I know, isn't that sad?![]()
...No? I mean I'm not sure what the point is, but if great action sequences were so abundant and easy to execute, it wouldn't be much of an accomplishment would it?
I know, isn't that sad?![]()
...No? I mean I'm not sure what the point is, but if great action sequences were so abundant and easy to execute, it wouldn't be much of an accomplishment would it?![]()
Interesting that Star Wars domestic = star wars international, while Spectre is 3x greater internationally. I guess the Bond franchise just doesn't hold up well in the states anymore.
Overseas Weekend
Wk Avatar Jurassic World The Force Awakens Deathly Hallows Pt2 Furious 7 Age of Ultron
01 $164.545.565 $316.102.740 $281.000.000 $314.000.000 $245.000.000 $201.200.000
02 $151.964.038 $166.675.144 $133.300.000 $120.200.000 $195.000.000 $168.000.000
03 $136.300.000 $86.070.615 $66.600.000 $167.900.000 $68.300.000
04 $150.500.000 $44.948.536 $29.300.000 $69.700.000 $185.000.000
05 $125.103.207 $23.978.417 $14.900.000 $52.800.000 $45.800.000
Interesting that Star Wars domestic = star wars international, while Spectre is 3x greater internationally. I guess the Bond franchise just doesn't hold up well in the states anymore.
As long as I get my Obi-Wan Kenobi spinoff, I'm fine with all this.Disney's going to be all Frozen, Pixar, Marvel and Star Wars from here until the end of time. Hope you're all happy. 😕
Right. I can easily predict (and so can everyone) that Abadar Deux will have considerably better action scenes than the comic book mediocrities people like to peddle in this forum.
Shit, Avatar 1's action scenes are still fucking ridiculous.
The movie is way too damn long and the story is barf, but holy shit
I expanded out the Overseas gross chart to include Harry Potter and Furious 7. I had to use reported weekend estimates rather than actuals because it would have taken too long to find the exact numbers (which never get as much press).
Barring a 1-2% margin of error for Potter and Furious 7 figures, here is Star Wars vs 3 of the 4 films in the $950+ OS range.
Code:Overseas Weekend Wk Avatar Jurassic World The Force Awakens Deathly Hallows Pt2 Furious 7 01 $164.545.565 $316.102.740 $281.000.000 $314.000.000 $245.000.000 02 $151.964.038 $166.675.144 $133.300.000 $120.200.000 $195.000.000 03 $136.300.000 $86.070.615 $66.600.000 $167.900.000 04 $150.500.000 $44.948.536 $29.300.000 $69.700.000 05 $125.103.207 $23.978.417 $14.900.000 $52.800.000
Interesting that Star Wars domestic = star wars international, while Spectre is 3x greater internationally. I guess the Bond franchise just doesn't hold up well in the states anymore.
Anyone that ever questions Cameron's chops of delivering action is delusional. He always delivers on the action front and makes things clear and easy to follow.
If anything, I am wondering if Fury Road has lit a fire under his ass like he was once influenced by Road Warrior. Cameron has become the apprentice again, and he has something to prove yet again. Even if Cameron's scripts aren't as tight as they once were, he is still in the top tier of action directing.
In my brain, I keep imagining Cameron as watching what George Miller pulled off in Fury Road and thinking, "I can do better. No one shows me up!" And then Cameron will deliver something absolutely fucking bonkers.
Yes, this is the right way to see it. Cameron's competition are the rare action films which really stand out and leak a solid impression. Not the by-the-numbers comfort food films of which there are 5-10 every year without fail.
The Good Dinosaur bombed so they'll be scrubbing Pixar out like it was John Carter.Disney's going to be all Frozen, Pixar, Marvel and Star Wars from here until the end of time. Hope you're all happy. 😕
Ain't Cameron's fault that he is better at it than nearly everyone. I like thinking he likes and feeds off having someone show him up. Someone has to have him stay hungry.
I expanded out the Overseas gross chart to include Harry Potter and Furious 7. I had to use reported weekend estimates rather than actuals because it would have taken too long to find the exact numbers (which never get as much press).
