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Fall 2011 Anime Thread |OT2| The Tampire is Coming

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(Penguin 24 spoilers)



Going down the list..

Did they explain
the penguins
:
No, though it's kind of alluded to that they are children that have become invisible

What were the memory erasing things:
Pointless plot devices

Was
Sanetoshi a combination of Kanbas parents
: No. Not sure where that idea came from.

Were the
boxes and child broiler real things or were they metaphorical?
: My guess is metaphorical. I think the whole thing was a big metaphor for
an orphanage
since pretty much every character in the show but Ringo was an
orphan.
Not even that explanation makes much sense, of course.

Why is everyone seemingly unaffected by
Kanba being a mass murderer?
: They aren't. Shoma is pissed off, Masako doesn't know what to do, and Himari actively tries to
stop him.

Why do Kanba and Shouma
respawn as kids at the end?
: That was the price paid for using
the penguindrum to save Himari
Since it was
half Shoma, and half Kanba, they didn't completely vanish, but turned into kids approximately half their age instead. That's my theory anyway

what is the survival strategy sequence supposed to be?
Flashy animation that's good for television

what is all the
broken glass symbolism?
: One episode shows
kids going through the broiler, and becoming shards of glass.
In this episode, I think it symbolizes
their current lives shattering, and being reconfigured in the other fate
I ask that because im not entirely sure who/what sanetoshi is apart from a "ghost" that somehow controls fate? and they show kanbas parents next to him when he mentions his "curse"

so mostly speculation or you dont know?
the kids part makes sense i guess
i forgot to include the one that bothered me most
what was the diary and why was it magic?
 
I ask that because im not entirely sure who/what sanetoshi is apart from a "ghost" that somehow controls fate? and they show kanbas parents next to him when he mentions his "curse"

so mostly speculation or you dont know?
the kids part makes sense i guess
i forgot to include the one that bothered me most
what was the diary and why was it magic?

Mostly speculation. Almost
nothing is explained. I don't think they were hinting that the Takakura parents were Sanetoshi though. I think they were either saying that they were cursed like he was, or that he was the one making Kanba think he'd been talking to his (dead) parents

The last question is left unanswered in the show. We have no idea
what Momoka and Sanetoshi are, or why they have power.
 
Details for KyoAni's new show have been revealed:

bg.jpg


Director: Yasuhiro Takemoto (FMP series, Lucky Star)
Script: Shoji Gatoh (FMP series, Druaga series)
Character Design: Futoshi Nishiya (Nichijou)

Good art, as expected of modern KyoAni.
When I saw the art I immediately thought A1-Pictures
 
Thread looks redacted.

I appreciate it.

Agreed. Makes not reading Penguindrum stuff even easier.

Working'!! 12

God I love this show.

Daisy, noooooooooooo. ;_; Takanashi and Inami are adorable. I really hope there's a real conclusion this time around.

Really had no expectations going into this season, didn't like S1 at all and wasn't looking forward to S2. And now I'm hoping S3 is already in the works.
 
Mawaru Penguindrum finale

Honestly, I might need to rewatch this at some point because I'm 100% sure there are things I must have missed. As it stands now, I'm having a bit of trouble figuring out where I stand on things. I will say, though, that I'm not a fan of the ending. A lot of the elements presented throughout the show's run ended up being ultimately useless and nothing but fluff. I probably wouldn't have minded had the ending blown me away but it didn't. Everything happened pretty much as most were speculating, in some fashion. It felt too 'safe' for my liking, or maybe I was just expecting something a bit more substantial than what we got. Perhaps the movie will deliver where this did this not.

It did look very pretty, I'll give it that. And the music was excellent, as was always the case.

Shiryu > Hyouga > Ikki > Shun >>>>>>>>>>>>>>>> Seiya

Fixed that for ya.
 
Reborn 146-150

Filler arc actually seems canon considering the most recent events in the manga, Box Weapons being developed and present in the past via Verde. I actually am stating to like this Arcobaleno Trials arc.

But wani wani is JPN for alligator, or is Tsuna and Lambo joking?
 
I don't use Netflix so I don't know what their selection is like, but if you liked Tears to Tiara you'd probably like anything they'd have there.

Utawarerumono is a little older and from the same creators, so you might want to start there.

Just as a disclaimer, I didn't care for either of them. I'm a little more comfortable recommending Moribito, 12 Kingdoms or Scrapped Princess if they have them. Just keep in mind they're more about the journey than the destination.
In other words 2 or more of them may not have the most satisfying endings.
 
