first major TV appearances of a young Ashley Judd, who we'll see more of in a later episode in the season.

"Ensign Ro" introduced us to the Bajorans, who we'll see a lot of in DS9, and this episode starts to establish the race that would play such a large part in the next Star Trek series, while at the same time it introduces a temperamental reoccurring character to the TNG series.

"Disaster" is one of the under appreciated episodes in the season. This is the one where the Enterprise suffers a complete power failure and pretty much scatters the screw among the ship. Picard is trapped in a turbolift with three kids, Riker, Data, and Worf tend to wounded in Ten Forward, Beverly and Geordi are trapped in a cargo bay with a radioactive fire, while Troi is left in command of the ship on the bridge with Ensign Ro and Chief O'Brien. It's a classic "disaster movie" set in the Star Trek universe, and even features some funny Worf moments where he helps deliver little Molly O'Brien.

"The Game" is one of the real stinkers in the season, but I can't help but have a soft spot for it simply because it features a young Ashley Judd as Wesley's girlfriend Robin Lefler. That's right, Wesley returns and he saves the ship once again while making the entire crew look stupid. There is one good moment in the episode when Wesley returns to the ship where we see the "family" welcoming one of their members home.

"Unification 1 and 2" is much-hyped appearance of Spock in The Next Generation, and while it does deliver on its promise (Spock in TNG), it actually comes across as a slightly bland episode when compared to some of the better ones in the season.

"Cause and Effect" is one of the better Brannon Braga-written episodes in the show's run and was directed by Jonathan Frakes. This is where the Enterprise is caught in an endless time loop where its destroyed over and over again over the course of the episode. "The Perfect Mate" delivers one of the first TV appearances of Famke Janssen, while "The Next Phase" is a fun romp through life and death with Geordi and Ensign Ro as they are affected by an experimental cloaking device that puts them "out of phase" with the rest of the ship and the crew thinks that they died in a transporter accident. And the season ends with part one of "Time's Arrow" that sends Data back in time to 19th Century San Francisco.

However, as with Season Three, there are two episodes in this season that are well above the rest in the pack, and both of them come towards the end of the season.
"I, Borg" tells the story of a young drone found and nurtured by the Enterprise, who begins to regain a sense of individuality. He strikes up a friendship with Geordi and is named "Hugh". With a member of their most mortal enemy in their grasp, Picard comes up with a plan to use Hugh to destroy the Borg Collective.

During his stay on the ship, Guinan visits Hugh and tells him how the Borg destroyed her race and that resistance was not futile. Eventually the crew has second thoughts of using Hugh as a tool to destroy the Borg, and when Picard talks to Hugh he realized that there is still good in him. Hugh is given the chance to stay on the Enterprise or return to the Collective, and he decides to return to the Borg.

It isn't your typical Borg episode, and is quite a change from the high action in "The Best of Both Worlds". Picard is still haunted by what the Borg did it him, and it also shows a small bit of vulnerability in this seemingly invincible race of cyborgs. Hugh's return to the Collective as an individual will have repercussions that will be seen later in the series' life.

But, the best episode in Season Five may possibly be the best Star Trek episode ever produced (although some may consider it to be a close tie with the Original Series episode "The City on the Edge of Forever"). That episode is "The Inner Light", which was one of only two episodes in the series' run to win a Hugo Award for Dramatic Presentation (the other was the series finale "All Good Things...").

When a beam from an ancient probe strikes Picard, he collapses and awakens in a different world where he has a wife and the Federation is only a memory to him. Over the course of just twenty-five minutes he lives out an entire lifetime on a dying world. He has children, and grandchildren. Picard experiences a life that he may have had if he didn't run off to join Starfleet.

Through the course of the episode we see Picard age to an old man, while only jumping back to the Enterprise a few times to see the crew attempting to revive him. When he awakens at the end of the episode and Riker tells him that he's only been out for twenty or twenty-five minutes, we fell the entire impact of the episode at that moment. Patrick Stewart truly deserved an Emmy for his performance in this episode (although he was finally nominated for a SAG award in 1995 for his role on TNG), which also featured his real-life son.

In a way it's fitting that "The Inner Light" helped close out Season Five of TNG. It was a true high-water mark for the series, as there really wasn't any episode after it that even came close in terms of storytelling or drama. If you only watch one episode out of Season Five, "The Inner Light" must be it.

Season Six:
Season Six was where things started to go downhill, and in a way was a sign of things to come in Voyager in terms of some of the stories that were told. This season could also be marked as a minor transition period for the show and for Star Trek. Halfway through the season, Worf's hair became long and Troi began wearing a normal uniform. Also at the halfway point, Star Trek: Deep Space Nine launched, and there was a even a crossover with that show.

