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Colin finally got to interview Alyssa

homelander-disgusted.gif
 
Gross. If there's one solitary person who probably shouldn't be anywhere near any type of gaming press or journalism or anything, it's absolutely Mercunte.
 
AmuroChan said:
I watched it over the weekend. It's fine. I don't think he pushed back enough on some of the points, but I get it. He was trying to be respectful and nice.
Click to expand...
That's how an interview should be imo, more about the person being interviewed than the interviewer. And if the person being interviewed is saying some bullshit lol, well you have to have some faith in your audience that they'll be able to figure that out on their own
 
uncreativename said:
That's how an interview should be imo, more about the person being interviewed than the interviewer. And if the person being interviewed is saying some bullshit lol, well you have to have some faith in your audience that they'll be able to figure that out on their own
Click to expand...

I'm really just talking about Colin's normal level of pushback that he would have on other interviews he's done. This one in particular he was being extra nice.
 
AmuroChan said:
I'm really just talking about Colin's normal level of pushback that he would have on other interviews he's done. This one in particular he was being extra nice.
Click to expand...
She is understandably shy of being interviewed and attacked. (She even has left the game's business behind it seems) Colin had to chase her for a while to get the interview. She finally agreed. It wouldn't be a good look for Colin to have her on and have him be hostile to her.
 
Ill Do It Myself GIF


Here is a concise summary of Sacred Symbols+ Episode 515, featuring an unexpected conversation between host Colin Moriarty and journalist Alyssa Mercante (formerly of Kotaku).

Key Takeaways

  • The Eternal Culture War: They explore why gaming's cultural divide remains so toxic, analyzing the transition from GamerGate to the recent "Sweet Baby Inc." controversies.
  • "Winning Isn't Enough": The title's core premise examines the psychology of online movements. They discuss how factions that gain cultural or institutional power often refuse to accept victory, continuing to act like aggrieved underdogs instead of responsibly wielding their influence.
  • The Collapse of Games Media: Alyssa details the economic death of traditional games journalism, explaining how the collapse of traditional outlets has created a massive power vacuum.
  • The Rise of Influencers: They discuss how this vacuum is now dominated by independent creators and streamers (like Asmongold), who steer modern gaming discourse far more than traditional websites do.
  • Bridging the Divide: Despite their differing political and industry backgrounds, Colin and Alyssa find significant common ground, emphasizing the need for good-faith dialogue over internet shouting matches

Alyssa Mercante's position in the interview focuses on three main points:
  • Seeking Good-Faith Dialogue: She steps outside her typical media bubble to show that people on opposite sides of the gaming culture war can find common ground through nuanced, face-to-face conversation rather than internet outrage.
  • The Defensive Reality for Women: She explains that enduring years of hostility in gaming spaces naturally forces women to enter the industry with a defensive mindset or a "chip on their shoulder" just to survive the toxicity.
  • Journalism's Economic Collapse: She views the death of sites like Kotaku as a harsh economic reality, warning that the resulting vacuum has shifted immense power to independent streamers who lack traditional journalistic standards.

Does she understand the role of media in the shift of gaming discourse toward a more antagonistic, toxic narrative toward customers, especially straight white men?


Based on the actual dialogue in the podcast, the short answer is no, she does not fully agree with or validate that specific narrative, though she acknowledges the fractured state of the discourse from a different angle.
he frames the defensive or sharp mindset of modern media figures (particularly women) as a natural response to surviving a hostile environment,
rather than taking responsibility for driving ideological polarization.


Its Over GIF by MOODMAN
Happy Well Done GIF
 
  • The Defensive Reality for Women: She explains that enduring years of hostility in gaming spaces naturally forces women to enter the industry with a defensive mindset or a "chip on their shoulder" just to survive the toxicity.
Click to expand...
This is why the Marathon community is like it is. Mindbreak.

It's a shame. I would welcome female gamers.....but you have to have very thick skin and it will still change you.

That's online gaming.

It seems to imply in the last line that stronk women are a result of being hammered by gamers like Marathon players were. Basically the same reason the Marathon community is angry and mean and hostile(imho) is the same reason we have stronk women, which I guess are also angry and mean and hostile in some cases. This line I mean:

he frames the defensive or sharp mindset of modern media figures (particularly women) as a natural response to surviving a hostile environment,
Click to expand...

