[Anime] Your "Controversial" Opinions

Status
Not open for further replies.
I disagree with this in regards to OP but I won't bang on about it since I've done enough of it in this thread.
OP is a bit of an exception. However, the only issue I have with OP is how childish it is portrayed. I just can't take in any sort of confounding issues with such a surrounding style.

I'll give an easy example using Shrek the movie. Shrek is a family movie that also highly targets children. This is similar to a show like OP (the children part). However, it balances comedy with adult undertones and dialog. You can digest the themes without feeling you are watching a silly portrayal. Shounen shows like OP interject some of this but fail to stylize the look to go with it. It causes a disconnect. You always feel like adult themes are trying to be forced into a child atmosphere. That's great for children and those growing up (young teenagers mainly). You sort of adapt to the themes with age. But for adults? Please. There are way too many works with depth that is substantial compared to skimming off something like OP.
I don't see how you could put Soul Eater, and D-Gray man on there though, they suffer the exact same problem, and the ending of those 2 anime are awful.
I read manga so it sort of cancels that out. Soul Eater and D.Gray-Man are just better watches even though they power-up cycle. Soul Eater doesn't try to go above its expected narrative and is more of a Disney romp. D.Gray-Man has that surreal, conflicting atmosphere which makes it enjoyable. They aren't "amazing" shows but they are still way better then the popular crap.
 
Trapeze/Kuuchuu Buranko
Redline

Thanks for the recommendations - Redline's already on my 'to watch' list, as my friend just watched it this past week and was gushing about how stylish it is. Just looked at the trailer for Trapeze and it certainly seems pretty strange, especially the weird mix of live-action and animation. Oh, and it's directed by Kenji Nakamura too, I'll definitely check it out.

That reminds me, how is Kemonozume? Worth a watch?
 
OP is a bit of an exception. However, the only issue I have with OP is how childish it is portrayed. I just can't take in any sort of confounding issues with such a surrounding style.

I'll give an easy example using Shrek the movie. Shrek is a family movie that also highly targets children. This is similar to a show like OP (the children part). However, it balances comedy with adult undertones and dialog. You can digest the themes without feeling you are watching a silly portrayal. Shounen shows like OP interject some of this but fail to stylize the look to go with it. It causes a disconnect. You always feel like adult themes are trying to be forced into a child atmosphere. That's great for children and those growing up (young teenagers mainly). You sort of adapt to the themes with age. But for adults? Please. There are way too many works with depth that is substantial compared to skimming off something like OP.

Don't necessarily disagree with you in regards to your criticism of OP, however I do disagree with you that for some arbitrary reason once you're old enough you should throw away the part of you that enjoys a bit of silliness as One Piece has. It's all fun for me, regardless of it's childishness and I enjoy the show very much, I don't consider it an amazing piece of adult literature, but it's fun and I can watch it for that reason alone.

Again I don't think anyone should be getting into shonen expecting a serious adult plot or narrative with some deep themes (though some shonen do contain that in parts, the latest One Piece manga arc and it's racism parables for example).

So I agree OP can be silly, but I think it mixes it's silliness and seriousness pretty well, and I can enjoy the show for what it is. I can enjoy it's silliness because I haven't felt the need to destroy that part of my mind as I got older.
 
I hope this one isn't controversial, but Inuyasha is probably the absolute worst "popular" anime/manga series ever. It exemplifies Takahashi's problems in writing a long series, but manages to make them just infinitely worse by being an "action" series. Ugh.

Also, Kyon is the best Haruhi character, and Ponyo is one of (if not the) best Ghibli movies.
 
Characters are not completely rewritten, but Goku gets a huge change where he starts calling himself the hero of justice and shit like that. None of it's in the Japanese version. To see how bad some of the script changes are, this is from episode 138:

Japanese:
Yamcha: Are the artifical humans really that fearsome?

Kuririn: Yes, they are worse than we feared.

English:
Yamcha: Whoa! Goku's put on a few pounds.

Krillin: Hey, cut him some slack, he's been through a lot.

That's fucking horrible, and the dub is full of that crap. Hell, "Over 9000" should be "Over 8000", why was that changed? I don't know.

Wow that's crazy if true.
 
I feel like people get the wrong impression about Monster due to the art style. It's not aiming for realism, it's aiming for melodramatic suspense.
Uh, the art style is very "cartoony" or comicbook-ey. It's the way the series presents itself through other factors that makes it completely laughable.
 
I can't really stand the look of modern anime. I used to love '90s anime, but everything looks like giant eyes cutie-patootie and giant boobs now. (Think Clannad----HATE that look. Whatever happened to the Bebop, Trigun, Escaflowne, etc. looks?).
 
