Decent ending with some great scenes, but the show as a whole is only a very small notch above Star Driver.
(Penguin 24 spoilers)
Going down the list..
Did they explain:the penguinsNo, though it's kind of alluded to that they are children that have become invisible
What were the memory erasing things:Pointless plot devices
Was: No. Not sure where that idea came from.Sanetoshi a combination of Kanbas parents
Were the: My guess is metaphorical. I think the whole thing was a big metaphor forboxes and child broiler real things or were they metaphorical?since pretty much every character in the show but Ringo was anan orphanageNot even that explanation makes much sense, of course.orphan.
Why is everyone seemingly unaffected by: They aren't. Shoma is pissed off, Masako doesn't know what to do, and Himari actively tries toKanba being a mass murderer?stop him.
Why do Kanba and Shouma: That was the price paid for usingrespawn as kids at the end?Since it wasthe penguindrum to save Himarihalf Shoma, and half Kanba, they didn't completely vanish, but turned into kids approximately half their age instead. That's my theory anyway
what is the survival strategy sequence supposed to be?Flashy animation that's good for television
what is all the: One episode showsbroken glass symbolism?In this episode, I think it symbolizeskids going through the broiler, and becoming shards of glass.their current lives shattering, and being reconfigured in the other fate
I ask that because im not entirely sure who/what sanetoshi is apart from a "ghost" that somehow controls fate? and they show kanbas parents next to him when he mentions his "curse"
so mostly speculation or you dont know?
the kids part makes sense i guess
i forgot to include the one that bothered me most
what was the diary and why was it magic?
When I saw the art I immediately thought A1-PicturesDetails for KyoAni's new show have been revealed:
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Director: Yasuhiro Takemoto (FMP series, Lucky Star)
Script: Shoji Gatoh (FMP series, Druaga series)
Character Design: Futoshi Nishiya (Nichijou)
Good art, as expected of modern KyoAni.
Thread looks redacted.
I appreciate it.
Shiryu > Hyouga > Ikki > Shun >>>>>>>>>>>>>>>> Seiya
That says a lot about the anime really.
Clarity of plot is not necessary for something to be beautifully directed or emotionally touching.maybe it would be touching if i understood any of it
Clarity of plot is not necessary for something to be beautifully directed or emotionally touching.
Wow. I dropped the show at episode 14 and even I find that statement to be a tad bit harsh.
Plot details are not as necessary in a character driven story than the actual character drama is what I'm saying.
Clarity of plot is not necessary for something to be beautifully directed or emotionally touching.
Quoted For Truth (although maybe this can be very subjective and depends on each person's interpretation).Plot details are not as necessary in a character driven story than the actual character drama is what I'm saying.
Mawaru Penguindrum FINALE SPOILERS:
I suppose this means Pocket Full of Rainbows was erased alongside Shouma and Kanba?
Honda refuses to lose to Nissan and Subaru, funding it's own anime:
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Director: Junichi Sato (Aria, Tamayura, Umi Monogatari)
Script: Kouhaku Kuroboshi (Kino's Journey, Sky Girls)
Production: Honda
Well so far so good but what is this actually about? Is this going to be some crazy awesome Initial D-Aria mix or what?
Honda refuses to lose to Nissan and Subaru, funding it's own anime:
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Director: Junichi Sato (Aria, Tamayura, Umi Monogatari)
Script: Kouhaku Kuroboshi (Kino's Journey, Sky Girls)
Production: Honda
It's Satojun. It's about fragility of gas, and one's gentle sadness at its passing.
Like Phi Brain was about the fragility of puzzles and one's gentle sadness at their solving?
Honda refuses to lose to Nissan and Subaru, funding it's own anime:
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Director: Junichi Sato (Aria, Tamayura, Umi Monogatari)
Script: Kouhaku Kuroboshi (Kino's Journey, Sky Girls)
Production: Honda
Because the mystery of "what's the KIGA group/Sanetoshi" and the like was never the focus of the show, nor were they elements that were given too much attention to begin with. Even if they were explained they would add very little to the resolution.That's being a good bit convenient. How does a show being 'character driven' give it a free pass on the idea of plot coherency/effectiveness, especially when it's through the plotting that we come to know the characters, and the potential to feel for their arch's conclusion? When it's within the plotting that we'll actually experience character drama, as you differentiate? To have a scene not resonate with you because of ineffective plotting is a perfectly reasonable stance.
How could you possibly kick this through a window!
