Starting this because wasn't sure what to expect from the movie and seems reviews are...
RottenTomatoes
THR
EW
Variety
Crave Online
Nerdist
Village Voice
Metro
Den of Geek
CinemaBlend
http://www.indiewire.com/2017/07/va...nna-cara-delevingne-dane-dehaan-1201853674/2/
http://www.thewrap.com/valerian-and...eview-luc-besson-dane-dehaan-cara-delevingne/
http://www.seattletimes.com/enterta...S&utm_medium=Referral&utm_campaign=RSS_movies
https://www.timeout.com/us/film/valerian-and-the-city-of-a-thousand-planets
RottenTomatoes
Valerian and the City of a Thousand Planets uses sheer kinetic energy and visual thrills to overcome narrative obstacles and offer a viewing experience whose surreal pleasures often outweigh its flaws.
The Razzies don't need to wait until the end of the year to anoint a winner for 2017. The Golden Turkey Awards should be republished with a new cover. Euro-trash is back, while sci-fi will need to lick its wounds for a while. Dane DeHaan, who has starred in two of the most egregiously bloated misfires of the year with A Cure for Wellness and now this, should do a couple of indie films, while Cara Delevingne needs to learn there is more to acting than smirking and eye-rolling. Rihanna should pretend this never happened. And the Hollywood studio chiefs can breathe easy that, this time, at least, they'll escape blame for making a giant summer franchise picture that nobody wants to see, since this one's a French import.
THR
Valerian and Besson strain so hard to sizzle your retinas and knock you out with the film's oddness that it eventually becomes numbing — and then just exhausting. By the time Rihanna shows up as a shape-shifting cabaret entertainer and blows through a string of guises (roller-disco chanteuse, pole-dancing seductress, kitten-with-a-whip French maid), the whole thing just feels like a random WTF mess. Still, you have to give Besson credit for not playing it safe. He at least swings for the fences and doesn't spoon-feed you the same old sci-fi clichés. That counts for something. Not enough, but something. And who knows, maybe a decade from now, Valerian will seem as ahead of its time as The Fifth Element was — your contrarian stoner buddy's new favorite midnight movie
EW
The movie is designed to propel us from one cliffhanger to the next, and it's remarkably effective at doing so without providing a clear notion of what the duo's mission is supposed to be
Variety
It's a cynical world in which we live, even within our fantasies, and that's a big part of the reason why Luc Besson's ambitious sci-fi spectacular Valerian and the City of a Thousand Planets plays like a welcome reprieve from literally everything everywhere. It welcomes the audience into a future world full of dangers and conflict, certainly, but also of hope, sensitivity, acceptance and – perhaps most importantly – the most eye-popping imagery imaginable.
Read more at http://www.craveonline.com/entertai...n-review-wonderful-worlds#UBUI9YWog6YjRhXf.99
Crave Online
ForbesValerian and the City of a Thousand Planets is a jaw-droppingly beautiful and often delightfully exciting sci-fi adventure. Taking place in the not-so-near future, it is (like The Fifth Element before it) an uncommonly optimistic portrait of the future.
As the long-awaited follow-up to Besson's 1997 movie, The Fifth Element, which admittedly took a lot from the Valerian and Laureline comics, the film version of Valerian is largely successful in what it sets out to do. It does a great job of world building and I really appreciate that it doesn't spend a ton of time explaining how things work, we just see things work and can fill in the rest. The alien races are all completely distinct and have societies and customs that Besson shows us but doesn't waste time on expository dialogue about who and what they are. I cannot stress how refreshing this is for a popcorn sci-fi flick, to just get to the action and only tell us what's integral to the story, using the rest as window dressing and context.
Nerdist
Valerian and the City of a Thousand Planets is a movie made by someone who knows how to seduce our eyes and ears, and knows well enough to leave our brains alone.
Village Voice
Insanity is where Besson shines anyway. ”Valerian" boasts sights you won't want to un-see. Cara Delevingne puts her head inside a jellyfish so she can spy on Dane DeHaan's memories. A cute reptile creature thing poops a flurry of pearls and diamond earrings. Rihanna shape-shifts into Herbie Hancock. The casting often plays like Mad Libs, which would explain why a game Ethan Hawke swings by as a blinged-out cowboy pimp. These are momentary pleasures, coming at ya early and often. Still, Besson's latest peaks early with a lengthy and sustained set piece that's like the bi-temporal car chase from Tony Scott's ”Deja Vu," only with aliens and a sly reference to the 3-D glasses sitting on your head as it unfolds.
Metro
So it is that Valerian bounces between visuals and aesthetics like a tie-dye themed pinball machine. In a movie where almost everything is computer-generated, it matters not a fig how ”realistic" any of it appears, because it is all so invitingly intoxicating. Force fields can be the color of rainbows, and beatific aliens with chromed domes and legs longer than Cyd Charisse can live on a planet consisting entirely of Caribbean beaches, glittering pearls, and cute beasties that are a cross between lapdogs and cuddly porcupines. That these are also the bigger spieces' source of space travel power just makes it more appealingly nutty.
Den of Geek
The summer isn't quite over, but Valerian and the City of a Thousand Planets is certainly the frontrunner to be named the spectacle of the summer, and while many franchises have disappointed, this is a movie that ends with you wanting to see much more from the universe it introduces. It's visually stunning, beautifully prescient in its humanist themes (alien-ist too, I suppose?), and while its reach doesn't match its grasp in some respects, you're still left respecting the hell out of the reach alone.
CinemaBlend
The film's most fun aside — the one involving Rihanna as Bubble, the most guileless sex slave in the entire galaxy — epitomizes Besson's singular gift for threading the needle between spectacle and stupidity. For 15 glorious minutes, you're watching exactly the movie that he wanted to make. Like the Fhloston Paradise sequence from ”The Fifth Element," it's a self-contained episode in which cartoon beauty collides with real pathos. And then it ends and we're forced back to Valerian and Laureline, forced to remember that ”The Fifth Element" is such an enduring delight because Ruby Rhod and the Diva Plavalaguna don't feel like a reprieve from its heroes.
http://www.indiewire.com/2017/07/va...nna-cara-delevingne-dane-dehaan-1201853674/2/
The sci-fi epics of Luc Besson (”The Fifth Element," ”Lucy") very often feel like the work of someone who understands certain rules of narrative storytelling but willfully decides they don't matter. He leads the audience through a cavalcade of gorgeous imagery even though the plots don't hold together, certain performances are pitched to an insanely outsized degree, and the pacing goes from exhilarating to just exhausting.
http://www.thewrap.com/valerian-and...eview-luc-besson-dane-dehaan-cara-delevingne/
Derived from a series of French graphic novels that originated in the late 1960s, they're the central figures in ”Valerian and the City of a Thousand Planets," writer-director Luc Besson's overstuffed CGI sci-fi extravaganza that borrows wildly from, it seems, every other space opera ever made.
http://www.seattletimes.com/enterta...S&utm_medium=Referral&utm_campaign=RSS_movies
Still, it would be a mistake to dismiss Besson as someone who lacks soul: There's a ”Frenchiness" to Valerian that marks it as unlike anything Hollywood would dare. Rihanna shows up as a shape-shifting pole dancer with a penchant for poetry, Ethan Hawke is enlisted to play a pimp, and the climax is built around a notion of intergalactic humility (toward immigrants, in fact) that feels decidedly otherworldly. For those risks alone, this is welcome summer fare; if we're going to have space operas, let them sing in the strangest accents possible.
https://www.timeout.com/us/film/valerian-and-the-city-of-a-thousand-planets