Wkd Box Office 12•25-27•15 - Star Wars never changes. 1B+ global BO for new record

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Disney's going to be all Frozen, Pixar, Marvel and Star Wars from here until the end of time. Hope you're all happy. 😕
 
Interesting that Star Wars domestic = star wars international, while Spectre is 3x greater internationally. I guess the Bond franchise just doesn't hold up well in the states anymore.
 
I expanded out the Overseas gross chart to include Harry Potter and Furious 7. I had to use reported weekend estimates rather than actuals because it would have taken too long to find the exact numbers (which never get as much press).

Barring a 1-2% margin of error for Potter and Furious 7 figures, here is Star Wars vs 3 of the 4 films in the $950+ OS range.

Code:
Overseas Weekend

Wk    Avatar			Jurassic World		The Force Awakens	Deathly Hallows Pt2	Furious 7		Age of Ultron
01     $164.545.565		$316.102.740		$281.000.000 		$314.000.000		$245.000.000		$201.200.000
02     $151.964.038		$166.675.144		$133.300.000 		$120.200.000		$195.000.000		$168.000.000
03     $136.300.000		$86.070.615					$66.600.000   		$167.900.000		$68.300.000
04     $150.500.000		$44.948.536					$29.300.000		$69.700.000		$185.000.000
05     $125.103.207		$23.978.417     				$14.900.000		$52.800.000		$45.800.000

EDIT: Threw in Age of Ultron for kicks. that's every movie over $900M OS other than Titanic. Can you find AoU's Chinese debut week?!? :P
 
Right. I can easily predict (and so can everyone) that Abadar Deux will have considerably better action scenes than the comic book mediocrities people like to peddle in this forum.

Shit, Avatar 1's action scenes are still fucking ridiculous.

The movie is way too damn long and the story is barf, but holy shit

Anyone that ever questions Cameron's chops of delivering action is delusional. He always delivers on the action front and makes things clear and easy to follow.

If anything, I am wondering if Fury Road has lit a fire under his ass like he was once influenced by Road Warrior. Cameron has become the apprentice again, and he has something to prove yet again. Even if Cameron's scripts aren't as tight as they once were, he is still in the top tier of action directing.

In my brain, I keep imagining Cameron as watching what George Miller pulled off in Fury Road and thinking, "I can do better. No one shows me up!" And then Cameron will deliver something absolutely fucking bonkers.
 
I expanded out the Overseas gross chart to include Harry Potter and Furious 7. I had to use reported weekend estimates rather than actuals because it would have taken too long to find the exact numbers (which never get as much press).

Barring a 1-2% margin of error for Potter and Furious 7 figures, here is Star Wars vs 3 of the 4 films in the $950+ OS range.

Code:
Overseas Weekend
Wk    Avatar			Jurassic World		The Force Awakens	Deathly Hallows Pt2	Furious 7	
01     $164.545.565		$316.102.740		$281.000.000 		$314.000.000		$245.000.000
02     $151.964.038		$166.675.144		$133.300.000 		$120.200.000		$195.000.000
03     $136.300.000		$86.070.615					$66.600.000   		$167.900.000
04     $150.500.000		$44.948.536					$29.300.000		$69.700.000
05     $125.103.207		$23.978.417     				$14.900.000		$52.800.000

The Flop Awakens already grossing less than Avatar overseas.
 
Interesting that Star Wars domestic = star wars international, while Spectre is 3x greater internationally. I guess the Bond franchise just doesn't hold up well in the states anymore.

Its all relative so saying it doesn't hold up well in the states anymore isn't really quite correct. The overseas market has exploded in the last decade. Spectre is the still the second highest grossing Bond domestically second only to Skyfall. Bond has been bigger overseas for a good while, if anything Skyfall was the outliner being the first Bond to break $200 million domestically.
 
Anyone that ever questions Cameron's chops of delivering action is delusional. He always delivers on the action front and makes things clear and easy to follow.

If anything, I am wondering if Fury Road has lit a fire under his ass like he was once influenced by Road Warrior. Cameron has become the apprentice again, and he has something to prove yet again. Even if Cameron's scripts aren't as tight as they once were, he is still in the top tier of action directing.

In my brain, I keep imagining Cameron as watching what George Miller pulled off in Fury Road and thinking, "I can do better. No one shows me up!" And then Cameron will deliver something absolutely fucking bonkers.

Yes, this is the right way to see it. Cameron's competition are the rare action films which really stand out and leak a solid impression. Not the by-the-numbers comfort food films of which there are 5-10 every year without fail.
 
Yes, this is the right way to see it. Cameron's competition are the rare action films which really stand out and leak a solid impression. Not the by-the-numbers comfort food films of which there are 5-10 every year without fail.

Ain't Cameron's fault that he is better at it than nearly everyone. I like thinking he likes and feeds off having someone show him up. Someone has to have him stay hungry.
 
Ain't Cameron's fault that he is better at it than nearly everyone. I like thinking he likes and feeds off having someone show him up. Someone has to have him stay hungry.

That's probably why he only makes a new film every decade. When you're your own competition, motivation can be hard. :(
 
Man, just got back from an IMAX showing of Star Wars. When we reserved our seats two days ago it was still 85-90 unsold. We got there and it was nearly sold out. Fucking nuts.
 
I know we are barely a blip in the international market, but TFA didn't do so amazingly well in Argentina. The first week numbers put it at number 6 in the ranking of first week viewers, just below 50 Shades. With 560k+ viewers, for comparison number one is Fast7 with 1.4m. (It's in viewers cause that's the usual unit here, instead of revenue/gross)
 
I expanded out the Overseas gross chart to include Harry Potter and Furious 7. I had to use reported weekend estimates rather than actuals because it would have taken too long to find the exact numbers (which never get as much press).