Clarity of plot is not necessary for something to be beautifully directed or emotionally touching.

And all it takes for an emotional resonance from some is a melancholic orchestration, if we're to disprove criticism by way of reduction.


Wow. I dropped the show at episode 14 and even I find that statement to be a tad bit harsh.

Lol, as a guy who dropped both shows around the midpoints, only to watch their respective ends, I actually agree with 7th for once, not that my opinion really holds any merit in this instance.
 
Plot details are not as necessary in a character driven story than the actual character drama is what I'm saying.


That's being a good bit convenient. How does a show being 'character driven' give it a free pass on the idea of plot coherency/effectiveness, especially when it's through the plotting that we come to know the characters, and the potential to feel for their arch's conclusion? When it's within the plotting that we'll actually experience character drama, as you differentiate? To have a scene not resonate with you because of ineffective plotting is a perfectly reasonable stance.
 
Up to date again, with again 3 episodes seen in a row... astonishing overload (part 2)!

Clarity of plot is not necessary for something to be beautifully directed or emotionally touching.
Plot details are not as necessary in a character driven story than the actual character drama is what I'm saying.
Quoted For Truth (although maybe this can be very subjective and depends on each person's interpretation).

Imagery alone can produce emotional responses, but it largely depends on the situation, like previous experiences. In this case, I think the gained attachment to the characters on this story is enough to provoke those feelings, and there is much more to this series than that, but in other cases sentimentalism or visual message over explanatory content can certainly fall flat.
 
Mawaru Penguindrum FINALE SPOILERS:

I suppose this means Pocket Full of Rainbows was erased alongside Shouma and Kanba?

... Why am I crying?

Beautiful stuff. I'm very happy with how the show ended.

I'm in Regulus's camp when it comes to plot details. They're less important than the visual symbolism, the characters, and the message.
 
hmmm I find nagi to be one of the 'better' kugilolis. Fits the character archetype without being too annoying. Like the other gals of the show better though ;)

A lot of finales this week. Can't wait to watch them. Need to clean the house for guests =/
 
Honda refuses to lose to Nissan and Subaru, funding it's own anime:

lrWX2l.jpg


Director: Junichi Sato (Aria, Tamayura, Umi Monogatari)
Script: Kouhaku Kuroboshi (Kino's Journey, Sky Girls)
Production: Honda
 
Honda refuses to lose to Nissan and Subaru, funding it's own anime:

lrWX2l.jpg


Director: Junichi Sato (Aria, Tamayura, Umi Monogatari)
Script: Kouhaku Kuroboshi (Kino's Journey, Sky Girls)
Production: Honda

Well so far so good but what is this actually about? Is this going to be some crazy awesome Initial D-Aria mix or what?
 
Honda refuses to lose to Nissan and Subaru, funding it's own anime:

lrWX2l.jpg


Director: Junichi Sato (Aria, Tamayura, Umi Monogatari)
Script: Kouhaku Kuroboshi (Kino's Journey, Sky Girls)
Production: Honda

Is this about cars that go to highchool? or highschool kids who are in a car nerd club in highschool? or maybe moe lolis who transform into cars?

Hope this more like the awesomness that is Initial d(one can dream).

What was Nissan and Subaru anime?
 
Honda refuses to lose to Nissan and Subaru, funding it's own anime:

lrWX2l.jpg


Director: Junichi Sato (Aria, Tamayura, Umi Monogatari)
Script: Kouhaku Kuroboshi (Kino's Journey, Sky Girls)
Production: Honda

something like this would be perfect:

20344827_m14l4j.jpg


CBR250R | とむ猫 [pixiv] http://www.pixiv.net/member_illust.php?mode=medium&illust_id=20344827

23369688_mlkxs5.jpg


ミク×DAX | iLL [pixiv] http://www.pixiv.net/member_illust.php?mode=medium&illust_id=23369688

but I'm a dreamer
 
That's being a good bit convenient. How does a show being 'character driven' give it a free pass on the idea of plot coherency/effectiveness, especially when it's through the plotting that we come to know the characters, and the potential to feel for their arch's conclusion? When it's within the plotting that we'll actually experience character drama, as you differentiate? To have a scene not resonate with you because of ineffective plotting is a perfectly reasonable stance.
Because the mystery of "what's the KIGA group/Sanetoshi" and the like was never the focus of the show, nor were they elements that were given too much attention to begin with. Even if they were explained they would add very little to the resolution.
 