I know we are barely a blimp in the international market, but TFA didn't do so amazingly well in Argentina. The first week numbers put it at number 6 in the ranking of first week viewers, just below 50 Shades. With 560k+ viewers, for comparison number one is Fast7 with 1.4m. (It's in viewers cause that's the usual unit here, instead of revenue/gross)
I know we are barely a blip in the international market, but TFA didn't do so amazingly well in Argentina. The first week numbers put it at number 6 in the ranking of first week viewers, just below 50 Shades. With 560k+ viewers, for comparison number one is Fast7 with 1.4m. (It's in viewers cause that's the usual unit here, instead of revenue/gross)
He'll probably go make a second soulless piece of Spielberg mimicry.I am curious to see what JJ Abrams does next. He is clearly very tired of doing franchise films and has said so. He likely has the post-The Dark Knight card that Nolan had to do whatever the hell he wants for whatever budget he wants. Curious to see what he decides to "cash in" on.
Eh, Fringe became great, but the pilot and first half of season one had lots of shit that Abrams, Orci and Kurtzman came up with, like The Pattern and all the bullshit with Olivia's ex-partner/lover. The show only really found itself when Wyman and Pinkner took full control.And no Fringe love in there? Sure, JJ left after the first season and it got into god tier sci fi after that, but he still had a hand in some great stuff with that show.
Alternate Headline:
Star Wars Can't Handle Sex And/OR Fast Cars, Argentinians Celebrate
I know we are barely a blip in the international market, but TFA didn't do so amazingly well in Argentina. The first week numbers put it at number 6 in the ranking of first week viewers, just below 50 Shades. With 560k+ viewers, for comparison number one is Fast7 with 1.4m. (It's in viewers cause that's the usual unit here, instead of revenue/gross)
TFA (10-12 days) Avatar (LTD)
United Kingdom $97M $150M
Germany $54M $162M
France $48M $176M
Australia $36M $106M
Japan $31M $172M
Mexico $20M $44M
Spain $20M $110M
South Korea $19M $105M
Italy $18M $83M
Russia $18M $117M
Brazil $16M $58M
He'll probably go make a second soulless piece of Spielberg mimicry.
Eh, Fringe became great, but the pilot and first half of season one had lots of shit that Abrams, Orci and Kurtzman came up with, like The Pattern and all the bullshit with Olivia's ex-partner/lover. The show only really found itself when Wyman and Pinkner took full control.
It seems this is the case around Latin America. It has consistently opened below Furious 7 and Avengers 2.
I wonder if Abrams will be viewed more in the category of Joss Wheedon than Christopher Nolan.
Abrams is a far better visual director than Whedon will probably ever be. His issues have been with writing and lack of originality.
This so much, guy can't make movies with substance. Glad to see someone as talented as Rian Johnson in charge for the next two.I'm happy to simply have JJ kept as far away from the future films as possible.
Abrams is a far better visual director than Whedon will probably ever be. His issues have been with writing and lack of originality.
As long as I get my Obi-Wan Kenobi spinoff, I'm fine with all this.
Those all sound like late night Skinemax titles.I am noticing Grindstone Entertainment Group in front of trailers for shitty looking movies starring A-list talent. So far there is Heist (De Niro), Extraction (Bruce Willis), Exposed (Keanu Reeves) and Misconduct (Pacino, Hopkins).
None of those things are inherently bad.Disney's going to be all Frozen, Pixar, Marvel and Star Wars from here until the end of time. Hope you're all happy. 😕
He'll get leeway for a film or two I guess. Directors with true staying power are rare though, regardless of how big the films they are on get. Look at Chris Columbus.
You bringing up Chris Columbus reminds me that Alfonso Cuaron would be a good get for any studio that can get him back on a big budget franchise.
Those two things are what I would say are Whedon's greatest strengths.
...We need to combine these guys into one!
You bringing up Chris Columbus reminds me that Alfonso Cuaron would be a good get for any studio that can get him back on a big budget franchise.
Where's the originality in Avengers?
I doubt he wants to go back now that Gravity has bought him another project or two of his choice.
You will have to take your David Yates and like it.
I asked a while ago and didn't get an answer. Did WB have the worst year of all the big studios?
Yates managed to sneak in Tarzan between shifts at the Harry Potter film factory.
I asked a while ago and didn't get an answer. Did WB have the worst year of all the big studios?
In the dialogue and sets, though of course it doesn't work for everybody in the audience, and he went overboard with Tony in AoU.Where's the originality in Avengers?
Abrams probably had more opportunity to be inventive though since he was adding to the OT rather than remixing comic material like Whedon.
Well That certainly wasn't on display. Disney must have to pay them more for something other than B-tier writing.
Wait, isn't Fantastic Beasts next year too? Did that fucker do two big ass movies in one release year?
Wait, isn't Fantastic Beasts next year too? Did that fucker do two big ass movies in one release year?