So one of my second year girls (14) is a huge Attack on Titan fan, and when I told her I dug it too, she kind of flipped. So for my birthday, she drew three quick freehand sketches for me.
Love my students.
I'm just going to continue thinking that all Japanese people are good at drawing.
Are these pictures coming from a small number of students or do you have an unusually large group of students who draw?
I'm just going to continue thinking that all Japanese people are good at drawing.
So one of my second year girls (14) is a huge Attack on Titan fan, and when I told her I dug it too, she kind of flipped. So for my birthday, she drew three quick freehand sketches for me.
Love my students.
So one of my second year girls (14) is a huge Attack on Titan fan, and when I told her I dug it too, she kind of flipped. So for my birthday, she drew three quick freehand sketches for me.
Love my students.
You clearly havent seen some seiyuus draw XD
Love Lab 1
Wow, this had some pretty smooth animation. I wonder how long they can keep this up.
Love Lab 1
Wow, this had some pretty smooth animation. I wonder how long they can keep this up.
Yeah, they say they pretty much delayed releasing it because they were hoping that a network would pick it up for "first run".
Other random news from the podcast - Neon Alley will get on demand programming at some point, and Viz's biggest selling discs are Lagrange, something called Nura: Rise of the Yokai Clan, and Vampire Knight. Blood Lad is doing well for them.
The Laws of the Sun receives a score of
1 Sword Art Onlines
May El Cantare not have mercy on your soul/the soul that is currently possessing you.
Free! is looking like the 2nd best KyoAni show in the post K-On!! era.
I didn't finish Tamako Market, but Free! has been much more entertaining through three episodes than the distilled insipidness that was Tamako market.I wasn't exactly enthralled by the likes of Chuunibyou and Tamako's Market, but even so, I think that's stretching it slightly. If it manages to hit the heights of the latter (however inconsistent), then I'll be pleasently surprised.
I'll keep watching, but It's been very mediocre so far.
If Hyouka wasn't your natural pick for top-spot, then I'm afraid we can no longer discuss this.
We have Nagisa fans???
It's all fluff until Oshii speaks.
Oh, sure he did... for a recent one of his MAMORU OSHII MAIL MAGAZINE blog posts:Oshii won't speak unless he has something to criticize Miyazaki on.
Of course, and in great part thanks to you, Nafe.The post you linked to is the exact one I was thinking of for a reminder. The hint of NA-I-SU day. Hopefully you had a nice day to go along with all the congratulations posted here.
You're always welcome!Oh yeah, I know you mention that someone doesn't have to respond every time someone gives out information to help another but thanks for your response a little while ago now to my post regarding the game series Wipeout and the company involved with that. I was going to thank you back at the time but didn't.
I didn't finish Tamako Market, but Free! has been much more entertaining through three episodes than the distilled insipidness that was Tamako market.
Free! separates itself from Tamako Market in that it doesn't feel like aimless self-indulgence, there's an actual goal and it doesn't hurt that the comedy element is pretty effective. I don't think Free is aping K-On, other than the club thing they don't really feel all that similar. Workmanlike isn't all that far from how I feel about it, but that's enough to separate it from the highly flawed shows KyoAni has been putting out other than Hyouka.Eh, I enjoyed Tamako's Market, but the same criticism of that, is the very same one I'd leverage against Free! It's very workmanlike it is execution. It doesn't feel like it's making any glaring mistakes, yet by that same token, it's fully satisfied with repeating the same material.
These are shows which shouldn't be simply adhering to the formula we've seen in the likes of K-ON, because truth be told, it's always going to be an unfavorable comparison. Like Tomako Market, it feels like Free! Lacks a clear identity, and is simply plastering a shiny veneer over a framework, one that feels very tired.
I don't want slavish output, but maybe that's just me.
/a/ - Animu & Mango » Thread #88814283
http://archive.foolz.us/a/thread/88814283/#q88815383
I can't attest for the credibility and faithfulness of these extracts' translation, but it is something at least.
Eh, I enjoyed Tamako's Market, but the same criticism of that, is the very same one I'd leverage against Free! It's very workmanlike it is execution. It doesn't feel like it's making any glaring mistakes, yet by that same token, it's fully satisfied with repeating the same material.
These are shows which shouldn't be simply adhering to the formula we've seen in the likes of K-ON, because truth be told, it's always going to be an unfavorable comparison. Like Tomako Market, it feels like Free! Lacks a clear identity, and is simply plastering a shiny veneer over a framework, one that feels very tired.
Tamako Market I found to be particularly frustrating, because it showed glimmers of great promise, with there being a few standout moments. It just served to be make me more annoyed with it's shortcomings. I craved to see a KyoAni show that displayed that assurance.
I don't want slavish output, but maybe that's just me.
Sorry, should have posted instead a direct link to some of the text with the proper impressions, and parts before that could be considered as light spoilers as well, so be careful (I'll put a warning in the post).It seems quite interesting, but it's written more as a short analysis rather than giving his impressions of the movie. I don't want to read much detail about it without having seen the film proper, but from what little I glimpsed he seemed fairly surprised, and in a positive way even!