Because the mystery of "what's the penguindrum/KIGA group/Sanetoshi" was never the focus of the show, nor were they elements that were given too much attention to begin with. Even if they were explained they would add very little to the resolution.

Regulus, my point is that you can't separate the two. Plotting exists in every story, and if it's ineffective in its direction to some, to have its climax not resonate in whatever manner because of it is a perfectly reasonable stance. You're basically saying that,in your case, you either found the plotting of MPD effective enough, and/or need not actual narratorial depth for an emotional response, but a simple visual/aural trigger to evoke one, and that's perfectly fine, but some require different.
 
Mawaru Penguindrum 24 (END)

6AheK.jpg
6AheK.jpg
6AheK.jpg


Still wanted to see Sanetoshi get totally destroyed or something, though at least Momoka seems to have gotten the last laugh[...

Sanetoshi can only interact with the world through a few other people, possibly those connected to the incident. Those people are now gone so I guess he's stuck haunting wherever forever. Seems like a pretty shitty ending for him, I guess until he hatches another plot.
 
Regulus, my point is that you can't separate the two. Plotting exists in every story, and if it's ineffective in its direction to some, to have its climax not resonate in whatever manner because of it is a perfectly reasonable stance. You're basically saying that,in your case, you either found the plotting of MPD effective enough, or need not actual narrative depth for an emotional response, but a simple visual/aural trigger to evoke one, and that's perfectly fine, but some require different.
The on-screen aspects of the show were important, but not necessarily its primary focus. I wouldn't have liked Penguindrum if it had been only a flashy audiovisual spectacle of penguins and children doing stuff penguins and children are not supposed to do. MPD was effective because the plot serviced the character drama -all the stuff about the KIGA group and Sanetoshi being a hater are there to provide a setting and a rationalisation for what's happening to the Takakuras. And since the Takakuras themselves to do not care a lot for the stuff that happened in the past because of all the shit that we already know I do not feel bothered by their lack of resolution.

I expected a character piece from Penguindrum, not a mystery show. In that regard I was satisfied with how everything turned out.
 
All I got from this post was blah blah firehawk blah blah blah blah blah blah.

So what you're saying is that long words cause you some kind of difficulty and your mind switches off?
Penguin Drum 24

Well that was an ending.
I'm still not sure where or when the Kanba/Shouma fate-sharing thing took place, or why Kanba died, or what exactly the PenguinGroup was all about
but it did provide closure for the main characters.

There sure was a lot of symbolism, right? I mean, even more so than usual. Ikuhara just getting more and more out there in his old age.
 
I don't use Netflix so I don't know what their selection is like, but if you liked Tears to Tiara you'd probably like anything they'd have there.

Utawarerumono is a little older and from the same creators, so you might want to start there.

Just as a disclaimer, I didn't care for either of them. I'm a little more comfortable recommending Moribito, 12 Kingdoms or Scrapped Princess if they have them. Just keep in mind they're more about the journey than the destination.
In other words 2 or more of them may not have the most satisfying endings.

I have all of those shows and recommend them all.
Good stuff, man.
 
So what you're saying is that long words cause you some kind of difficulty and your mind switches off?

There sure was a lot of symbolism, right? I mean, even more so than usual. Ikuhara just getting more and more out there in his old age.

Well the whole show was pretty full of symbolism. I do have to agree somewhat with the criticism of some of the plotting, no you don't have to explain everything, but it is bad form to spend substantial amounts of time on mysteries that never lead to anything. It can be a fine line sometimes, but when we don't find out about stuff like
Shouma and Kanba in the cages until near the end of the show,
it feels like we should have had more about that earlier and less about
the entirely irrelevant Mario subplot, to name just one.
 
Decent ending with some great scenes, but the show as a whole is only a very small notch above Star Driver.

I think this is the 7thist thing you've said in awhile. I believe congratulations are in order!

Which is my way of saying you're completely wrong.
Mawaru PenguinDrum Final

This post here actually makes some sense about this whole thing but still only Ikuhara knows.
http://tvtropes.org/pmwiki/posts.php?discussion=13101108240A39480100&page=29#706

As far as things go, that looks like a mostly sane interpretation.
 