The sixth season of Star Trek: The Next Generation opens with part 2 of the "Time's Arrow" cliffhanger, which sees the crew heading to 19th Century San Francisco to rescue Data. This episode is also a nice little bit of Star Trek lore, as it shows how Picard and Guinan met. From there on out, there are some solid episodes in the season, but not too many of them come close to the greatness that was seen in the previous seasons.

Early in the season, Scotty made an appearance in the very fun episode "Relics". His appearance in The Next Generation actually turned out to be more entertaining and rewarding for fans than Spock's guest spot in season five. In this episode we see Scotty trying to find a place for himself in the 24th Century, and working alongside Geordi to save the Enterprise. Maybe it's because Scotty is such a likeable character, and maybe because it was just a great episode, but "Relics" is one of the best of the season.

There were a couple of two-part episodes in this season, with the first of the two being the best. In "Chain of Command", Picard is captured and tortured by a Cardassian played by David Warner. It's a harsh episode, but another great Picard story after such big ones as "The Best of Both Worlds" and "The Inner Light". The second two-part story was "Birthright", where both Data and Worf discover more details about their past, and it also includes a crossover with DS9. In my opinion, part 1 of the story is actually a bit more interesting than the second, mainly dealing with Data's discovery of dreams. Part 2 is another rather boring Worf story dealing with some Klingons living in peace with Romulans.

Q made two appearances this year. The first was in "True-Q" where a young girl (Olivia d'Abo) visiting the Enterprise discovers that she's really a Q, and the second is possibly one of the best Q episodes ever. In "Tapestry", Picard dies and Q gives him the chance to avoid the injury that caused his death, but Picard learns that his recklessness in his youth actually was for the better.

Other "fun" episodes in the season include the holodeck adventures "A Fistful of Datas" and "Ship in a Bottle". Thomas Riker makes his first appearance in "Second Chances", and there's a somewhat decent little time travel episode titled "Timescape", which features Picard, Troi, and Geordi saving the Enterprise as it's frozen in time.

The season ends with part one of the "Descent" two-part episode, which continued to make the Borg less and less threatening.

Season Seven:
This year is widely described by fans as the "lets mutate and have nightmares about it while Troi has a psychological crisis" season. There are very few great episodes in this year, but the fantastic series finale saves it from oblivion.

Season Seven opens with part 2 of the "Descent" two-parter that sort of resolved the whole Data/Lore thing, but the conclusion just felt a little anti-climatic. I guess that's the general feeling for most of this season, as there were just so many episodes that were just about the crew (or the ship in one case) either mutating, having some kind of nightmarish crisis, or going crazy.

Here are some examples:

"Phantasms" is where Data's nightmares become real for the crew. "Dark Page" has Lwaxana Troi going through a psychological crisis. In "Sub Rosa" Beverly falls under the spell of a ghost lover. Data suffers from alien multiple personality disorder in "Masks". Troi has a psychological crisis of her own in "Eye of the Beholder". "Genesis" is the episode where the crew mutates, or de-evolves, throughout the hour of the show. And finally the Enterprise herself becomes intelligent in "Emergence".

Despite those bad episodes, there is some good to be found in the season before "All Good Things..."

"Attached" finally kicked off a Picard/Crusher relationship that I think was accepted by fans a lot more than the whole Worf/Troi thing that was dropped before the movies started. This is an episode where Picard and Beverly are connected by an alien device that allows them to hear each other's thoughts. "Force of Nature" was a little "environmental" episode that posed the idea that warp drive was actually harming the universe.

One great episode in the year was "Pegasus", which dealt with Riker's first posting as his former captain, now an admiral, comes to the Enterprise and wants to find their old ship. Riker is ordered to keep what happened to the ship a secret, as it was the Federation's experiment with a cloaking device, which went against their treaty with the Romulans. "Lower Decks" shows the other side of the Enterprise as it focuses on some junior officers. One of these characters would then appear from time to time on Voyager. Talk about a career downgrade...

In this crazy season, who would've thought that the best Wesley episode would be made? In "Journey's End" Wesley Crusher returns to the Enterprise and decides that he won't be going into Starfleet. The episode ties in with the first season episode with The Traveler, and that cool alien appears for one last time to take Wesley away once and for all.

But, all good things must come to an end. And in the week of May 23, 1994 Star Trek: The Next Generation signed off.

