Beasts of No Nation |OT| Netflix Original Movie - Now Streaming

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Beefy

Member
I just watched it. I don't think it's a great movie. It starts really strong, but by the end of the movie I should had felt more for Agu. I can't place the moment the movie lost me, but by the time they met the
real commander
I was done.

I also found extremely annoying the
Tripod
guy. Yes we got it the first time he has a
big penis
, they didn't miss the chance to show him a couple of times, detracting from what was going on. The other kid
Striker
felt underdevloped. Did he had
selective mutism from the trauma cause by the commander?
. They missed the opportunity to explore his character more. The way Idris character ends is anticlimatic aswell.

It feels like a documentary instead of a movie, wouldn't see again. I recomment "The Last King of Scotland" instead, if you want to see a good movie set in Africa. Old but way better than this movie.

Last King of Scotland comes across far more light hearted then this though. Imo both are great movies in their own way.
 
It was good, which feels odd to say. Things went from zero to damn it pretty quick. Quite depressing. Acting was fantastic. Will definitely give it a rewatch soon..the kid did a great job. As did street Bond..
 
I also found extremely annoying the
Tripod
guy. Yes we got it the first time he has a
big penis
, they didn't miss the chance to show him a couple of times, detracting from what was going on.
4f0EIIl.gif
 

Akahige

Member
I watched it late last night or early this morning. I thought it was good but not exceptional, the film was either too long or too short, I can't tell but there was something missing within the narrative framework, the pacing was too off.

The acting by the young kid who played Agu was fucking spectacular, believable in all moments, he was hard to understand a lot of the time when he spoke English though, Idris Elba has convinced me he is worthy of the gaf praise, he doesn't steal the show but that isn't a bad thing since he isn't a over the top stereotypical Commander that you would expect him to be. The rest of the young actors are really great, all natural performances, they all have that harrowing look in there eyes like they've actually lived through some shit, the kid who played Strika was great in his entirely silent role. The cinematography is extremely well done, similar tones and use of colors that was featured in the backwoods of New Orleans in True Detective, Cary Joji Fukunaga is clearly a filmmaker with a voice, and that long tracking shot was well done, it wasn't as showy as the TD one but it fit within Agu's narrative perfectly.
 

MMarston

Was getting caught part of your plan?
I watched it late last night or early this morning. I thought it was good but not exceptional, the film was either too long or too short, I can't tell but there was something missing within the narrative framework, the pacing was too off.

Just finished watching this myself and I have to agree.

Like you said, cinematography and performance wise it is top notch. However, something about the way story beats were playing out couldn't completely get me invested in it. Some parts were excessive, and some parts needed more attention. I felt like what Fukunaga wanted to do here was focus more emotional character moments, but even then, they didn't have an 'oomph' factor.
 

NeoGiff

Member
There's definitely something weird up with the pacing. Even though I loved the movie and think it's a must-see, I kept checking how long was left. That's an immediate suggestion that something is off.
 
My wife and I watched it last night and thought Fukunaga hit it out of the park.

If some scenes felt off, remember that the film had a disastrous production, from actors not showing up and forcing the script to be rewritten on the spot to two actors being arrested on the way to shooting as criminals/terrorists to Fukunaga almost stepping on a poisonous snake and being killed.
 

NeoGiff

Member
My wife and I watched it last night and thought Fukunaga hit it out of the park.

If some scenes felt off, remember that the film had a disastrous production, from actors not showing up and forcing the script to be rewritten on the spot to two actors being arrested on the way to shooting as criminals/terrorists to Fukunaga almost stepping on a poisonous snake and being killed.

Jesus, really?! Sounds like an absolute nightmare.
 

Akahige

Member
Jesus, really?! Sounds like an absolute nightmare.
Yeah tough shoot.
Fukunaga’s stories from the shoot sound like a cross between Jacques Cousteau and Huckleberry Finn. He says that on the Saturday before he was scheduled to start, he felt worn down. By Sunday, he was so exhausted he stayed in bed, and a doctor diagnosed him with stage-two malaria. “It’s like someone gave you a sleeping pill, along with a pounding headache and a hot-and-cold fever,” Fukunaga says. “My entire body ached. My kidneys were aching.” The production had to push back a week as the director recovered.

