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'The Lord of the Rings: The Return of the King' Was Released Ten Years Ago This Week

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Loxley

Member
On December 17th, 2003 - The journey ended.

Original Theatrical Trailer

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Notable scenes:

- Lighting the beacons

- Arrival of King Theodan and the Rohirrim at Pelennor Fields

- Samwise the Brave

- "But I can carry you!"

- "For Frodo."

After two years of attention and acclaim since the release of The Fellowship of the Ring, audience and critical anticipation for the final installment was extremely high. The world premiere was held in Wellington's Embassy Theatre, on 1 December 2003, and was attended by the director and many of the stars. It was estimated that over 100,000 people lined the streets, more than a quarter of the city's population.

Box Office

The film earned $377,845,905 in the United States and Canada and $742,083,616 in other countries for a worldwide total of $1,119,929,521. Worldwide, it is the seventh highest-grossing film, the highest-grossing 2003 film and the highest-grossing installment in The Lord of the Rings trilogy. It was the second film in history to earn over $1 billion.

In the US and Canada, it is the twenty-first highest-grossing film, the highest-grossing 2003 film, and the highest-grossing instalment in The Lord of the Rings trilogy. The film set an opening Wednesday record with $34.5 million. This record was first surpassed by Spider-Man 2 and ranks as the seventh largest Wednesday opening. The film opened a day earlier for a midnight showing and it accounted for about $8 million. This was nearly twice the first-day total of The Lord of the Rings: The Fellowship of the Ring (which earned $18.2 million on its opening day in 2001), and a significant increase over The Lord of the Rings: The Two Towers as well (which earned $26.1 million on its debut in 2002). Part of the grosses came from the Trilogy Tuesday event, in which the Extended Editions of the first two films were played on 16 December before the first midnight screening. It went on to make an opening weekend of $72.6 million ($124.1 million with weekday previews). Its Friday-to-Sunday opening weekend was a record-high for December (first surpassed by I Am Legend). The film also set single-day records for Christmas Day and New Year's Day (both first surpassed by Meet the Fockers).

Outside the US and Canada, it is the seventh highest-grossing film, the highest-grossing 2003 film and the highest-grossing film of the trilogy. On its first day (Wednesday, 17 December 2003), the film earned $23.5 million from 19 countries and, during the 5-day weekend as a whole, it set an opening-weekend record outside the US and Canada with $125.9 million. It set opening-day records in 13 of them, including the United Kingdom, Germany, Austria, Belgium, Holland, Spain, Greece, Switzerland, Scandinavia (as well as separately in Sweden, Finland, Norway and Denmark), Mexico, Chile and Puerto Rico. It set opening-weekend records in the United Kingdom ($26.5 million in five days), Germany, Spain, Sweden, Denmark and Switzerland. In New Zealand, where filming took place, the film set opening day, opening weekend, single-day, Friday gross, Saturday gross and Sunday gross records with $1.7 million in four days.

The substantial increase in initial box office totals caused optimistic studio executives to forecast that The Lord of the Rings: The Return of the King would surpass The Lord of the Rings: The Two Towers in total earnings. If this proved to be true, then this would be the first blockbuster movie trilogy for each successive film to earn more at the box office than its predecessor, when all three films were blockbuster successes. The Lord of the Rings: Return of the King has helped The Lord of the Rings franchise to become the highest-grossing motion picture trilogy worldwide of all time with $2,917,506,956, beating other notable ones such as the Star Wars trilogies, and surviving from being out-grossed by subsequent trilogies like Pirates of the Caribbean and Harry Potter, despite ticket price inflation.

These figures do not include income from DVD sales, TV rights, etc. It has been estimated that the gross income from non-box office sales and merchandise has been at least equal to the box office for all three films. If this is so, the total gross income for the trilogy would be in the region of $6 billion following an investment of $300 million ($426 million including marketing costs).

Critical Reaction:

"The Return of the King" received universal critical acclaim and was one of 2003's best reviewed films. The film holds a 94% "Fresh" rating on the aggregate review site Rotten Tomatoes, based on 245 reviews, with an average score of 8.6, The sites main consensus reads "Visually breathtaking and emotionally powerful, The Lord of the Rings: The Return of the King is a moving and satisfying conclusion to a great trilogy". The film holds a score of 94 out of 100 on Metacritic, based on 41 reviews, indicating "Universal Acclaim".