The two-hour final episode "All Good Things..." was written by Ronald D. Moore and Brannon Braga. It brought together one of the best writers the series ever had (Moore) with one that the fans started to despise (Braga) for a very fitting send-off for the show. The episode had to say goodbye to these characters that viewers have got to know over the past seven years. Sure, we'd see them again in the movies, but this was the last time viewers would see the family in a weekly episode.

Using Q to bookend the series, the show dealt with Picard jumping forward and back in time. He'd go over twenty years in the future and seven years into the past. Q told Picard that he would cause the annihilation of mankind, but the Captain wasn't told how. So, he would have to convince three crews in three time periods to work together in some way in order to save the human race. The episode is more reminiscent of the Roddenberry era than some of the Next Gen shows in the previous couple of years, and it really does bring the show to a satisfying end.

It's really a two-hour movie, and it captures the characters as well as any other episode in the series. The relationships that were built up over the past seven years are the basis for the way the characters interact in this episode. Picard knows Worf as well as anyone can, and he uses that knowledge in the future to get the help that he needs from the Klingon. This was an episode for the fans. It was made for those who have invited this family into their homes for the past seven years. Non-fans won't get too much out of it, but I don't think there's a single TNG fan who won't smile when Picard encounters the "young" Data on the Enterprise of the past.

It's one last epic adventure for the crew we've all come to know very well. At the end of the episode, Picard finally joins the other officers for their weekly poker game, and the Enterprise flies off into the unknown.
 

silenttwn

Member
Man... I can't be the only one who hates Troi, can I? I mean, she's great eye candy but she has the corniest moments... "Captain, I'm sensing... great pain! Oh!" Or "Captain... I feel... great joy." She really only contributed for romance and love triangles...
 
teiresias said:
The TNG episode "Darmok" is one of my favorite episodes of television ever.
I should start talking in a GAF version of that.

Vestal, when the dogs fortied.

Rare and Nintendo. Rare and Microsoft!

The holograms of Gahiggidy.
 

fennec fox

ferrets ferrets ferrets ferrets FERRETS!!!
In high school video class we edited the episode which has the bit where

Picard: "I need more"
Whoopi: "There is no more"
Picard: "Not good enough, dammit, not good enough!!"

to make it sound like Picard was an addict and Whoopi was a dealer trying to ease him off the stuff. It was quite funny, let me tell you.
 
heavy liquid said:
Yesterday's Enterprise is probably my favorite episode. So awesome.
One of my favorites, too. The biggest problem the passage of time has brought is that now when I watch it, I think "Hey, there's Shooter McGavin in Starfleet."
 

Shompola

Banned
my fav is the one where the prob scans picard, picard goes into some historic past and plays(without him knowing it) the role of a father and husband in an unknown world to remember those peoples history.
 
Yeah, "The Inner Light" was an awesome episode. One episode that comes to mind is when Picard was captured by the Cardassians, and his captors torture him.

"How many lights do you see"

::picard looks:: "Four"

"Wrong, there are five" ::zap::
 
captain jean luc picard of the u s s en ter prise.

he just kept talking and talking in one continuous unbroken sentence moving from topic to topic it was really quiet hypnotic
 

radcliff

Member
Brannon Braga ruined the show. He was way into imagery and made some stupid changes like the Worf/Deanna relationship (wasn't Worf who said only a female Klingon could survive Klingon mating?), reducing the Enterprise's speed, and making a lot of episodes about some lost loved one that doesn't actually exist in real life (Geodie's mom, Picard's son, Data's mom, Data's dad, Beverly's grandmother, Worf's father, etc.) "Masks" may be one of the most unwatchable episodes in the history of Star Trek. Seasons 6 and 7 pale in comparison to seasons 3-5.
 
JoshuaJSlone said:
I should start talking in a GAF version of that.

Vestal, when the dogs fortied.

Rare and Nintendo. Rare and Microsoft!

The holograms of Gahiggidy.

If you posted like that all the time ... well that would be AWESOME
 

ShadowRed

Banned
radcliff said:
Brannon Braga ruined the show. He was way into imagery and made some stupid changes like the Worf/Deanna relationship (wasn't Worf who said only a female Klingon could survive Klingon mating?), reducing the Enterprise's speed, and making a lot of episodes about some lost loved one that doesn't actually exist in real life (Geodie's mom, Picard's son, Data's mom, Data's dad, Beverly's grandmother, Worf's father, etc.) "Masks" may be one of the most unwatchable episodes in the history of Star Trek. Seasons 6 and 7 pale in comparison to seasons 3-5.



Huh what are you talking about? Worfs baby momma was half Klingon and half human.
 

Kuramu

Member
One episode that i was hoping to see mentioned, though i don't know if it was a good one, it was memorable to me.