But getting malaria was only the first in a series of disasters for “Beasts.” The camera operator pulled his hamstring on the first day, which meant Fukunaga had to fill in on that job, in addition to his roles as director and cinematographer, using a Steadicam strapped to his back. Some of the extras playing the tribal guards were jailed in the Ivory Coast on suspicion of being mercenaries, and had to be sent money for food and clothes. Actors wouldn’t show up for work because they lost interest, forcing Fukunaga to crank out morning rewrites. The cast was terrified of poisonous snakes, and the director — who travelled through the jungle with a machete and a stick — nearly stepped on a black mamba that could have killed him.

The film ballooned $1 million over budget, and Fukunaga found himself struggling to keep it together. “Every day, it felt like we were on a sinking ship,” he says. “I thought, this is going to be ‘Lost in La Mancha.’ We were shooting in rainy season. Sets were washing away.” Fukunaga shed 20 pounds from his 180-pound frame. Because he didn’t trust the local meat — “In Africa, you see chickens and pigs eating garbage,” he says — his diet frequently consisted of a salad of onions, cucumbers and avocado. “I just found out last week I’d been carrying a parasite for the last year, so that was probably part of the weight loss,” Fukunaga says. “I’m on a whole cocktail of antibiotics now.”

The director returned home in July 2014 more exhausted than ever. “For months, I had dreams we were trying to shoot, and things weren’t happening,” he recalls. “People would have conversations with me, and I would sound drunk in the dream, because I couldn’t put my words together, I was so tired.” As he started to slowly cobble together an edit, he was fully aware that he had never finished shooting all the scenes he needed, and would have to close some gaps with voiceover. Meanwhile, his investors were concerned they’d never get a dime back.
 
Movie was oscar worthy. And i expect at least one oscar (Main actor hopefully).

And it was damn hard to watch. Also that ending:
Is he drowning himself?
 

shintoki

sparkle this bitch
I watched it late last night or early this morning. I thought it was good but not exceptional, the film was either too long or too short, I can't tell but there was something missing within the narrative framework, the pacing was too off.

The acting by the young kid who played Agu was fucking spectacular, believable in all moments, he was hard to understand a lot of the time when he spoke English though, Idris Elba has convinced me he is worthy of the gaf praise, he doesn't steal the show but that isn't a bad thing since he isn't a over the top stereotypical Commander that you would expect him to be. The rest of the young actors are really great, all natural performances, they all have that harrowing look in there eyes like they've actually lived through some shit, the kid who played Strika was great in his entirely silent role. The cinematography is extremely well done, similar tones and use of colors that was featured in the backwoods of New Orleans in True Detective, Cary Joji Fukunaga is clearly a filmmaker with a voice, and that long tracking shot was well done, it wasn't as showy as the TD one but it fit within Agu's narrative perfectly.

Elba was the weakest part of the entire cast of actors. He felt like someone acting a part, rather than being a part. It felt off and unnatural compared to Agu were it felt natural.

Honestly, the film would have been even better removing Elba from the equation and making it solely the journey of Agu. It was good, really good and hard to watch. Like Sin Nombre, its a taxing film, but it does deserve a lot of credit, which it sadly won't get.
 
Do you guys reckon this film will get snubbed at the awards because of Netflix's involvement ? Really feel Abraham attah derserves some awards recognition.
 

shintoki

sparkle this bitch
Do you guys reckon this film will get snubbed at the awards because of Netflix's involvement ? Really feel Abraham attah derserves some awards recognition.

Absolutely. It did not follow the proper procedure which is a threat to Hollywood. It's getting snubbed even though Attah put on one of the best performances of the year.
 

jett

D-Member
This movie was really good, and really depressing. Netflix is doing good things here acquiring movies such as these.
 

Moff

Member
As he started to slowly cobble together an edit, he was fully aware that he had never finished shooting all the scenes he needed, and would have to close some gaps with voiceover.
yeah, ok, that explains a lot. Shame, that movie could have been a masterpiece.
 

double jump

you haven't lived until a random little kid ask you "how do you make love".
Acting and cinematography were great. Story was good as well but the ending was flat.

I had to press F though when
Striker
died.

rollingstone.com said:
Elba says that the first day he showed up, a diminutive boy who went by the name "King Kong" (he plays the film's hardest-of-the-hard soldier, Striker) stepped right in front of him, refusing to let him pass. "He was sizing me up in front of the other kids," Elba says, mimicking a child petulantly looking up at an adult, hands on hips. "'Oh, are you the leader? All right, let me see you lead then.' Had I shown weakness or seemed tentative, I would have been eaten alive. And I literally was like, 'What are you looking at? Go on!' and just sort of waved him on. Everyone went, 'Ohhhh, the Commandant is here! The leader is here now!'"
 