Really though, instead of mindbreak, staying based is best. Staying based allows you to not lose yourself and turn into a hater even if people pick on you all the time. It's hard. I never thought that the stronk women stereotype exists because of mindbreak. I guess it makes sense.
 
Last edited:
ChorizoPicozo said:
Ill Do It Myself GIF


Here is a concise summary of Sacred Symbols+ Episode 515, featuring an unexpected conversation between host Colin Moriarty and journalist Alyssa Mercante (formerly of Kotaku).

Key Takeaways

  • The Eternal Culture War: They explore why gaming's cultural divide remains so toxic, analyzing the transition from GamerGate to the recent "Sweet Baby Inc." controversies.
  • "Winning Isn't Enough": The title's core premise examines the psychology of online movements. They discuss how factions that gain cultural or institutional power often refuse to accept victory, continuing to act like aggrieved underdogs instead of responsibly wielding their influence.
  • The Collapse of Games Media: Alyssa details the economic death of traditional games journalism, explaining how the collapse of traditional outlets has created a massive power vacuum.
  • The Rise of Influencers: They discuss how this vacuum is now dominated by independent creators and streamers (like Asmongold), who steer modern gaming discourse far more than traditional websites do.
  • Bridging the Divide: Despite their differing political and industry backgrounds, Colin and Alyssa find significant common ground, emphasizing the need for good-faith dialogue over internet shouting matches

Alyssa Mercante's position in the interview focuses on three main points:
  • Seeking Good-Faith Dialogue: She steps outside her typical media bubble to show that people on opposite sides of the gaming culture war can find common ground through nuanced, face-to-face conversation rather than internet outrage.
  • The Defensive Reality for Women: She explains that enduring years of hostility in gaming spaces naturally forces women to enter the industry with a defensive mindset or a "chip on their shoulder" just to survive the toxicity.
  • Journalism's Economic Collapse: She views the death of sites like Kotaku as a harsh economic reality, warning that the resulting vacuum has shifted immense power to independent streamers who lack traditional journalistic standards.

Does she understand the role of media in the shift of gaming discourse toward a more antagonistic, toxic narrative toward customers, especially straight white men?


Based on the actual dialogue in the podcast, the short answer is no, she does not fully agree with or validate that specific narrative, though she acknowledges the fractured state of the discourse from a different angle.
he frames the defensive or sharp mindset of modern media figures (particularly women) as a natural response to surviving a hostile environment,
rather than taking responsibility for driving ideological polarization.


Its Over GIF by MOODMAN
Happy Well Done GIF
Click to expand...
i think i could do better GIF by Team Coco

Sacred Symbols Plus Discussion Summary — Games Media, Gamergate, Anita Sarkeesian, Harassment, and Industry Culture

Overview

This conversation between Colin Moriarty and Alyssa Mercante evolves into a long-form discussion about:
  • games media culture
  • Gamergate's long-term effects
  • Anita Sarkeesian discourse
  • online harassment
  • games criticism
  • identity in gaming spaces
  • political tribalism online
  • and how internet incentives have distorted conversations around games.

Alyssa Mercante's Current Position

Mercante explains:
  • she no longer works in games media full-time
  • she now writes about the creator economy for a trade publication
  • enjoys the peace of:
    • no comments
    • no constant online fighting
    • less public scrutiny
She describes post-Kotaku freelance life as:
  • financially unstable
  • administratively exhausting
  • requiring constant hustling:
    • bartending
    • freelancing
    • helping with landscaping work

Long Island / Personal Background Segment

Large section focuses on:
  • Long Island upbringing
  • hockey fandom
  • family backgrounds
  • 9/11 experiences
  • parents working in NYPD/FDNY
This portion humanizes both participants:
  • emphasizing how internet discourse flattens people into caricatures instead of complex individuals.

Core Topic — Online Games Culture & Harassment

Mercante discusses:
  • entering online gaming through Halo 3 multiplayer
  • being heavily harassed as a woman online
Examples included:
  • verbal abuse
  • misogynistic insults
  • rape threats
  • being blamed for team losses purely for being female
She argues this shaped:
  • her defensiveness
  • her willingness to push back publicly
  • her refusal to "quietly disappear" from gaming spaces.