Richard Corliss of Time named it the best film of the year. The main criticism of The Lord of the Rings: The Return of the King was its running time, particularly the epilogue; even rave reviews for the film commented on its length. Joel Siegel of Good Morning America said in his review for the film (which he gave an 'A'): "If it didn't take forty-five minutes to end, it'd be my best picture of the year. As it is, it's just one of the great achievements in film history." There was also criticism regarding the Army of the Dead's appearance, rapidly ending the Battle of the Pelennor Fields.

In February 2004, a few months following release, the film was voted as No. 8 on Empire's 100 Greatest Movies of All Time, compiled from readers' top 10 lists. This forced the magazine to abandon its policy of only allowing films being older than 12 months to be eligible. In 2007, Total Film named The Return of the King the third best film of the past decade (Total Film's publication time), behind The Matrix and Fight Club.

Accolades:

The film was nominated for eleven Academy Awards: Best Picture, Best Director, Best Adapted Screenplay, Best Original Score, Best Original Song, Best Visual Effects, Best Art Direction, Best Costume Design, Best Make-up, Best Sound Mixing and Best Film Editing. At the 76th Academy Awards in 2004, the film won all the categories for which it was nominated and it holds the record for highest Academy Award sweep.

The film also won four Golden Globes (including Best Picture for Drama and Best Director), five BAFTAs, two MTV Movie Awards, two Grammy Awards, nine Saturn Awards, the New York Film Critics Circle award for Best Picture, the Nebula Award for Best Script, and the Hugo Award for Best Dramatic Presentation, Long Form.
The film was nominated for the 10th Anniversary Edition of AFI's 100 Years...100 Movies.

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Please don't derail the thread with discussion of The Hobbit films, we have two separate threads for that. Thank you :)
 
amazing film (and trilogy).

I was dragged into the whole saga (with FotR) not even giving a shit about Tolkien lore/mythology. Walked away from RotK with them feels.

Beyond everything that is usually always talked about, John Noble's performance is insanely delightful. :p
 

Edwardo

Member
I guess it's time to watch all three again.

And I do remember watching it in theaters waiting for it to end because I had to pee so bad.
 

SummitAve

Banned
Became a little too grandiose for my liking. Still a good film, but not as good as the first, and to some extent the second.
 

Pagusas

Elden Member
I could have swore I was in College when this came out (started College in 2004). Wtf, why is my memory acting up on me. Where was I when I saw this!?
 

Valhelm

contribute something
It's amazing how well Elijah Wood, Christopher Lee, Ian Holm, and Orlando Bloom seem to have aged. Only Ian McKellan is noticeably older in The Hobbit.
 

WJD

Member
Don't think any films emotional beats hit me quite as hard and regularly as this one.

Could also add Pippin's song, Gandalf's speech to Pippin and the Grey Havens scenes to the list in the OP.
 
One of the most emotional films of all time. Anybody else feel the same? Get laughed at by all my friends for saying it, but man that last 20 minutes is a killer.

From "I never thought I'd die side by side with an elf" "How about side by side with a friend?" to Frodo's departure from Middle-Earth, wow.
 

potam

Banned
I'm so torn on these films. On the one hand, they're great feats in film making. On the other, they shit over some aspects of the books.

The one thing I can never forgive is what Jackson did to Faramir. He was supposed to represent the last glimmer of morality in humanity. Instead, Jackson turned him into a little shit.

Also, I felt like the film didn't do justice to Sam. When I read the books, I remember being blown away by just how amazing he was: he was the unsung hero, and had a stronger willpower than 99% of Middle Earth. Not that the film's representation was bad, necessarily...I just don't think it really conveyed just how spectacular he really was.
 

Htown

STOP SHITTING ON MY MOTHER'S HEADSTONE
DEEEEEEEEEEEEEEEEEEEEEEEEEAAAAAAAAAAAAAAAATTTTTTTTTTTHHHHHHHHHHHH!!!!!

Also, I felt like the film didn't do justice to Sam. When I read the books, I remember being blown away by just how amazing he was: he was the unsung hero, and had a stronger willpower than 99% of Middle Earth. Not that the film's representation was bad, necessarily...I just don't think it really conveyed just how spectacular he really was.
No way, Sam was easily the biggest hero in ROTK.
 
Saw it opening night as part of marathon with FotR and TTT EEs in front of it. NO REGRETS. Had to take an ochem final early too, lol.
 

WJD

Member
I'm so torn on these films. On the one hand, they're great feats in film making. On the other, they shit over some aspects of the books.

