Jimmy Fallon and Questlove tell a story about Prince's love for Ping Pong: https://www.youtube.com/watch?v=o9iVXxFt1Wg&feature=youtu.be
"He was a really good pingpong player," Parke said Friday, a day after the superstar's unexpected death. "He'd distract me to look at something, and then he'd serve. I'd be like, 'Dude, you're going to win. You don't have to cheat!'"
Seriously? Pink Floyd blocked this?
That is low
That's a great starting point.
Most definitely.
You're talking about the three disc set right? That's a fantastic start.
The third disc (B-sides) is especially good.
RELEASE SIGN O' THE TIMES BLU-RAY IN THE U.S....
I seriously can't believe Prince is gone. I wasn't a gigantic fan or anything, but man did he have some great songs during his hey day in the 80s. Not many people give enough credit to his album Parade. Songs like Christopher Tracy's Parade, Venus De Milo, Mountains and Under the Cherry Moon are great classics.
They should put Prince on the 20 dollar bill and call it $19.99.
It will be the bill formerly known as twenty.
Yeah, this could get fucked up really quickly.i heard he hadnt left a will. i'm hoping it doesnt become a mess. it would be tragic if the unreleased stuff was never released and/or mangled in some releasing process.
I refuse to believe he didn't have a will. How the fuck can you amass that kind of money and not have a lawyer tell you to will up?
some articles i've read say he was told to get one multiple times, but he just didn't do it.
in a way i can see that, especially since he didn't have kids and wasn't married. going to be dead anyway so why care what happens to your stuff? dude was a bit of prankster, so people fighting over his inheritance might also have tickled his fancy.
Prince was divorced twice. His one child died shortly after birth. His parents are dead, too. This leaves not just his full sister, Nelson, but also seven half siblings as his equal inheritors. But not all of those siblings are still alive, so their rights transfer to their children. None of their personal relationships with their late brother or uncle is considered relevant.
From the [Wall Street] Journal, which interviewed Ken Abdo, an entertainment lawyer whose firm worked with Prince for several decades:
The matter of who controls rights to which recordings is one thing: Warner Music Group co-owns rights to unreleased music in Princes vault recorded between 1978 and 1996; any release requires permission from both Warner and the singers estate. But there is also the complicated task of sorting out matters related to any collaborators who wrote or recorded with Prince in the studio, Mr. Abdo said.
Even further complicating the matters: Its almost certain the Internal Revenue Service is going to take an interest in Princes wealth, as well.
Jimmy Fallon and Questlove tell a story about Prince's love for Ping Pong: https://www.youtube.com/watch?v=o9iVXxFt1Wg&feature=youtu.be
Can someone help learn to appreciate the later albums I'm not big on? What of his 90's, 00's, and 10's catalgue do you suggest listening to? If not, that's okay, Prince's evolution as an artist is still interesting even though I'm not big on that evolution.
Diamonds & Pearls and the Love Symbol album are basically your first two stops for his 90s stuff. Diamonds & Pearls in particular seemed to be kind of a return to earlier-era songwriting, but with all that extra experience and seasoning changing things.
His output in the 90s/00s is a lot more scattered, really. Once he was allowed to release whatever, whenever, it was kinda like putting a thumb over a gardenhose, it just sprayed everywhere. Constantly. It got hard to keep track.
So far as his Purple Rain-Around the World-Sign O' the Times-Parade run, keep in mind that the sound you recognize as typical '80s shit was really atypical as he was doing it. That wasn't what pop music sounded like on the average. I sorta feel like this is like when horror fans go back and watch Halloween, yunno? So much shit was sparked off by that movie, that when you watch it after seeing decades of people take inspiration from it, you can't be inspired in that same way by the original.
It's like asking someone to get impressed by a seed after having driven through a redwood forest.
You could make that argument, but even then, I love Halloween even though I had saw many horror films before it. I can see the appeal. Thriller was also something that set off tons of copycats, as did Sgt Pepper's and Abbey Road. My reasoning is that it should still probably stand on its own merits, right? But I guess we won't be able to agree there.
Nah, we can agree there. I was just speaking to the "'80s samey shit," specifically that in the '80s themselves, his shit wasn't samey at all. Which is partially why he blew up as large as he did.
But it's not like everyone universally loved him back then either, so to each their reach and all that. Even Prince himself sorta poked fun at that on a few songs. Right now, within a week of his death, people are still in that mourning period where none of the negative really gets brought up for various reasons, but pretty soon people are gonna start reminding other people that there were R&B/Funk/Soul fans back in the '80s who didn't dig his shit all that much. And not because he was pretty, or weird. They just didn't like his shit. It didn't land for them.
(Which is what made the embrace of The Time over The Revolution - and that is a thing I very much remember happening for more than a few people - kind of a win/win for him. Even when you didn't like Prince, he tricked you into liking Prince)
I'm not saying "Well, if you liked Halloween, you should like this" or anything along those lines, just trying to use an analogy to get across the point that his sound wasn't particularly "samey" compared to his peers at the time, even though in retrospect you can see where he slots in and how the industry sorta flowed around that and incorporated bits and pieces, much like Halloween was a standout but you stand back and look from 30 years of distance and it seems to fit in a lot more cleanly than it seemed back then.
For what it's worth, I'm listening to Around The World In A Day and it's amazing. Condition of the Heart is fantastic.
Diamonds & Pearls and the Love Symbol album are basically your first two stops for his 90s stuff. Diamonds & Pearls in particular seemed to be kind of a return to earlier-era songwriting, but with all that extra experience and seasoning changing things.
His output in the 90s/00s is a lot more scattered, really. Once he was allowed to release whatever, whenever, it was kinda like putting a thumb over a gardenhose, it just sprayed everywhere. Constantly. It got hard to keep track.
So far as his Purple Rain-Around the World-Sign O' the Times-Parade run, keep in mind that the sound you recognize as typical '80s shit was really atypical as he was doing it. That wasn't what pop music sounded like on the average. I sorta feel like this is like when horror fans go back and watch Halloween, yunno? So much shit was sparked off by that movie, that when you watch it after seeing decades of people take inspiration from it, you can't be inspired in that same way by the original.
It's like asking someone to get impressed by a seed after having driven through a redwood forest.
My apologies.
I shamefully have no Prince albums but I am looking to rectify that. Should I start with the the Hits/B-Side album? There are some songs that are not on there that I like from the Batman album and Purple Rain.
I haven't checked this thread in days, nor youtube. Prince is now on Youtube??!!??
OMG YES.....
But what happened? His management just gave up trying to stop it or what?
Adam Levine's take on Purple Rain is.. surprisingly good. Never been a fan of his, but this is one of the best renditions I've seen in ages.