Free! separates itself from Tamako Market in that it doesn't feel like aimless self-indulgence, there's an actual goal and it doesn't hurt that the comedy element is pretty effective. I don't think Free is aping K-On, other than the club thing they don't really feel all that similar. Workmanlike isn't all that far from how I feel about it, but that's enough to separate it from the highly flawed shows KyoAni has been putting out other than Hyouka.
Sorry, should have posted instead a direct link to some of the text with the impressions, and parts before that could be considered as light spoilers as well, so be careful (I'll put a warning in the post).
Oshii said:Even though what I said is not misleading, this is a great thing.
Free! feels nothing like K-On, though.
Whoa of true.Be advised; the following link leads to mild spoilers for The Wind Rises' plot.
/a/ - Animu & Mango » Thread #88814283
http://archive.foolz.us/a/thread/88814283/#q88815383
I can't attest for the credibility and faithfulness of these extracts' translation, but it is something at least.
I think that part refers more to him congratulating Mr. Miyazaki for tackling for once the concept of a simple young man as a protagonist without distorts or strange conditions, be on display without his "mask".You mean this part? I read that, hence I thought he reacted to the movie rather positively.
I'm going to say that my anticipation for this one is rising, slowly but surely...
I think that part refers more to him congratulating Mr. Miyazaki for tackling for once the concept of a simple young man as a protagonist without distorts or strange conditions, be on display without his "mask".
The part about Mr. Miyazaki being honest and himself for canalizing his sexual desires through this protagonist is the general opinion from Mamoru Oshii I take from this piece. :-D
Yep. Him being this surprised by it seems already like an achievement for the film!Yeah, he seems like he was caught off-guard by some aspects of Kaze Tachinu, and that's something to praise.
If Miyazaki still managed to surprise at this point in his career, the film must be quite something.
Ryouga truly is the Eikichi Onizuka of NeoGAF.
I know, but it deliberately evokes certain footnotes that would lead one to compare it, regardless. And therein lies the problem, it shouldn't remind you of certain aspects of other shows, particularly if doesn't execute them as well.
Free! doesn't have anything that is standout about it, nor does it do enough to carve out its own identity. As of episode 3, it hasn't done much to convince me otherwise. It's utterly mediocre.
Maybe hindsight will paint this in an amusing light, and I hope it does, but so far, I'm not exactly hopeful.
Tales of Titillation
A morbid curiosity got me...how long does the history of Hentai go back? Well appearently the first Hentai ever was released in the mid 80's, and in the 80's they are about 10 or so.
They are very different from Hentai today. It's not straight fucking, and focus on the genital part. They are very very softcore, with a barebone presentation, and with story. Most of is implied (fruits exploding for ejucalation, cucumber goes into hole, psychedelic backgrounds for pleasure, sillhoutes for genitals). It's interresting to watch tough, seeing the 80's retro artstyle sexually depicted, it is just unusual.
Well this one are adapted stories from the manga artist "U-Jin", one of those h-manga artists who draw really...wierd kinky stories, and are very humorous.
The first OVA are 4 stories. The first being about little kids that fumble around a teenage girl's vagina with branches in the playpark, a perv that builds girl puppets sees this, and does the same pretending to be a kid.
The second story, is about a Pizza delivery guy who has to deliver a pizza to the top floor. The pizza has to be delivered in 30 minutes or it will be free. To combat this, the girls in the building throw themselfs in front of him, masturbating and being sexy. The guy get's all kinds of nosebleeds falls from stairs etc.
The third story is a godzilla like battle between a mahou shoujo girl and a perverted giant salarymen. The man jacks off to her with his toxic semen that damages tokyo. One highlight includes him fucking a building and killing people in the process, and other men jacking under the giant mahou shoujo's skirt
The fourth story is about some chinese girl who can get guys to get a errection with magic.
The second OVA has 2 stories about salarymen. One is about someone who accidently get's his cock sucked on the train when girls fall asleep and are behind the paper he is reading.
The 2nd story is about someone who get's tricked into buying a flower from a girl who get's him into a dark corner. For every match he can let hin fire to watch her pussy, he pays 10 dollars. He wastes his entire money, and burns his entire clothes when the matches run out.
The third OVA are 9 stories "describing the sexuality of Japan". Highlights include: a Tennis trainer who ties up one of the girls eyes and jacks of under her skirt, and a guy building a humanoid girl to save the world, however he get's turned too often by her and ends up having sex with her all the time. In the end he started to mass-producde these for man's pleasure.
Everything is presented with a comical style and heavily exaggarated, and as I said very very softcore, with only nipples being the most revealing thing. It's just hilarity with a very sexual punch.
It's one of the wierdest things I have ever seen and I'm suprised it hasn't hit ironic cult status.
EDIT: Oh, I forgot one story. It's about a giant muscular black man who boasts about being too muscular to be stitched by a needle by a doctor. The nurse uses her sexuality to change that...
*adds to list*
Hope!The plus side is that, at the very least, the cover of Volume 18 implies thatKaname will be piloting an Arm Slave of her own, judging from the plug suit.
GTRS. ;P