Gamergate & The Endless "Culture War" Cycle

Mercante argues:
  • modern gaming discourse keeps resurrecting the same fights from 2014
She describes:
  • recurring outrage cycles
  • algorithms rewarding incendiary content
  • people turning others into symbolic villains
Main point:
  • internet systems incentivize outrage and endless conflict rather than productive discussion.

Sweet Baby Inc / Anita Sarkeesian / Slay the Spire 2

Mercante says:
  • Anita Sarkeesian being rediscovered in Slay the Spire 2 credits became another example of:
    • old Gamergate-style outrage being resurrected
Her argument:
  • nobody noticed Sarkeesian's involvement until someone searched credits
  • players enjoyed the game without issue beforehand
She sees this as:
  • evidence that outrage is often retroactively manufactured rather than organically experienced.

Mercante's View On Anita Sarkeesian

Key points:
  • believes Sarkeesian has the right to work in games
  • views Tropes vs Women as a form of literary/media criticism applied to games
  • believes criticism itself helped legitimize games as an artistic medium
Mercante argues:
  • people transformed Sarkeesian into a symbolic "enemy"
  • years later she is still treated as a recurring villain despite largely fading from public prominence.

Colin Moriarty's Position

Moriarty takes a more nuanced position:
  • says he often disagreed with Anita Sarkeesian's analysis
  • felt she lacked deep gaming background initially
  • thought some criticisms toward her were directionally understandable
However:
  • he believes the modern fixation on her now feels excessive and performative
His argument:
  • people already "won" the culture war against her influence years ago
  • continuing to obsess over her now feels hollow and repetitive.

Discussion About "Winning" The Culture War

Moriarty repeatedly argues:
  • anti-woke/right-leaning gaming voices are now culturally dominant online
He believes:
  • continuing to resurrect old enemies like Sarkeesian feels unnecessary
  • outrage creators need recurring villains to sustain engagement
Mercante agrees:
  • saying some creators appear to constantly recycle the same enemies:
    • Anita Sarkeesian
    • Zoe Quinn
    • Sweet Baby Inc
    • etc.

Gaming As Meritocracy

Interesting philosophical section:
  • both discuss gaming culture as inherently meritocratic
Mercante explains:
  • gamers often demand "credentials"
  • trophies
  • gamer scores
  • proof of expertise
Moriarty says:
  • he values people with deep experience discussing games
  • criticizes culture-war commentators who barely play games themselves
However:
  • he distinguishes that from gatekeeping casual players entirely.

Women In Gaming Spaces

Mercante repeatedly emphasizes:
  • gaming spaces historically felt hostile toward women
Examples:
  • being the only woman at industry events
  • being followed or treated strangely at conventions
  • harassment at online multiplayer games
  • women being roofied at gaming events
She argues:
  • this history explains why many women in games media became defensive or politically outspoken.

Conversation About Cancel Culture

Moriarty raises:
  • examples of people on the political right being professionally targeted:
    • Palmer Luckey
    • Chris Avellone
    • Troy Leavitt
    • Carolyn from Limited Run Games
He argues:
  • some resentment from right-wing gaming communities comes from feeling these tactics were normalized against them first.
Mercante partially agrees:
  • acknowledges cancellation/dogpiling can become cyclical and destructive
  • but frames much of the left's defensiveness as reactive to long-term hostility in gaming spaces.

Twitter / Bluesky / Algorithm Discussion

Both criticize:
  • modern social media algorithms
Main points:
  • outrage gets rewarded
  • nuance gets buried
  • engagement farming distorts discussions
Mercante explains leaving Twitter partly for peace of mind:
  • says constant algorithmic outrage becomes psychologically exhausting.

Most Important Shared Conclusion

Despite political disagreements:
  • both eventually agree internet discourse reduces people into avatars instead of human beings.
Mercante's core argument:
  • many people online stop seeing others as individuals
  • instead seeing:
    • "the woke journalist"
    • "the right-wing gamer"
    • "the feminist"
    • "the anti-woke guy"
She says:
  • once people become symbols instead of humans
  • real conversations become nearly impossible.
 

RedC said:
i think i could do better GIF by Team Coco

Sacred Symbols Plus Discussion Summary — Games Media, Gamergate, Anita Sarkeesian, Harassment, and Industry Culture

Overview

This conversation between Colin Moriarty and Alyssa Mercante evolves into a long-form discussion about:
  • games media culture
  • Gamergate's long-term effects
  • Anita Sarkeesian discourse
  • online harassment
  • games criticism
  • identity in gaming spaces
  • political tribalism online
  • and how internet incentives have distorted conversations around games.