BBboy20

Member
I'll have to give it a good listening to once im home really added to the atmosphere of the film in a subtle kinda way.
Post-modern synth-based work was the last thing I expected from this film's score.

Yep. That style of scoring is my favorite.

Zimmer did something similar in 12 years a slave.

https://www.youtube.com/watch?v=rJ0FQovU0Ws
Maybe it's called "amoral music" since it sounds poignant yet epic; exuberant yet frighting; adamant yet corrosive; pure yet corruptible.

And it was damn hard to watch. Also that ending:
Is he drowning himself?
Baptizing himself.

yeah, ok, that explains a lot. Shame, that movie could have been a masterpiece.
The crazy part is that this is a supposed fictional tale so they could have easily shot the film at a far more stable location without worrying about gratuitous inaccuracies.
 

GK86

Homeland Security Fail
I watched it last night. It lived to the hype for me. Yes, I agree, the pacing was weird. Sometimes it felt like it dragged on. I felt the ending could have been better too. Overall, I thought it was a really great movie. Gritty and powerful is how I would describe it.

Elba was Elba. The man can act. I really liked his portrayal of a commander. But, he was out-shined in this movie. Attah was outstanding. He nailed the part of Agu. I find it amazing that he wasn't pursing an acting career when he was cast in the role.

Three moments that hit me hard was when
Agu had to leave behind his mother, when the Father and Brother were killed, and at the end, when Agu was carrying Striker on his back.

Speaking of Striker, I thought he did a great job as well. Even if he didn't have any lines. I liked the relationship that Agu and him had. And how Striker would look out for Agu.

The cinematography was top notch. Beautifully shot. One of my favorite scenes is when they are attacking one of the villages and everything becomes purple-ish.

On a side note, I would love to see a movie of Agu and his friends at the beginning. Those were fun scenes.
 
I think the most horrifying thing in the film was
the little girl being kicked in the ground during the tracking shot
. Jesus.

Yeah, that scene hit me like a ton of bricks.

Due to the fact there children beating the shit out of another child and then Abgu goes into the room and shoots his "mother."

I thought the movie was good. The acting was fucking fantastic! I was hoping the ending
was going to be about how some of these child soldiers are adopted (if they are very lucky) and then show how unbelievably hard for them to adapt to their new surroundings, due to the PTSD. Maybe have Agu adopted and show him struggling to adapt to his new surroundings, maybe?

Basically, I wish the film would focus more on the mental state of Agu and the other child soldiers. However, I would still highly recommend the film just for the acting.
 

NeoGiff

Member
Those of you who can listen to the soundtrack on Spotify, listen to "Better Look Me in the Eyes". It's the amazing almost transcendent track that plays during the
"We're gonna take that bridge"
scene. That whole segment was something really special, from the
Commandant hyping them all up, to him leading the march down the road waving away the spirits
. It's amazing filmmaking, where every single aspect comes together perfectly. That's something we don't see very often.
 
Those of you who can listen to the soundtrack on Spotify, listen to "Better Look In My Eyes". It's the amazing almost transcendent track that plays during the
"We're gonna take that bridge"
scene. That whole segment was something really special, from the
Commandant hyping them all up, to him leading the march down the road waving away the spirits
. It's amazing filmmaking, where every single aspect comes together perfectly. That's something we don't see very often.

I really like the soundtrack in this film. It not bombastic with loud horns and percussion (It has pretty simple percussion in comparison to other movies), but instead gradually intensify the ambient synths/sound design to help build hype which helps reflect how numb Agu feels mentally. Really well done! Listening to it now on Spotify...
 

strafer

member
Those of you who can listen to the soundtrack on Spotify, listen to "Better Look In My Eyes". It's the amazing almost transcendent track that plays during the
"We're gonna take that bridge"
scene. That whole segment was something really special, from the
Commandant hyping them all up, to him leading the march down the road waving away the spirits
. It's amazing filmmaking, where every single aspect comes together perfectly. That's something we don't see very often.

Every track is amazing.

