The thing that hurts Begins for me is the scope and cinematography. It's great in the beginning, with great wide outdoor shots and panoramas, but once they get back to Gotham, the lens pulls in a lot more and everything feels like a Hollywood sound stage trying to look like a real city. The budget really narrows the vision of the film.
With TDK (and clearly TDKR) you can tell that Nolan and Pfister have oodles more money of course, but that they've grown a lot as moviemakers. The camera isn't afraid to pull back (except in the poorly choreographed action scenes), everything's framed better, they aren't cutting corners in the scale of things, there's more on-location shooting. It feels more real.
TDKR kinda feels like a re-do from Nolan in some ways, to capture what he really wanted Begins to be like.
With TDK (and clearly TDKR) you can tell that Nolan and Pfister have oodles more money of course, but that they've grown a lot as moviemakers. The camera isn't afraid to pull back (except in the poorly choreographed action scenes), everything's framed better, they aren't cutting corners in the scale of things, there's more on-location shooting. It feels more real.
TDKR kinda feels like a re-do from Nolan in some ways, to capture what he really wanted Begins to be like.