I can't really stand the look of modern anime. I used to love '90s anime, but everything looks like giant eyes cutie-patootie and giant boobs now. (Think Clannad----HATE that look. Whatever happened to the Bebop, Trigun, Escaflowne, etc. looks?).
Every series looks like Clannad now? lol
 
Again I don't think anyone should be getting into shonen expecting a serious adult plot or narrative with some deep themes (though some shonen do contain that in parts, the latest One Piece manga arc and it's racism parables for example).

So I agree OP can be silly, but I think it mixes it's silliness and seriousness pretty well, and I can enjoy the show for what it is. I can enjoy it's silliness because I haven't felt the need to destroy that part of my mind as I got older.
The bolded part is the problem for me. I have zero issues with someone enjoying OP for what it is. I personally prefer more of the full gag level for that type of fun so it isn't for me. Basically, Gintama is the easiest example being so godlike and all. I just don't want to even have to dig into the racial issues. People bring up that crap up saying ODA is some literary fucking genius since he interjects a globally known issue into this child-themed manga.

If you enjoy OP for it's shounen aspects, then that's great. Enjoy it. If you like the dash of racist undertones, then it's not bad to bring in such a theme. But digging into that shit like it's above the clouds of narratives is absolute nonsense. It should be a passing observation and not a highlighted one. It is not brilliant, provocative, or anything substantial. It "just is." And that's how I approach a show like OP when it goes in that direction. The issue is that what remains is just a really bland silly show because those "just is" plot elements are supposed to keep it afloat. They don't unless you draw back to the time of when your mind was developing in your early teens connecting social media to social issues. The plug should be pulled by now.

I like silly shit shows and reads. But I know they are silly shit shows and reads. One Piece is a silly shit show and read. It is just not my type of silly shit show and read. So just enjoy your silly shit show and read. Then all is well.
 
The bolded part is the problem for me. I have zero issues with someone enjoying OP for what it is. I personally prefer more of the full gag level for that type of fun so it isn't for me. Basically, Gintama is the easiest example being so godlike and all. I just don't want to even have to dig into the racial issues. People bring up that crap up saying ODA is some literary fucking genius since he interjects a globally known issue into this child-themed manga.

If you enjoy OP for it's shounen aspects, then that's great. Enjoy it. If you like the dash of racist undertones, then it's not bad to bring in such a theme. But digging into that shit like it's above the clouds of narratives is absolute nonsense. It should be a passing observation and not a highlighted one. It is not brilliant, provocative, or anything substantial. It "just is." And that's how I approach a show like OP when it goes in that direction. The issue is that what remains is just a really bland silly show because those "just is" plot elements are supposed to keep it afloat. They don't unless you draw back to the time of when yourl mind was developing in your early teens connecting social media to social issues. The plug should be pulled by now.

I like silly shit shows and reads. But I know they are silly shit shows and reads. One Piece is a silly shit show and read. It is just not my type of silly shit show and read. So just enjoy your silly shit show and read. Then all is well.

I never said it was especially deep, you're implying that's what I meant, I didn't. I simply meant it does make an attempt to bring in deeper issues. It obviously doesn't explore the issues as deeply as perhaps it could, but it's not the right vehicle for such a deep examination of racism.

Though I would like to see what you would consider a deep examination of racism in a shonen series, for comparison's sake.
 
Thanks for the recommendations - Redline's already on my 'to watch' list, as my friend just watched it this past week and was gushing about how stylish it is. Just looked at the trailer for Trapeze and it certainly seems pretty strange, especially the weird mix of live-action and animation. Oh, and it's directed by Kenji Nakamura too, I'll definitely check it out.

That reminds me, how is Kemonozume? Worth a watch?

Kemonozume is great.

There's still a lot of action-oriented series in general. Watch Toriko. It's like Fist of the North Star mixed with One Piece.
 
-Gasaraki is highly underrated
-Insufferable Evangelion nerds are why the backlash for Eva is disproportional to the amount of problems it has
-Excel Saga is incomprehensible without pop-up video. By every single reference and in-joke requiring explanation, the comedy of the series is highly diminished.
-Vash as a character is so flawed that it undoes what good there is in Trigun.
-The long term implications of the anime bubble bursting are probably a healthier anime industry
-Most fansub groups are comprised of elitist little shits who primarily fansub for e-cred; you wouldn't generally want to associate with these folks under any other pretenses.
 
Mostly agree with this. And I ENJOY Evangelion. Must have been all that time listening to kids in college praising it as "the Greatest Visual experience of my life".