One time i brought my cat down the street to my friends house half a mile away. When i let the cat out of the car, he obviously had no idea where he was, yet he started walking in the direction of my house. He acted so strange, so confused, not even noticing me like i didn't know this cat. I walked with him, fascinated by his behavior. And as he got closer and closer to home, i could tell he was becoming more normal. Then in the final 300 feet something clicked and he started running until he got to my back porch and he was acting like my old cat again.

So, what's the episode the instantly, strongly came to my mind?
 
Kuramu said:
One episode that i was hoping to see mentioned, though i don't know if it was a good one, it was memorable to me.

One time i brought my cat down the street to my friends house half a mile away. When i let the cat out of the car, he obviously had no idea where he was, yet he started walking in the direction of my house. He acted so strange, so confused, not even noticing me like i didn't know this cat. I walked with him, fascinated by his behavior. And as he got closer and closer to home, i could tell he was becoming more normal. Then in the final 300 feet something clicked and he started running until he got to my back porch and he was acting like my old cat again.

So, what's the episode the instantly, strongly came to my mind?
Damn if I remember the name of most episodes, but the one with Picard #2?
 

radcliff

Member
ShadowRed said:
Huh what are you talking about? Worfs baby momma was half Klingon and half human.


In an episode, Q gave Riker the powers of the Q. He wanted to give each member of the crew a gift. He gave Worf some space hookers, but Worf said only Klingon females could survive sex with a Klingon male. Riker then promptly changed them to Klingons. I guess she was Klingon enough for him.
 
Wasn't that a first season episode (Hide and Q)? All kinds of stupid shit happened then...

Anyways, I think the point was that how did she get born? Was her mother a Klingon, and father a human?
 

Kuramu

Member
JoshuaJSlone said:
Damn if I remember the name of most episodes, but the one with Picard #2?

I don't quite remember if there were 2 picards, but it was definitely a Picard episode, and for whatever reason he he needed to enter some sort of spacial anomaly... go figure
 

ShadowRed

Banned
radcliff said:
In an episode, Q gave Riker the powers of the Q. He wanted to give each member of the crew a gift. He gave Worf some space hookers, but Worf said only Klingon females could survive sex with a Klingon male. Riker then promptly changed them to Klingons. I guess she was Klingon enough for him.



But her mother was human and her father was Klingon. Her mother seemed to get through mating with a Klingon fine enough. Also you have to take into account that Worf may have been bragging. Sort of like when you're out with your freinds and you see a chick and you're like, "She couldn't handle me, I'd wear her out."
 

ShadowRed

Banned
Kuramu said:
I don't quite remember if there were 2 picards, but it was definitely a Picard episode, and for whatever reason he he needed to enter some sort of spacial anomaly... go figure



That was season 3 episode nine called Time Squared.
 

DrForester

Kills Photobucket
Loved TNG, although it was my 2nd favotire Trek (Liked DS9 more).

My favorite episode was probably "The Innter Light". It's the one where Picard is taken over by an alien probe that makes him live an entire lifetime on a doomed planet. That flute song he played was fantastic.

Some other one's I enjoyed were.
"Yesterday's Enterprise"
"Lower Decks"
"Best of Both Worlds"
"Darmok"
"All Good Things..."


I also liked "Hide and Q" for this simple scene.
wesleygetsthepoint.gif
 

Ash Housewares

The Mountain Jew
I hated Q, laziest piece of shit plot device of all time

I can't think of a story, ok, let's have Q fuck the shit out of everyone again, yay! Robin Hood time!

I am NOT a merry man!
 

Boogie

Member
Ash Housewares said:
I hated Q, laziest piece of shit plot device of all time

I can't think of a story, ok, let's have Q fuck the shit out of everyone again, yay! Robin Hood time!

I am NOT a merry man!

You're on crack. Q rocked!
 

ManaByte

Member
Q is great. He's the one Roddeberry creation that Rick Berman and Brannon Braga never fucked up. He remained awesome even in Voyager.
 
Kuramu said:
I don't quite remember if there were 2 picards, but it was definitely a Picard episode, and for whatever reason he he needed to enter some sort of spacial anomaly... go figure
Yeah, as Picard #2 kept getting closer to his "time of origin", he began to act more normally... or at least with a knowing purpose.

Ash Housewares said:
I hated Q, laziest piece of shit plot device of all time
I happen to like Q, but this reminded me of something Q-related. A decade or so back, for some reason he made a brief guest appearance on a local afternoon cartoon/kids show called Happy's Place, where he couldn't convince host Happy the Hobo that he wasn't really Q, but an actor. I don't even know if they still do that show, but John de Lancie must've owed someone a favor.
 
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