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Because the mystery of "what's the penguindrum/KIGA group/Sanetoshi" was never the focus of the show, nor were they elements that were given too much attention to begin with. Even if they were explained they would add very little to the resolution.
Mawaru Penguindrum 24 (END)
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Still wanted to see Sanetoshi get totally destroyed or something, though at least Momoka seems to have gotten the last laugh[...
The on-screen aspects of the show were important, but not necessarily its primary focus. I wouldn't have liked Penguindrum if it had been only a flashy audiovisual spectacle of penguins and children doing stuff penguins and children are not supposed to do. MPD was effective because the plot serviced the character drama -all the stuff about the KIGA group and Sanetoshi being a hater are there to provide a setting and a rationalisation for what's happening to the Takakuras. And since the Takakuras themselves to do not care a lot for the stuff that happened in the past because of all the shit that we already know I do not feel bothered by their lack of resolution.Regulus, my point is that you can't separate the two. Plotting exists in every story, and if it's ineffective in its direction to some, to have its climax not resonate in whatever manner because of it is a perfectly reasonable stance. You're basically saying that,in your case, you either found the plotting of MPD effective enough, or need not actual narrative depth for an emotional response, but a simple visual/aural trigger to evoke one, and that's perfectly fine, but some require different.
All I got from this post was blah blah firehawk blah blah blah blah blah blah.
Penguin Drum 24
Well that was an ending.but it did provide closure for the main characters.I'm still not sure where or when the Kanba/Shouma fate-sharing thing took place, or why Kanba died, or what exactly the PenguinGroup was all about
I don't use Netflix so I don't know what their selection is like, but if you liked Tears to Tiara you'd probably like anything they'd have there.
Utawarerumono is a little older and from the same creators, so you might want to start there.
Just as a disclaimer, I didn't care for either of them. I'm a little more comfortable recommending Moribito, 12 Kingdoms or Scrapped Princess if they have them. Just keep in mind they're more about the journey than the destination.
In other words 2 or more of them may not have the most satisfying endings.
So what you're saying is that long words cause you some kind of difficulty and your mind switches off?
There sure was a lot of symbolism, right? I mean, even more so than usual. Ikuhara just getting more and more out there in his old age.
Decent ending with some great scenes, but the show as a whole is only a very small notch above Star Driver.
Mawaru PenguinDrum Final
This post here actually makes some sense about this whole thing but still only Ikuhara knows.
http://tvtropes.org/pmwiki/posts.php?discussion=13101108240A39480100&page=29#706
The on-screen aspects of the show were important, but not necessarily its primary focus. I wouldn't have liked Penguindrum if it had been only a flashy audiovisual spectacle of penguins and children doing stuff penguins and children are not supposed to do. MPD was effective because the plot serviced the character drama -all the stuff about the KIGA group and Sanetoshi being a hater are there to provide a setting and a rationalisation for what's happening to the Takakuras. And since the Takakuras themselves to do not care a lot for the stuff that happened in the past because of all the shit that we already know I do not feel bothered by their lack of resolution.
I expected a character piece from Penguindrum, not a mystery show. In that regard, I was satisfied with how everything turned out.
Because the mystery of "what's the KIGA group/Sanetoshi" and the like was never the focus of the show, nor were they elements that were given too much attention to begin with. Even if they were explained they would add very little to the resolution.
Honda refuses to lose to Nissan and Subaru, funding it's own anime:
![]()
Director: Junichi Sato (Aria, Tamayura, Umi Monogatari)
Script: Kouhaku Kuroboshi (Kino's Journey, Sky Girls)
Production: Honda
Mawaru PenguinDrum Final
My brain is full of fuck but I was teary eye at the end. This show still have alot of questions to answer.
This post here actually makes some sense about this whole thing but still only Ikuhara knows.
http://tvtropes.org/pmwiki/posts.php?discussion=13101108240A39480100&page=29#706
I would certainly agree that most of those 'elements', like a vast majority of the elements in the show, were more about the symbolism behind them than some coherent and logical a to be plot structure. There presence was to discuss ideas as opposed to some believable back story.
How well they serve in that function is, of course, debatable, but at no point did I ever feel like the show was about these mysteries that would be explained at all, and definitely not in a traditional or rational manner.
It also raises the question of overall story pacing, as in, was a reasonable amount of time spent on thing that had no relevance to the overall story and/or towards the ideas 'symbolically' discussed by show.?
Some of you delve way too far into the concepts of symbolism and story, in a medium that has completely abandoned them. Animu is about the hnnngh. It is about little else now. Embrace it.