If they're talking about End of Eva I can understand that. Thats one of my favorite movies of all time.
 
Uh, the art style is very "cartoony" or comicbook-ey. It's the way the series presents itself through other factors that makes it completely laughable.

People in this thread have been claiming it was realistic, so obviously anything differing from the norm makes it difficult for some people to judge the art style.
 
I never said it was especially deep, you're implying that's what I meant, I didn't. I simply meant it does make an attempt to bring in deeper issues. It obviously doesn't explore the issues as deeply as perhaps it could, but it's not the right vehicle for such a deep examination of racism.
I wasn't singling you out. I was speaking generally. And it is at least in substantial volume stated that it is proper to explore the issues deeply. People dig into that shit like it is gospel. Yet I believe it is written to except this. That is where I say no thanks and see if the generic battle shounen overcomes such a silly intention. In this case, not a chance, boring battles.

It basically is a shit-storm of an oddly formed intended audience and the authoring. Shit dude, I can pull the same social commentary from a rag like Rosario to Vampire. Yet at least that manga keeps its "just is" content where it should be.
Though I would like to see what you would consider a deep examination of racism in a shonen series, for comparison's sake.
Doesn't exist and that is my point.
 
Why are so many people criticising shonen manga/anime for being shonen?

I really don't get it.
It's just criticism of crappy shounen. Popular shounen basically fail at doing anything but shounen battle. Some just fail harder and in more ill-placed areas. On the other hand, certain examples are poor at the shounen part. It is tough to extract a good work out of them. I'd say Bleach fails the least hard for its carrot on a stick battle approach and less of a cliff dive fall with its deep attempts at characterization.

So yea, what popular shounen falls softer is the most tolerable. But they are never good.
 
I'm going to try this time since I painted myself as unrealistically neutral.

-Kaze no Stigma is one of the best action shows.

-FMP, not including Fumoffu, is still awesome. I like it at least better then Gundam and Macross. Eva/Rah, not so sure.
-Toradora is boring dramatic crap.
-Boogiepop sucks. Paranoia Agent is way better.
-Excel Saga is not that funny.
-Zero Louise s1 is really fun to watch.
-Clannad is so annoying due to the lack of romantic affection.
-Code Geass is not that great. I think Death Note is better.
-DtB2 was awesome sans the ending.
-Big three are terrible but Bleach is the most tolerable for the SS arc. (repeat post)
-Gurren Lagann is way over-rated for only being less then 1/2 a good show.
-When They Cry is fucking annoying.
-Infinite Ryvius has way to many characters and sucks.
-Kaiba is boring.
-K-On is a fun watch.
-Lova Hina is great.
-Macross F is shit compared to Zero.
-Mushi-Shi can really drag and is tough to not take in very small doses.
-RideBack is stupid.
-Requiem from the Darkness is better then almost all horror shows.
-Kenshin sucks. Samurai X is great.

Something in there has to be controversial.

Gross.
 
j3mov.jpg


http://www.youtube.com/watch?v=bcI1tox1Fow
 
- Mobile Suit Gundam 00 (Season 1) was pretty decent.
Fuck season 2 though.
- Eureka 7 is a boring pile of lame
- Hajime no Ippo is the best sports anime (this shouldn't be controversial, it's a fact.)
- Tengen Toppa Gurren Lagann is the best original anime, mecha or not

That's it I guess.
 
- Mobile Suit Gundam 00 (Season 1) was pretty decent.
Fuck season 2 though.
- Eureka 7 is a boring pile of lame
- Hajime no Ippo is the best sports anime (this shouldn't be controversial, it's a fact.)
- Tengen Toppa Gurren Lagann is the best original anime, mecha or not

That's it I guess.

It's not even the best box manga/anime

Ashita no Joe is the king of the box genre. The final sequence of the second movie is still legendary in Japan.

 
I never liked DBZs english music but i do agree the dub voices are better. The series became perfect to me when the orange brick sets came out and i could hear the dub with the original music.
 
This documentary pretty much explains why I stopped watching anime.
I'm sorry, but this is one of the dumbest things I have ever watched. This guy has maybe like one point, which isn't even very relevant, and he goes on about if for like forty minutes.
Well, I've watched a fair bit of anime over the years and checked out a lot of shows - I've never seen an anime that was aimed at adults. I've seen stuff from comedy, horror, sci-fi, slice of life, fantasy, historical - and I can't think of a single show or movie that was aimed primarily at anyone out of college age at the very highest age bracket, and most of it seems to be targeted towards the 13-18 age range.
You solved the case. All anime is targeted at 14 year olds with $600 of disposable income to spend on one series. That totally makes sense.
 
