Wkd Box Office Est. 03•30-04-01•12 - Katniss fairest of them all

Status
Not open for further replies.
I underestimate Titanic

I underestimate it in the name of hate

Not much to underestimate.

At the theater I work at Hunger games outsold Titanic by a gimongous amount.

Like I said earlier this week Hunger games is the Iceburg that sinks Titanic this weekend.

Another nail in 3d re release trend and 3d in general.
 
Yeah, robbing implies it was LAs to begin with.

It wasn't.

lol.

Titanic winning was far more satisfying especially as it was essentially the Hollywood crowd groveling back to Cameron's knees.
 
Not much to underestimate.

At the theater I work at Hunger games outsold Titanic by a gimongous amount.

Like I said earlier this week Hunger games is the Iceburg that sinks Titanic this weekend.

Another nail in 3d re release trend and 3d in general.

haha , so much for Titanic.

I'll beat you yet Sculli, this duel has just begun
 
With this logic why didn't Avatar win? Perhaps the Academy wised up or something...
Because its all about the jucier story.

Giving the oscar to the person who happens to be the ex-wife of the guy with the 2 most successful films of all time was the one they were going for that year. Doesn't matter that the only good films that she ever made (bar one) were the ones that were written by the dude shes going against.

Also yeah, at the end of the Titanic is pure hollywood epic, while Avatar is pure geek fantasy.
 
Part of me wants to see Titanic while it's in theaters. I've never seen it; I was 5 when it came out. But then the other part of me continues to realize that it's one hundred and ninety four fucking minutes. I'd rather watch a different movie and two episodes of The Wire
I called my brother out to check out this chick dudes on the internet creaming their pants about

"*sigh* white people..." and then he left
That's racist
 
People hated 2001 when it was first released.

Almost every Kubrick film was met with some amount of derision upon release.

Yeah, Kubrick has a lot in common with Malick in that way. Especially The Tree of Life. Give it about a decade or two and everyone will realize it is one of the best films ever made. At least Cannes was right with the Palm d'Or.
 
Yeah, Kubrick has a lot in common with Malick in that way. Especially The Tree of Life. Give it about a decade or two and everyone will realize it is one of the best films ever made. At least Cannes was right with the Palm d'Or.

Cannes is always giving the Palme D'Or to movies nobody cares about, or will ever care about.
 
A perfect example of how meaningless and outdated the Oscars have been for decades, maybe even since their inception. Has anyone alive ever even seen Oliver!, the 1968 winner? I think not.

I think it's a shame 2001 didn't get nominated, but I don't see your point. I'm fairly certain lots of living people have seen Oliver. I've seen it.
 
Cannes is always giving the Palme D'Or to movies nobody cares about, or will ever care about.

Yeah, no EVER talks about La Dolce Vita, Taxi Driver, Apocalypse Now and Pulp Fiction. Not to mention their highest honor before that, which went to The Third Man, Wages of Fear, MASH, Blow-Up, The Conversation and many others. Also, tons of great films like Sex, Lies and Videotape, Paris Texas, Barton Fink and 4 Months, 3 Weeks and 2 Days were awarded the top prizes.
 
Avatar wasn't even best scifi film that year.
It was the best one of the nominees.
A perfect example of how meaningless and outdated the Oscars have been for decades, maybe even since their inception. Has anyone alive ever even seen Oliver!, the 1968 winner? I think not.
A movie being iconic doesn't mean it was the actual best movie that year because it's tough to figure out what is truly memorable until some time has passed. It's like a hindsight is 20/20 thing.

To me, Hurt Locker was grossly overrated and I'm confident it will be forgotten except for the first woman nod. However, it didn't seem that way when it was be hyped out the wazoo by critics.
 
A perfect example of how meaningless and outdated the Oscars have been for decades, maybe even since their inception. Has anyone alive ever even seen Oliver!, the 1968 winner? I think not.

As lame a film as it is, Oliver! has been shown to many a middle school music class and it remains a staple of musical theater.
 
Yeah, no EVER talks about La Dolce Vita, Taxi Driver, Apocalypse Now and Pulp Fiction. Not to mention their highest honor before that, which went to The Third Man, Wages of Fear, MASH, Blow-Up, The Conversation and many others. Also, tons of great films like Sex, Lies and Videotape, Paris Texas, Barton Fink and 4 Months, 3 Weeks and 2 Days were awarded the top prizes.

I look at the last 20 years and I really don't give a fuck about most of the movies there. Pulp Fiction is the sole exception.
 
I look at the last 20 years and I really don't give a fuck about most of the movies there. Pulp Fiction is the sole exception.
The last 20 years have had palms go to films from Theodoros Angelopoulos, Roman Polanski, Lars von Trier, Joel and Ethan Coen, Mike Leigh, Abbas Kiarostami, and Michael Haneke. You should give a fuck about them.
 
The last 20 years have had palms go to films from Theodoros Angelopoulos, Roman Polanski, Lars von Trier, Joel and Ethan Coen, Mike Leigh, Abbas Kiarostami, and Michael Haneke. You should give a fuck about them.

I will never in my fucking life give a shit about Lars Von Trier.
 