The one thing I can never forgive is what Jackson did to Faramir. He was supposed to represent the last glimmer of morality in humanity. Instead, Jackson turned him into a little shit.

Also, I felt like the film didn't do justice to Sam. When I read the books, I remember being blown away by just how amazing he was: he was the unsung hero, and had a stronger willpower than 99% of Middle Earth. Not that the film's representation was bad, necessarily...I just don't think it really conveyed just how spectacular he really was.

Agree on your first point - though the EE's go some way to fixing his and Boromir's arc at least.

Disagree on the second. Sam was balls-out brilliant throughout the trilogy and everybody knew it.
 

keit4

Banned
Amazing trilogy.

Going to the cinema on Christmas to watch the new Lord of the Rings movie was a family tradition.
 

potam

Banned
DEEEEEEEEEEEEEEEEEEEEEEEEEAAAAAAAAAAAAAAAATTTTTTTTTTTHHHHHHHHHHHH!!!!!


No way, Sam was easily the biggest hero in ROTK.

Agree on your first point - though the EE's go some way to fixing his and Boromir's arc at least.

Disagree on the second. Sam was ball-out brilliant throughout the trilogy and everybody knew it.

Like I said, the films didn't do anything badly...just not as well as the book. Also, I think a lot of my feelings about it are how people reacted with all the "lol there so gay lololololoolol sam faggot"
 

bjork

Member
I didn't see any of the LotR films until earlier this year, so it's weird to know I was so late to the party. I liked it, though. Gollum saved the world. :)
 

Vashetti

Banned
"Forth! Down fear of darkness! Arise! Arise, Riders of Théoden! Spears shall be shaken, shields shall be splintered! A sword day... a red day... and the sun rises! Ride now... Ride now... Ride! Ride for ruin and the world's ending! Death!"

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The fucking pinnacle of cinema.
 
"Forth! Down fear of darkness! Arise! Arise, Riders of Théoden! Spears shall be shaken, shields shall be splintered! A sword day... a red day... and the sun rises! Ride now... Ride now... Ride! Ride for ruin and the world's ending! Death!"

tumblr_lz75uz1A9S1qhc6nwo5_500.gif

tumblr_lz75uz1A9S1qhc6nwo4_500.gif

tumblr_lz75uz1A9S1qhc6nwo6_500.gif


The fucking pinnacle of cinema.

God I love that speech so much. I get goosebumps just thinking about it. And dat music playing. In fact, all of the music relating to Rohan was so perfect. Rohan got the best score out of the entire trilogy.

Got damn, man. Got damn.
 
It seems like I'm one of the few around here that didn't want the movie to end. :'(

Yeah, my feeling was I'd spent 10 hours involved in this series, what's wrong with another 15 minutes to give it a proper epilogue. It did feel a bit like fan service, but so what.

What will never cease to amaze me about these movies is that I had really become convinced that Hollywood would never be able to do fantasy right and recreate it visually in a way that showed why the genre was so cool. There had been so many failed attempts. And along comes Jackson, who just totally gets it and proceeds to absolutely nail it. I still remember just being in awe watching Fellowship.
 

therealPeterman

Neo Member
"Forth! Down fear of darkness! Arise! Arise, Riders of Théoden! Spears shall be shaken, shields shall be splintered! A sword day... a red day... and the sun rises! Ride now... Ride now... Ride! Ride for ruin and the world's ending! Death!"

tumblr_lz75uz1A9S1qhc6nwo5_500.gif

tumblr_lz75uz1A9S1qhc6nwo4_500.gif

tumblr_lz75uz1A9S1qhc6nwo6_500.gif


The fucking pinnacle of cinema.


Man, that scene gets me every time. Can't believe it's been ten years.
 

Emwitus

Member
"Forth! Down fear of darkness! Arise! Arise, Riders of Théoden! Spears shall be shaken, shields shall be splintered! A sword day... a red day... and the sun rises! Ride now... Ride now... Ride! Ride for ruin and the world's ending! Death!"

tumblr_lz75uz1A9S1qhc6nwo5_500.gif

tumblr_lz75uz1A9S1qhc6nwo4_500.gif

tumblr_lz75uz1A9S1qhc6nwo6_500.gif


The fucking pinnacle of cinema.

Frack H**
 

Fuzzy

I would bang a hot farmer!
I was disappointed that the scouring of the Shire wasn't included after we were given a glimpse of it in FotR.
 
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