DMczaf said:Uh...I guess I'm late but...
This was the Michael Jordan of movies!
Put THAT on the front of the DVD art!
Seth C said:You personally buy the same game multiple times, within a week? Come on. Very different things.
Pattergen said:Didn't want to start a new thread about this.. but Spidey brought in another $23,812,920 last night.
Seth C said:That's it? Hopefully today or tomorrow will top $50 million.
Pattergen said:Yeah, but it was the day after opening on a Thursday.. I'm expecting big numbers tonight and tomorrow night... But Sunday will most likely be a huge drop off.
Why would July 4th be a huge drop off?
Seth C said:That's it? Hopefully today or tomorrow will top $50 million.
Razoric said:That's it???
Have you checked other Thursday (2nd day totals)? This is pretty damn high!
And it's already over $50 million.
Why would July 4th be a huge drop off?
Razoric said:Ahh my bad.
The movie cost $260 million (w/ advertising added). When do you predict it'll make a profit? By next weekend?
border said:Can anybody explain where the movie's 200 million dollar budget went? It doesn't really look better than movies that are 25-50% cheaper. The CG is still as phony looking as it was in the $140 million prequel, and it doesn't seem like there's more of it either.
yacobod said:i think X2 is a better comic book movie than spiderman 2
Spider-Man 2
It isn't always the kiss of death when Hollywood spends appalling amounts of money on a special effects extravaganza.
Every now and then, out of the morass of money, there rises, not a swamp thing like Titanic or The Mummy Returns, but something ... dare I say it? ... beautiful.
Spider-Man 2 fulfils every expectation of the thrill-seeking FX crowd -- lots of flying, lots of danger, a cool villain, people in jeopardy, a vulnerable hero who struggles to save people we care about.
There's also clever writing, with good dialogue and genuine surprises, scenes and sequences that really click.
That would be enough to make this the blockbuster of the summer.
But that wasn't enough for director Sam Raimi, screen story writers Alfred Gough, Miles Millar, and Michael Chabon, and screenplay author Alvin Sargent.
That list of writers is significant. The three screen-story guys are from the comic-book and action-adventure tradition.
Alvin Sargent wrote the screenplay for Ordinary People, for which he won -- and deserved -- the Oscar for best adapted screenplay.
You don't hire a guy like that if you plan to put mere eye candy on the screen.
Sargent delivered. So did everybody else.
This film moved me. To tears. More than once. And not just in the expected places. I was surprised by moments of real emotional fulfilment, moments of revelation and fruition that few filmmakers since Frank Capra even try for, let alone deliver.
But I can't tell you what they are. It would spoil the surprises. And maybe you won't be affected by them as I was. Maybe all you'll see is the eye-candy and the occasional silly comedy -- mostly from J.K. Simmons as the newspaper editor. But so what? That's a good movie, too.
My only wish is that we could have seen something from Kirsten Dunst besides soulfulness -- not her fault, the script just didn't give her the opportunity, and frankly, there was no time for it. But next time, in Spider-Man 3 ...
Meanwhile, nobody does soulful better than Dunst -- unless it's Tobey Maguire or James Franco. Has a movie ever been better cast than this one?
The first Spider-Man movie, unlike, say, Titanic, is almost infinitely rewatchable. If I ever flip to it on HBO, I end up hooked and watch it to the end. That's a mark of good writing and good acting and good directing -- the story doesn't pall.
Whereas Titanic soon makes grownups cringe, with the cruelly bad dialogue that they actually made real actors say in public, and the laughably false and manipulative scenes and gimmicks.
There is a philosophy in Hollywood that crops up a lot: That the audience is so dumb that you don't actually have to make something good to have a hit and earn a lot of money at the box office.
And that philosophy is absolutely correct. Independence Day and The Day After Tomorrow and Titanic and a whole ream of disaster movies, sci-fi potboilers, cynical sequels, and Spielberg movies have proven that over and over again.
But just because expensive but phony movies make money doesn't mean you have to make them that bad. The audience won't stay away just because a great special-effects film also has wonderful characters and truthful writing. In fact, it will continue to draw audiences years later, because truthful filmmaking doesn't grow old the way empty-calorie movies do.
The Spider-Man franchise, so far, is the kind of work that everyone associated with it can be proud of throughout their careers.
Meanwhile, almost everyone who sees it -- or at least, everyone with an open mind -- will find a movie with a hero whose powers may be unbelievable in the real world, but whose heart is recognizable ... as the best sort of human being, the kind we always hope to see in the real world, but rarely recognize when we do.