But my favorite is
A Song For Strika
 
Those of you who can listen to the soundtrack on Spotify, listen to "Better Look In My Eyes". It's the amazing almost transcendent track that plays during the
"We're gonna take that bridge"
scene. That whole segment was something really special, from the
Commandant hyping them all up, to him leading the march down the road waving away the spirits
. It's amazing filmmaking, where every single aspect comes together perfectly. That's something we don't see very often.

Easily my favorite scene from the film. The music and the cinematography all just come together to make an epic moment. I need to watch this film again!
 
Those of you who can listen to the soundtrack on Spotify, listen to "Better Look In My Eyes". It's the amazing almost transcendent track that plays during the
"We're gonna take that bridge"
scene. That whole segment was something really special, from the
Commandant hyping them all up, to him leading the march down the road waving away the spirits
. It's amazing filmmaking, where every single aspect comes together perfectly. That's something we don't see very often.

that was one of the best film scenes all year for me. just seeing this piece of shit exude charisma as he pumps up the kids for battle and walks with them amid gunfire.
 

BBboy20

Member
Those of you who can listen to the soundtrack on Spotify, listen to "Better Look In My Eyes". It's the amazing almost transcendent track that plays during the
"We're gonna take that bridge"
scene. That whole segment was something really special, from the
Commandant hyping them all up, to him leading the march down the road waving away the spirits
. It's amazing filmmaking, where every single aspect comes together perfectly. That's something we don't see very often.
Man, I have that on repeat right now. Man, everyone is on the same track with these tracks.
 

GrapeApes

Member
I also found extremely annoying the
Tripod
guy. Yes we got it the first time he has a
big penis
, they didn't miss the chance to show him a couple of times, detracting from what was going on.
I think it's just you, bro. I ain't even notice till like the 3rd time. Didn't put his name and attributes together till I read this.
 

Lebron

Member
Damn good movie and damn heartening too. Cinematography and acting were really on point.

Netflix continues doing great work with their acquisitions.
 
Yeah tough shoot.

not that it's as good as apocalypse now but this warrants even more comparisons. both were such troubled shoots for the directors. and this reminds me of that film more than any other war movie tbh.

fukunaga is very easily becoming my favorite of the current crop of directors popping up at the moment. the man is a talent and I hope he doesn't compromise any time soon. just keep doing whatever he's doing.
 

BBboy20

Member
fukunaga is very easily becoming my favorite of the current crop of directors popping up at the moment. the man is a talent and I hope he doesn't compromise any time soon. just keep doing whatever he's doing.
Knowing he's the same dude that did that famous one-take scene in True Detective, that
tripped-out scene
is rather similar.
 

Salsa

Member
loved it

random; but the whole aesthethic reminded me of jamie hewlett and gorillaz / tank girl. Striker was straight up one of his characters.
 

NeoGiff

Member
not that it's as good as apocalypse now but this warrants even more comparisons. both were such troubled shoots for the directors. and this reminds me of that film more than any other war movie tbh.

fukunaga is very easily becoming my favorite of the current crop of directors popping up at the moment. the man is a talent and I hope he doesn't compromise any time soon. just keep doing whatever he's doing.

There were certainly a few Apocalypse Now-esque shots in this, involving darkness, fire and helicopters. There was also that great
father/son
scene between Agu and the Commandant. The way that was framed was quite reminiscent of Apocalypse Now.
 
Not related to the movie but Cary seems like a very nice and genuine guy. i like that attitude, watching this movie later tonight.
 

Gnome

Member
Good movie. The subject matter was just so heavy and took a while to digest that I'm still not sure what I think about it outside the technical stuff.
 

Coolluck

Member
Felt it dragged a little near the end because he forgot this is only a movie and not a mini-series. I need to re-watch it but I still highly recommend this movie. Big Bell was exactly what I was looking for here too.
 

see5harp

Member
I was fine with where the movie went at the end. I do think that they needlessly complicated things like the relationship between the commandant and his two youngest soldiers. I would also include the bit where they go to see the head honcho and commandant learns that he's being demoted. I think the other stuff that happens is plenty enough to see how tragic the whole situation is. The acting quality for both the lead and Idris was pretty incredible throughout. For feature films I still think Sin Nombre is my favorite.
 

Dennis

Banned
The kid playing Agu did a great job.

Idris did too but I actually might prefer them going with someone less famous. Considering the setting and the other actors it was almost distracting to have a famous actor there. Almost out of place.
 
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