I made another video related to my Collection. Watch if you'd like. Thank you.
https://www.youtube.com/watch?v=WwY4wuDhjuI
https://www.youtube.com/watch?v=WwY4wuDhjuI
O_O The whole trilogy would be too good.
The whole fucking trilogy. Best day of my life.
I wouldn't even wait for a Barnes sale
Just kidding I would
Cries Ingmar Bergman's And Whispers!
Finally! I love that film.
Highly rated wherever I've gone, plenty are hyped even though Masters of Cinema's edition has been out for a while.
How's Le Silence de La Mer?
How's Le Silence de La Mer?
Melville's got a 1-1 with me at the moment. I love Le Samourai, but Le Cercle Rouge, not so much.
I'm going to watch Army of Shadows tomorrow and we'll see where that falls.
This arrived today. Anyone else get theirs?
Hmm. I mean I adore Melville's work so I obviously recommend watching it, but I would say if you end up not enjoying L'armée des ombres I don't think you'll enjoy Le Silence de la Mer. Also, a word of caution; Criterion absolutely botched their transfer of Le Cercle Rouge (too late to warn you for that one) and their L'armée des ombres transfer isn't much better.
Yep, yesterday...haven't opened/watched yet. Maybe this weekend!
This arrived today. Anyone else get theirs?
-Twilight Time got their hands on two highly requested Jackie Chan films: Drunken Master and Snake in the Eagle's Shadow. They're apparently going to be based on the Japanese Blu-ray releases, so they'll be proper HD versions with the OAR and the original Cantonese mono audio tracks.
Among the most fascinating chapters of film history is that of the so-called race films that flourished in the 1920s - 40s. Unlike the black cast films produced within the Hollywood studio (such as Stormy Weather or Green Pastures), these films not only starred African Americans but were funded, written, produced, directed, distributed, and often exhibited by people of color. Entrepreneurial filmmakers such as Oscar Micheaux, Spencer Williams, and Richard D. Maurice not only built an industry apart from the Hollywood establishment, they also cultivated visual and narrative styles that were uniquely their own. Defying convention and operating outside the studio system, these filmmakers were the forefathers (and -mothers) of the French New Wave, the L.A. Rebellion, and the entirety of American indie cinema. Anything but imitative, these Pioneers of African-American Cinema were purely innovative.
Renowned for its deluxe editions of masterpieces of world cinema, Kino Lorber will now pay tribute to the Pioneers of African-American Cinema with an ambitious four-disc collection. If the campaign achieves its primary goal, the series will include eight feature films and a variety of short films and fragments, a color booklet of photos and essays, and will be offered on Bluray and DVD. All films will be newly mastered in high definition from film elements preserved by the countrys leading film archives, including The Library of Congress, the National Archives, and the UCLA Film and Television Archive. Silent films will be accompanied by a variety of original music scores. Some soundtracks will have a more contemporary sound, encouraging the viewer to watch these films with a fresh perspective. For the sake of historical accuracy, each silent film will also include a traditional score intended to replicate the 1920s moviegoing experience.
Curated by film historians Charles Musser and Jacqueline Najuma Stewart, and presented by executive producer DJ Spooky, Pioneers of African-American Cinema will showcase not only the works of MIcheaux and Williams, but lesser-known filmmakers such as James and Eloyce Gist, as well as rarely-seen footage shot by writer Zora Neale Hurston. It will also include selections of race films made by white directors, such as Richard E. Norman and Frank Peregini. Without a doubt, it will be the most comprehensive collection of early African-American cinema ever assembled. The handsomely packaged collection will be released in February, 2016, to coincide with the celebration of Black History Month.
But such an ambitious undertaking cannot be achieved without your help. Your donation will support the composing and recording of music scores; the production of videotaped interviews with leading film and culture historians; and the publication of a booklet of artwork and newly-commissioned essays on the films.
Finally, HD Society in the US!
I wonder when Criterion is going to get around to announcing their reissues for The Long Good Friday and Mona Lisa.
Just a heads up to everyone to start saving some money. It looks like there should be a Criterion sale on their website coming up in about a week or so. I was looking through my old orders on their site, and I've placed orders in the past on the 24th, 25th and 26th, all from half off sales. I knew there was always one around this time so I checked out my order history.
any guesses for today?