The on-screen aspects of the show were important, but not necessarily its primary focus. I wouldn't have liked Penguindrum if it had been only a flashy audiovisual spectacle of penguins and children doing stuff penguins and children are not supposed to do. MPD was effective because the plot serviced the character drama -all the stuff about the KIGA group and Sanetoshi being a hater are there to provide a setting and a rationalisation for what's happening to the Takakuras. And since the Takakuras themselves to do not care a lot for the stuff that happened in the past because of all the shit that we already know I do not feel bothered by their lack of resolution.

I expected a character piece from Penguindrum, not a mystery show. In that regard, I was satisfied with how everything turned out.

Plot, in narratological terms, mean only the sequencing of events and their relations, events that can include anything, really. Every story is made up of the sequencing of something; every story has a plot. You're not the only one I've noticed make the weird conclusion that thick 'plot' somehow calls for a lack of characterization--character drama, as you put it--but that really isn't the case.
 
Because the mystery of "what's the KIGA group/Sanetoshi" and the like was never the focus of the show, nor were they elements that were given too much attention to begin with. Even if they were explained they would add very little to the resolution.

I would certainly agree that most of those 'elements', like a vast majority of the elements in the show, were more about the symbolism behind them than some coherent and logical a to be plot structure. There presence was to discuss ideas as opposed to some believable back story.

How well they serve in that function is, of course, debatable, but at no point did I ever feel like the show was about these mysteries that would be explained at all, and definitely not in a traditional or rational manner.

It also raises the question of overall story pacing, as in, was a reasonable amount of time spent on thing that had no relevance to the overall story and/or towards the ideas 'symbolically' discussed by show.?
 
Honda refuses to lose to Nissan and Subaru, funding it's own anime:

lrWX2l.jpg


Director: Junichi Sato (Aria, Tamayura, Umi Monogatari)
Script: Kouhaku Kuroboshi (Kino's Journey, Sky Girls)
Production: Honda

I'm interested in this.
Also, what anime did Nissan make? I know about the Subaru magical girl show with the weird logos and shit.
 
Penguindrum - 24

Mawaru PenguinDrum Final
My brain is full of fuck but I was teary eye at the end. This show still have alot of questions to answer.

This post here actually makes some sense about this whole thing but still only Ikuhara knows.
http://tvtropes.org/pmwiki/posts.php?discussion=13101108240A39480100&page=29#706


I think I can agree with most of that. I'm going to have to watch the series again.

I'm kinda scratching my head at some of the things in the end. I don't think it's a bad ending at all. I just think it's one of those things I'll need to rewatch. I think the whole point of the
cages/kanba and shoma thing at the end was to establish the final link between the 2 brothers. It kinda comes in a bit late but given the explanation that tvtropes link gives, it makes a lot of sense.

The
symbolism of white
is something I need to really go back and examine again.

All in all, a great show. Maybe in my top 5 of all time. Was going top 3 at some point but I dunno. If some of my questions aren't really answered, I can't possibly put it beside shows with have better closure.

I would certainly agree that most of those 'elements', like a vast majority of the elements in the show, were more about the symbolism behind them than some coherent and logical a to be plot structure. There presence was to discuss ideas as opposed to some believable back story.

How well they serve in that function is, of course, debatable, but at no point did I ever feel like the show was about these mysteries that would be explained at all, and definitely not in a traditional or rational manner.

It also raises the question of overall story pacing, as in, was a reasonable amount of time spent on thing that had no relevance to the overall story and/or towards the ideas 'symbolically' discussed by show.?

If the links to the
actual terrorist attacks
is the ultimate way to
explain Sanetoshi's more earthly backstory
, then it might be a bit questionable as a plot device. Then again, this series
was not necessarily made for the West, where knowledge of those attacks is known particularly well
.

As a more symbolic plot device and
actual antagonist, I think Sanetoshi filled his role. I just think I need to give the series maybe one more watch to truly appreciate it.
 
Some of you delve way too far into the concepts of symbolism and story, in a medium that has completely abandoned them. Animu is about the hnnngh. It is about little else now. Embrace it.
 
Idolm@ster - END

Ended how you'd expect it to, with song.

OP medley was great
, but they recycled the
OP
animation, CHEATERS!!!
 
Some of you delve way too far into the concepts of symbolism and story, in a medium that has completely abandoned them. Animu is about the hnnngh. It is about little else now. Embrace it.

Hey man, I make sure to balance this shit out. Every now and then, I do like to be challenged but without going into fits of "what in the blue fuck?". Ergo Proxy, I'm looking at you.

Actually Un-Go might fit that role now, in terms of more recent anime. I'm glad I'm not the only one who couldn't figure out what the hell was going on.
 
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