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Boss Baby Beats Up On Smurfs: The Lost Village
The Smurfs may be feeling kind of blue.
The cuddly creatures once-promising film franchise is looking awfully creaky after Smurfs: The Lost Village stumbled at the domestic box office this weekend. The Sony release opened to a negligible $14.1 million. The film was an attempt to reinvigorate the series after 2013s The Smurfs 2 racked up a disappointing $347.5 million on a hefty $105 million budget. Its a fall from quite a height. The first film, 2011s The Smurfs, had showed such promise, grossing $563.7 million globally, but interest in the big screen adventures of the cuddly creatures has waned with each sequel.
With the Smurfs failing to generate much excitement, DreamWorks Animation and Foxs The Boss Baby captured first place at the North American box office for the second consecutive weekend, earning $26.3 million to push its domestic haul to $89.4 million. Disneys Beauty and the Beast came in second, pulling in $25 million to push its stateside grosses to a lordly $432.3 million.
This weekend is something of a throat clearing for the industry. The Fate of the Furious, the latest chapter in Universals long-running chronicle of vehicular carnage, is slated to roar into theaters next Friday. It should dominate ticket sales, racking up an $100 million debut and keeping Vin Diesel in designer tank tops for the foreseeable future.
New Line and Village Roadshows Going in Style took fourth place with $12.5 million. The comedy about three retirees who rob a bank stars Morgan Freeman, Alan Arkin, and Michael Caine. Its a low-budget remake of a 1979 comedy of the same name and cost $24 million to produce.
Paramounts Ghost in the Shell rounded out the top five, grossing $7.3 million to bring its domestic gross to a disastrous $31.6 million. The Japanese magna adaptation is shaping up to be one of the years biggest bombs. Dogged by whitewashing controversy after Scarlett Johansson nabbed a part intended for an Asian actress, Ghost in the Shell wont stand a chance of recouping its $110 million production budget.
Sony isnt ready to wave the white flag on the Smurfs. The studio notes that the previous two films earned more than 70% of their gross from foreign markets. The studio is also pleased with the films A CinemaScore, a sign that audiences are responding to the picture.
We delivered a film that I think is the best yet, said Rory Bruer, Sonys domestic distribution chief. Word-of-mouth should be strong.
Sony also reined in costs. Smurfs: The Lost Village has a $60 million production budget, a fraction of the previous two entries price tag. However, the weak result extends a punishing period for Sony. The studio has been dogged by bombs such as Life and Inferno, while highly anticipated releases such as Passengers, a science-fiction romance with Chris Pratt and Jennifer Lawrence, struggled to turn a profit.
In limited release, Their Finest opened on four screens in New York and Los Angeles to $77,000 for a per-screen average of $19,250. The comedy is set in World War II era London and follows a troop of propaganda filmmakers. EuropaCorp bought the picture out of the Toronto Film Festival STX is distributing Their Finest on its behalf.
More to come

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