I look at the last 20 years and I really don't give a fuck about most of the movies there. Pulp Fiction is the sole exception.

Ouch. Sounds like the problem lies with you then. Might want to remedy that, as you're missing out on a lot of great movies. Unless of course you only like movies that get widespread all-audience acclaim.
 
Cannes is like a million times more consistent than the Oscars. They usually pick films that last the test of time.
 
Those films are seen as ones that "hold up" partially because of their Palm d'Or. It sets the narrative.

Not really. Awards gold tends to matter relatively little decades later. Something like La Dolce Vita is buoyed by its own pure, immanent greatness, decades later. Ditto The Third Man, ditto Blowup, ditto The Conversation, etc. Granted, awards used to be worth more of a damn than they presently are (from what I can tell), but what the "Cannes movies tend to be more relevant" thing really indicates is more that Cannes has been a long and enduring venue for the debut of art films and the like.

JGS: icarus's point is that the Academy has pretty much ALWAYS been about rewarding the safe, pandering little movies (I'll take icarus's word that Oliver! is one; I've not seen it) while lacking the balls to really go out on a limb and show support for a daring, important work of art like 2001 was and still is. I mean, look at the Academy Award recipients in the 2000's - with the exception of maaaaaybe No Country for Old Men (and I'm not even THAT big a fan of it anymore, but I grant that there may be something there), is there anything that's going to hold up or be talked about even a decade from now, let alone 2 or more?
 
JGS: icarus's point is that the Academy has pretty much ALWAYS been about rewarding the safe, pandering little movies (I'll take icarus's word that Oliver! is one; I've not seen it) while lacking the balls to really go out on a limb and show support for a daring, important work of art like 2001 was and still is. I mean, look at the Academy Award recipients in the 2000's - with the exception of maaaaaybe No Country for Old Men (and I'm not even THAT big a fan of it anymore, but I grant that there may be something there), is there anything that's going to hold up or be talked about even a decade from now, let alone 2 or more?
I'm not really disagreeing, I'm just saying that the Oscars model is precisely to pander to the loudest marketed film (Occasionaly they will reward the legacy of a particular artist as well). It's not about best picture in the sense of holding up, it's about the best one amongst a particular season amongst a much smaller group of people than a movie loving demographic.

I suppose a better one to look to may be AFI, but they are wise to let a film marinate before considering it a great film. In the heat of the moment, I say it's near impossible (Including the Palm D'Or honestly which has too small of a pool of judges) to pick a Best Picture within the same year unless all the stars align.

Oscars should change to a 10 year cycle...
 
I'm not really disagreeing, I'm just saying that the Oscars model is precisely to pander to the loudest marketed film (Occasionaly they will reward the legacy of a particular artist as well). It's not about best picture in the sense of holding up, it's about the best one amongst a particular season amongst a much smaller group of people than a movie loving demographic.

I suppose a better one to look to may be AFI, but they are wise to let a film marinate before considering it a great film. In the heat of the moment, I say it's near impossible (Including the Palm D'Or honestly which has too small of a pool of judges) to pick a Best Picture within the same year unless all the stars align.

Oscars should change to a 10 year cycle...

Quality > quantity. The pool of judges may be smaller, but they've historically picked the better, longer-lasting movies. Now, they've picked some stinkers, too, I'm sure, but quality is not a popularity contest in either the shorter-term OR the longer-term.
 
I don't know about $40M for the weekend, given how much Deadline Hollywood over estimated the Hunger Games last weekend (and the one before), but I will admit that, after seeing the strong weekday numbers, I was wrong about the Hunger Game's legs. $375M should happen. I think it will run out of gas before $400M but it could top HP8's gross.

Too bad overseas numbers are so week. 600M worldwide is not as impressive as $375M domestic.

Regarding the Titanic re-release. As soon as I saw the 2600 theatre count, I knew it had no chance at beating the Hunger Games this weekend. There is only so much money to be made on a 3+ hour film re-release playing in 2600 theatres (which is on the low side for modern wide releases). The Lion King made around $30M from the same theatre count in its first weekend, but was half the running time.

My local theatres are playing 3 weekend showings of Titanic. One early matinee (noon), one later matinee (4:30), and one evening showing. Based on my experience, few people go to the movies before 6:30-7pm unless it is a family film.

Comparatively, the same theatres are showing the Hunger games on 3 screens, 5 times each throughout the day. That is 10 viewings, with 6 of then starting after 6:30pm.
 
The lack of interest in the Titanic re-release confirms a view I have held for a while, that Titanic was a fad that was the right movie at the right time in 1997 and hasn't held long-term interest like other classic films such as The Wizard of Oz, Jaws, The Godfather, Star Wars, Indiana Jones, E.T., etc. I mean I don't know a single person who re-visited it on DVD.

The fact basically every single 3D re-release so far including the dreadful Star Wars Episode I is out-performing it in their opening pretty much is falling in line with this.

BoxOfficeTheory guys are now all saying Titanic will probably finish its domestic re-release run with only 40-50 million. lolololololol. The initial estimates for it pre-tracking were 155 million. This is the best thing to happen at the boxoffice in ages.
 
Status
Not open for further replies.
Top Bottom