That's enough from me. Go see this movie (if you haven't already) and then you won't need anybody to tell you anything about it. You'll know for yourself.
DeadStar said:OMG Fucking awesome ajgbadsjnbjdbuspbebywuihgedsboPuag
10000000 times better than the first..!
fucking fantastic
dlkgmgvn
neptunes said:yeah I just saw it today.
but Wilco, what do you think of some of the 'fake'ish' CG spiderman scenes.
I also want to know why would marvel (or the comic book guild of america) would approve of Harry doing cocaine and drugs in the comic and deny that issue of spiderman trying to help/stop that drug attic dude from jumping off a building.
dorio said:Count me as one of those disappointed. I can understand why comic book fans would enjoy the movie, but I'm a firm believer of a movie has to stand on its own in terms of character development, acting, story etc. and can't use its source material as a cop out. I can't buy the cop out that that's the way it was in the comic book so it has to be good as valid. As a movie, this was very mediocre. The character development was simplistic and dare I say juvenile along with being incessantly boring dragging down most of the movie. Can you guys honestly say that any of the characters in the side stories are in the least bit interesting and even the returning characters seem to be going through the paces. The action scenes were good but not nearly enough to satisfy. The hospital scene was disturbing but out of place with the tone of the rest of the movie. The train scene was amazing but only served to echo the lack of more great action sequences like it. The cheesiness of the love story was overbearing. The acting was one dimensional, forced and not very inspiring. I wouldn't have minded the parts where spiderman is absent from the film if those parts were better done than this was. To state it simply if this movie was judged apart from its license, it wouldn't be getting nearly as many good reviews as its getting and the best Superhero movie has to succeed on its own apart from its license. For the record I think Superman II is the best one of these movies because it accomplishes that.
Willco said:The ties bit is...
Harry is wearing a green tie at the wedding, symbolizing that he's the next incarnation of The Green Goblin. You should've been able to figure that out by the scene before, though.
You're likely to see The Hobgoblin/Green Goblin, The Lizard and/or The Black Cat in the next film.
If you're going to make a comic book movie, at least make it interesting by showing alot of good action sequences with the comic book hero. If you're going to make it mostly about the comic books alter ego's love story and his life's conflict then make that material interesting. Spiderman 2 fails at both. The people who like the movie here judging by their posts are either fanatics for the comic book so will excuse the silly contrivances and/or Raimi fanatics because he did the very overrated Evil Dead movies therefore can do no wrong.Gantz said:It's a live action comic book for crying out loud. Go watch some Sense and Sensibility or something.
dorio said:If you're going to make a comic book movie, at least make it interesting by showing alot of good action sequences with the comic book hero.
dorio said:If you're going to make it mostly about the comic books alter ego's love story and his life's conflict then make that material interesting.
dorio said:Spiderman 2 fails at both.
dorio said:The people who like the movie here judging by their posts are either fanatics for the comic book so will excuse the silly contrivances and/or Raimi fanatics because he did the very overrated Evil Dead movies therefore can do no wrong.
And none of that has anything to do with my original point, making an intelligent, interesting movie. I felt like the reviewer who said he wanted to stand up in the middle of the movie and scream "We get it!!!". That's not good filmmaking; that's a film in desperate need of editing.gblues said:You don't get it. Spider-Man is Peter Parker's alter ego, not the other way around. That's what made Spider-Man (the comic) so popular, and why the Spider-Man movies have done so well. They're human. This isn't Superman where some ripped dude with PHENOMICAL COSMIC POWERS (tm) pretends to be a geeky reporter. Peter is the real person. Spider-Man is the persona. You cannot have the latter without the former.
Who the hell cares, signed spiderman.gblues said:P.s. it's Capital-S-spider-dash-Capital-M-man. Spider-Man. Not spiderman, not spider man, not Spiderman.
Yesterday 10:52 PM
dorio said:Who the hell cares, signed spiderman.
I do not have any Spider-Man comic books nor have I seen any of the Evil Dead movies.dorio said:The people who like the movie here judging by their posts are either fanatics for the comic book so will excuse the silly contrivances and/or Raimi fanatics because he did the very overrated Evil Dead movies therefore can do no wrong.
Synbios459 said:I'm not sure if this has been said (haven't bothered to read all the replys), but was anyone else dissapointed when
*SPOILORS*
The cause for Peters loss of power was just due to a psychological problem, as opposed to him gradually turning into the big spider from the cartoon? I thought it'd start in this one, and fully develop in another film.