Alyssa Mercante's Current Position

Mercante explains:
  • she no longer works in games media full-time
  • she now writes about the creator economy for a trade publication
  • enjoys the peace of:
    • no comments
    • no constant online fighting
    • less public scrutiny
She describes post-Kotaku freelance life as:
  • financially unstable
  • administratively exhausting
  • requiring constant hustling:
    • bartending
    • freelancing
    • helping with landscaping work

Long Island / Personal Background Segment

Large section focuses on:
  • Long Island upbringing
  • hockey fandom
  • family backgrounds
  • 9/11 experiences
  • parents working in NYPD/FDNY
This portion humanizes both participants:
  • emphasizing how internet discourse flattens people into caricatures instead of complex individuals.

Core Topic — Online Games Culture & Harassment

Mercante discusses:
  • entering online gaming through Halo 3 multiplayer
  • being heavily harassed as a woman online
Examples included:
  • verbal abuse
  • misogynistic insults
  • rape threats
  • being blamed for team losses purely for being female
She argues this shaped:
  • her defensiveness
  • her willingness to push back publicly
  • her refusal to "quietly disappear" from gaming spaces.

Gamergate & The Endless "Culture War" Cycle

Mercante argues:
  • modern gaming discourse keeps resurrecting the same fights from 2014
She describes:
  • recurring outrage cycles
  • algorithms rewarding incendiary content
  • people turning others into symbolic villains
Main point:
  • internet systems incentivize outrage and endless conflict rather than productive discussion.

Sweet Baby Inc / Anita Sarkeesian / Slay the Spire 2

Mercante says:
  • Anita Sarkeesian being rediscovered in Slay the Spire 2 credits became another example of:
    • old Gamergate-style outrage being resurrected
Her argument:
  • nobody noticed Sarkeesian's involvement until someone searched credits
  • players enjoyed the game without issue beforehand
She sees this as:
  • evidence that outrage is often retroactively manufactured rather than organically experienced.

Mercante's View On Anita Sarkeesian

Key points:
  • believes Sarkeesian has the right to work in games
  • views Tropes vs Women as a form of literary/media criticism applied to games
  • believes criticism itself helped legitimize games as an artistic medium
Mercante argues:
  • people transformed Sarkeesian into a symbolic "enemy"
  • years later she is still treated as a recurring villain despite largely fading from public prominence.

Colin Moriarty's Position

Moriarty takes a more nuanced position:
  • says he often disagreed with Anita Sarkeesian's analysis
  • felt she lacked deep gaming background initially
  • thought some criticisms toward her were directionally understandable
However:
  • he believes the modern fixation on her now feels excessive and performative
His argument:
  • people already "won" the culture war against her influence years ago
  • continuing to obsess over her now feels hollow and repetitive.

Discussion About "Winning" The Culture War

Moriarty repeatedly argues:
  • anti-woke/right-leaning gaming voices are now culturally dominant online
He believes:
  • continuing to resurrect old enemies like Sarkeesian feels unnecessary
  • outrage creators need recurring villains to sustain engagement
Mercante agrees:
  • saying some creators appear to constantly recycle the same enemies:
    • Anita Sarkeesian
    • Zoe Quinn
    • Sweet Baby Inc
    • etc.

Gaming As Meritocracy

Interesting philosophical section:
  • both discuss gaming culture as inherently meritocratic
Mercante explains:
  • gamers often demand "credentials"
  • trophies
  • gamer scores
  • proof of expertise
Moriarty says:
  • he values people with deep experience discussing games
  • criticizes culture-war commentators who barely play games themselves
However:
  • he distinguishes that from gatekeeping casual players entirely.

Women In Gaming Spaces

Mercante repeatedly emphasizes:
  • gaming spaces historically felt hostile toward women
Examples:
  • being the only woman at industry events
  • being followed or treated strangely at conventions
  • harassment at online multiplayer games
  • women being roofied at gaming events
She argues:
  • this history explains why many women in games media became defensive or politically outspoken.