Avatar really was something else, damn.
 
I know we are barely a blimp in the international market, but TFA didn't do so amazingly well in Argentina. The first week numbers put it at number 6 in the ranking of first week viewers, just below 50 Shades. With 560k+ viewers, for comparison number one is Fast7 with 1.4m. (It's in viewers cause that's the usual unit here, instead of revenue/gross)

It seems this is the case around Latin America. It has consistently opened below Furious 7 and Avengers 2.
 
I know we are barely a blip in the international market, but TFA didn't do so amazingly well in Argentina. The first week numbers put it at number 6 in the ranking of first week viewers, just below 50 Shades. With 560k+ viewers, for comparison number one is Fast7 with 1.4m. (It's in viewers cause that's the usual unit here, instead of revenue/gross)

Alternate Headline:

Star Wars Can't Handle Sex And/OR Fast Cars, Argentinians Celebrate
 
I am curious to see what JJ Abrams does next. He is clearly very tired of doing franchise films and has said so. He likely has the post-The Dark Knight card that Nolan had to do whatever the hell he wants for whatever budget he wants. Curious to see what he decides to "cash in" on.
He'll probably go make a second soulless piece of Spielberg mimicry.

And no Fringe love in there? Sure, JJ left after the first season and it got into god tier sci fi after that, but he still had a hand in some great stuff with that show.
Eh, Fringe became great, but the pilot and first half of season one had lots of shit that Abrams, Orci and Kurtzman came up with, like The Pattern and all the bullshit with Olivia's ex-partner/lover. The show only really found itself when Wyman and Pinkner took full control.
 
I know we are barely a blip in the international market, but TFA didn't do so amazingly well in Argentina. The first week numbers put it at number 6 in the ranking of first week viewers, just below 50 Shades. With 560k+ viewers, for comparison number one is Fast7 with 1.4m. (It's in viewers cause that's the usual unit here, instead of revenue/gross)

There are only a few major territories where Star Wars is blowing past everything that came before.

Here are the estimated grosses to date for The Force Awakens in its biggest territories vs Avatar's USD grosses in those same territories.

Code:
			TFA (10-12 days)		Avatar (LTD)
United Kingdom		$97M				$150M
Germany			$54M				$162M			
France			$48M				$176M
Australia		$36M				$106M
Japan			$31M				$172M
Mexico			$20M				$44M
Spain			$20M				$110M
South Korea		$19M				$105M
Italy			$18M				$83M
Russia 			$18M				$117M
Brazil			$16M				$58M

The Force Awakens has a pretty good shot at passing Avatar in the UK. Other than that? Not so much.
 
He'll probably go make a second soulless piece of Spielberg mimicry.


Eh, Fringe became great, but the pilot and first half of season one had lots of shit that Abrams, Orci and Kurtzman came up with, like The Pattern and all the bullshit with Olivia's ex-partner/lover. The show only really found itself when Wyman and Pinkner took full control.

Season 1 had David Robert Jones though.

But yes, it was best when Wyman and Pinkner took full control and went straight to crazy town.
 
It seems this is the case around Latin America. It has consistently opened below Furious 7 and Avengers 2.

The dollar values are a little hard to compare with the strength in the dollar vs. LA countries in the past few months.

Argetina, for example, had a 40%-ish drop against the dollar the day TFA opened due to foreign currency purchase controls being lifted.
 
Abrams is a far better visual director than Whedon will probably ever be. His issues have been with writing and lack of originality.

True, I totally agree but JJ does also use a lot of TV techniques in his films. In particular his fast cut action, overuse of close-ups, and tilting angles all come straight out of TV convention.
 
I am noticing Grindstone Entertainment Group in front of trailers for shitty looking movies starring A-list talent. So far there is Heist (De Niro), Extraction (Bruce Willis), Exposed (Keanu Reeves) and Misconduct (Pacino, Hopkins).
 
He'll get leeway for a film or two I guess. Directors with true staying power are rare though, regardless of how big the films they are on get. Look at Chris Columbus.

You bringing up Chris Columbus reminds me that Alfonso Cuaron would be a good get for any studio that can get him back on a big budget franchise.
 
You bringing up Chris Columbus reminds me that Alfonso Cuaron would be a good get for any studio that can get him back on a big budget franchise.

The fact that WB had him on Potter, did my favorite Potter movie, then let him bounce still boggles the mind
 
You bringing up Chris Columbus reminds me that Alfonso Cuaron would be a good get for any studio that can get him back on a big budget franchise.

I doubt he wants to go back now that Gravity has bought him another project or two of his choice.

You will have to take your David Yates and like it.
 
Where's the originality in Avengers?

They were never ever ever going to let him go full dumbass on either Avengers movie.

Top Whedon is baller as fuck, but holy shit is Bottom Whedon bad

I doubt he wants to go back now that Gravity has bought him another project or two of his choice.

You will have to take your David Yates and like it.

Time for Gravity 2!

And omg swiss no, I don't want that
 
I asked a while ago and didn't get an answer. Did WB have the worst year of all the big studios?

Not in terms of domestic gross. They will finish third behind Universal and Disney with $1.6B. They had a lot of films disappoint or bomb this year though. You know things are rough when The Intern makes their domestic Top 5 for 2015 releases at less than $80M.
 
Where's the originality in Avengers?
In the dialogue and sets, though of course it doesn't work for everybody in the audience, and he went overboard with Tony in AoU.

The Avengers and Star Wars aren't the best barometer for originality though since both are encumbered by their ties to source material. Abrams probably had more opportunity to be inventive though since he was adding to the OT rather than remixing comic material like Whedon.
 
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