I'm surprised by how fast this thread has grown in so little time. I might normally go in and argue about a few of these things, but as there's so many pages of this thread I feel that would be a very bad idea considering how unstructured this discussion is.

Talking about specific points about a particular anime title is one thing, talking about one person's preconceived notions of an entire medium seems like an entirely different thing, perhaps worthy of its own thread.
 
I've fallen so far out of love with anime, I don't even know how true any observations I make may or may not be. But as I don't appear to be catered for in modern anime, I guess my unpopular opinion would be that all I want from anime is the sort of action-packed, over-the-top craziness seen in animes I watched as a kid like Cyber City Oedo 808, Venus Wars, Patlabor, Ninja Scroll, Wicked City, Fist of the North Star, Demon City Shinjuku, Battle Angel Alita, Dominion Tank Police, Appleseed, etc. The only animes I have thoroughly enjoyed since my childhood have been ones with a unique sense of style (Champloo, Bebop, Trigun, Big O), ones with darker themes (Monster, Darker than Black) or ones that are just plain odd (Mushishi, Mononoke, Blame!), so if anyone could suggest a TV series, OVA or film that might tickle my fancy, that'd be most appreciated.
You don't sound so much like you've fallen out of love with anime in general as anime of the more kid/teenager-targeted variety. If you're looking for over-the-top craziness, I'd suggest checking out Karas, FLCL, Death Note, Afro Samurai, YuYu Hakusho, and anything by Hiroyuki Imaishi (Dead Leaves, Gurren Lagann, Panty & Stocking with Garterbelt). For something more grounded and serious in tone, try Gunslinger Girl, Shigurui, Berserk, Moribito, Memories, Tekkon Kinkreet or Dennou Coil. For a mix of both, look into Martian Successor Nadesico, Le Chevalier d'Eon, Fullmetal Alchemist, Welcome to the NHK, Samurai Champloo, or Rurouni Kenshin.

Also: dunno if I've already stated it in this thread, but my position on Elfen Lied is that it is highly entertaining exploitative trash; anyone who believes there's honestly something of substance beneath all the sound and fury, though, is deluding themselves. To its credit, it was not until my second viewing that I realized how dumb and manipulative it is.
 
lol, not quite what I was thinking of! And I still think that is aimed at teen boys/young men :p
There's two entire demographics of anime and manga aimed at 18-35 audiences: seinen (men) and josei (women).

Does being genre fiction conflict with being "adult"? I mean, if Ghost in the Shell is aimed at teenagers then so is Blade Runner; if Berserk is aimed at teenagers then so is Game of Thrones; and so on.

The only anime/manga I can think of that has more explicitly in common with Literary Literature than genre fiction is Osamu Tezuka's graphic novel Ayako. And, I guess, Barefoot Gen and Grave of the Fireflies.
 
In the late 80s and early 90s when anime was becoming more widely known in the UK, there was an oft expressed saying in a lot of the magazines and media towards anime that, in Japan, animation wasn't just for kids and covered all kinds of topics and genres of interest to adults, not just the usual fantasy/sci-fi stuff.

Well, I've watched a fair bit of anime over the years and checked out a lot of shows - I've never seen an anime that was aimed at adults. I've seen stuff from comedy, horror, sci-fi, slice of life, fantasy, historical - and I can't think of a single show or movie that was aimed primarily at anyone out of college age at the very highest age bracket, and most of it seems to be targeted towards the 13-18 age range.

It's true that the popularity of "not just kids" anime in Japan has been exaggerated - the really popular stuff is mostly kids/family oriented. Although even here you have shows like Mainichi Kaasan (Everyday Mom) which are kid-friendly but aimed to appeal to adults as well, in this case working mothers.

Still, there is a good deal of anime where kids are not the primary target audience. Millennium Actress and Tokyo Godfathers, Mononoke and Trapeze, House of Five Leaves and Ristorante Paradiso - none of these are really aimed at the under-18 crowd. Even beyond this, the whole way late-night anime is structured - airing at 1 AM and sold in expensive volumes - isn't exactly friendly to youngsters.

The only anime/manga I can think of that has more explicitly in common with Literary Literature than genre fiction is Osamu Tezuka's graphic novel Ayako. And, I guess, Barefoot Gen and Grave of the Fireflies.

You list those and not shows which actually adapt classic Japanese literature such as Aoi Bungaku and Genji Monogatari?
 
Status
Not open for further replies.
Top Bottom