Conversation About Cancel Culture

Moriarty raises:
  • examples of people on the political right being professionally targeted:
    • Palmer Luckey
    • Chris Avellone
    • Troy Leavitt
    • Carolyn from Limited Run Games
He argues:
  • some resentment from right-wing gaming communities comes from feeling these tactics were normalized against them first.
Mercante partially agrees:
  • acknowledges cancellation/dogpiling can become cyclical and destructive
  • but frames much of the left's defensiveness as reactive to long-term hostility in gaming spaces.

Twitter / Bluesky / Algorithm Discussion

Both criticize:
  • modern social media algorithms
Main points:
  • outrage gets rewarded
  • nuance gets buried
  • engagement farming distorts discussions
Mercante explains leaving Twitter partly for peace of mind:
  • says constant algorithmic outrage becomes psychologically exhausting.

Most Important Shared Conclusion

Despite political disagreements:
  • both eventually agree internet discourse reduces people into avatars instead of human beings.
Mercante's core argument:
  • many people online stop seeing others as individuals
  • instead seeing:
    • "the woke journalist"
    • "the right-wing gamer"
    • "the feminist"
    • "the anti-woke guy"
She says:
  • once people become symbols instead of humans
  • real conversations become nearly impossible.
Click to expand...
Too DAMN LONG didnt read
 
ChorizoPicozo said:
Ill Do It Myself GIF


Here is a concise summary of Sacred Symbols+ Episode 515, featuring an unexpected conversation between host Colin Moriarty and journalist Alyssa Mercante (formerly of Kotaku).

Key Takeaways

  • The Eternal Culture War: They explore why gaming's cultural divide remains so toxic, analyzing the transition from GamerGate to the recent "Sweet Baby Inc." controversies.
  • "Winning Isn't Enough": The title's core premise examines the psychology of online movements. They discuss how factions that gain cultural or institutional power often refuse to accept victory, continuing to act like aggrieved underdogs instead of responsibly wielding their influence.
  • The Collapse of Games Media: Alyssa details the economic death of traditional games journalism, explaining how the collapse of traditional outlets has created a massive power vacuum.
  • The Rise of Influencers: They discuss how this vacuum is now dominated by independent creators and streamers (like Asmongold), who steer modern gaming discourse far more than traditional websites do.
  • Bridging the Divide: Despite their differing political and industry backgrounds, Colin and Alyssa find significant common ground, emphasizing the need for good-faith dialogue over internet shouting matches

Alyssa Mercante's position in the interview focuses on three main points:
  • Seeking Good-Faith Dialogue: She steps outside her typical media bubble to show that people on opposite sides of the gaming culture war can find common ground through nuanced, face-to-face conversation rather than internet outrage.
  • The Defensive Reality for Women: She explains that enduring years of hostility in gaming spaces naturally forces women to enter the industry with a defensive mindset or a "chip on their shoulder" just to survive the toxicity.
  • Journalism's Economic Collapse: She views the death of sites like Kotaku as a harsh economic reality, warning that the resulting vacuum has shifted immense power to independent streamers who lack traditional journalistic standards.

Does she understand the role of media in the shift of gaming discourse toward a more antagonistic, toxic narrative toward customers, especially straight white men?


Based on the actual dialogue in the podcast, the short answer is no, she does not fully agree with or validate that specific narrative, though she acknowledges the fractured state of the discourse from a different angle.
he frames the defensive or sharp mindset of modern media figures (particularly women) as a natural response to surviving a hostile environment,
rather than taking responsibility for driving ideological polarization.


Its Over GIF by MOODMAN
Happy Well Done GIF
Click to expand...

She views the death of sites like Kotaku as a harsh economic reality, warning that the resulting vacuum has shifted immense power to independent streamers who lack traditional journalistic standards.
Click to expand...

I think this one of the main reasons why many people distrust games media. Access journalism, ideology presented as fact, villainization of the audience, etc. It's very telling that someone coming from a gaming media background like herself cannot see something that is obvious to so many (that being the complete lack of traditional journalistic standards in games media). It's also why games media, which is dying out, doesn't seem to have much of a chance of course correcting. They can't/refuse to even see there's a problem with their behavior.
 
Hey, remember that time Alyssa wrote a review for Shadow of the ErdTree and she spent literally a paragraph bitching about her online trolls and male privelege or some shit.

She is a class act of a gaming journalist.

Really explores the games she is reviewing.

Totally a mature adult and a consumate professional.
 
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