Watched it for the second time today. I never noticed that the way Bale delivers one of his last lines is tricky. He tells Catwoman there's "No autopilot" when she asks something to the effect of how he plans to get the bomb out of Gotham. But after knowing the ending, when I watched the scene again today I took it as Bale saying "No, autopilot" as in he's going to use the autopilot. Understood most of Bane's dialogue this time around too.
Watched it for the second time today. I never noticed that the way Bale delivers one of his last lines is tricky. He tells Catwoman there's "No autopilot" when she asks something to the effect of how he plans to get the bomb out of Gotham. But after knowing the ending, when I watched the scene again today I took it as Bale saying "No, autopilot" as in he's going to use the autopilot. Understood most of Bane's dialogue this time around too.
Watched it for the second time today. I never noticed that the way Bale delivers one of his last lines is tricky. He tells Catwoman there's "No autopilot" when she asks something to the effect of how he plans to get the bomb out of Gotham. But after knowing the ending, when I watched the scene again today I took it as Bale saying "No, autopilot" as in he's going to use the autopilot. Understood most of Bane's dialogue this time around too.
The final moments of the movie emphasize that Batman is a symbol and not the person of Bruce Wayne. Bruce says something revealing to Jim Gordon to let him know who he is while at the same time emphasizing that it's important that who Batman is remain a secret to the population at large.
Effectively, it's Batman revealing himself to someone important to him but to no one else.
As for the cops breaking off pursuit, they're breaking it off because he's a wanted fugitive who killed their cities greatest hero and also there is a superior officer with his eyes shining for a promotion who wants to be the guy that caught Batman. He's not trying to reveal his identity. He's trying to capture him which would subsequently reveal his identity as a result.
Also, Robin became Robin because Bruce saw himself in him and also saw that he was similarly willing to fight to the last thr ough his leadership during the Gotham under siege part. He felt he had found someone who would be an appropriate successor when he left Gotham. It had nothing to do with him knowing who he was.
You are right that people wished to know who
I didn't say it's just a comic book. I said that them not inferring the truth based on circumstantial evidence was comic book logic. But most importantly it doesn't effect the overall narrative thrust of the movie.
I mean after she (Bane) took control of the city.
I think he says "No autopilot". That sets up so people think he died, then they see Fox with the autopilot hacked in scene to bring back the thought he is alive.
But the person he says it to is Selina, who is seen with him later.
Pretty sure Fox and Bruce talk about the autopilot long before.
But the person he says it to is Selina, who is seen with him later.
Plot hole #4872938
Also, how does Bruce do anything after he fakes his death? He has no money.
Plot hole #4872938
Also, how does Bruce do anything after he fakes his death? He has no money.
Same way he lived for 7 years in Batman Begins.
But the person he says it to is Selina, who is seen with him later.
So...whilst its obviously the better film, TDKR feels in some ways like Matrix Revolutions:
- Final in a successful trilogy
- MUCH larger in scale than the last two
- Things get crazy. More tech/effects.
- All out war.
- An overwhelming sense of despair and hopelessness throughout the film.
- The lead character struggles with his own legend, and sacrifices himself/it to save his world.
Or is that comparison silly?
Plot hole #4872938
Also, how does Bruce do anything after he fakes his death? He has no money.
Matrix 2 and 3 were pretty awful so I personally don't care to compare them.
So...whilst its obviously the better film, TDKR feels in some ways like Matrix Revolutions:
- Final in a successful trilogy
- MUCH larger in scale than the last two
- Things get crazy. More tech/effects.
- All out war.
- An overwhelming sense of despair and hopelessness throughout the film.
- The lead character struggles with his own legend, and sacrifices himself/it to save his world.
Or is that comparison silly?
Did you not see that other thread about the 1% and all their off shore accounts hiding money all over the world? You don't think rich people have connections?
Your posts have a thousand plots holes! Hehe.
Plot hole #4872938
Also, how does Bruce do anything after he fakes his death? He has no money.
Just remembered another scene that I loved due to the dialogue:
That's a brazen costume for a cat burglar
Yeah? Who are you pretending to be?
Bruce Wayne, playboy
Wasn't it kind of a dick move for Bats to make Gordon and the cops hang out on the ice while his sign lit up?
I'd be like "Fuck your flare, get us out of here!"
So...whilst its obviously the better film, TDKR feels in some ways like Matrix Revolutions:
- Final in a successful trilogy
- MUCH larger in scale than the last two
- Things get crazy. More tech/effects.
- All out war.
- An overwhelming sense of despair and hopelessness throughout the film.
- The lead character struggles with his own legend, and sacrifices himself/it to save his world.
Or is that comparison silly?
That's part of why TDK is so great in comparison to BB and now TDKR. It's all Gotham, all the time, there are no external factors encroaching into it. It's its own private puppet theater where a guy in a batsuit makes sense. As soon as you start imposing upon it a place in the "real world", the sense starts peeling away.
Just got back. Mehhhhh.
To me, Gotham City is the central character of any good Batman story. It's at its best treated like an island unto itself; Representative of the world, yet at the same time, sealed away from it.
There's something that takes me out of the Batman mythos when the US Army shows up at Gotham's doorstep, when the President comes on TV and addresses the city, when Batman spends half the movie in a prison far away.
That's part of why TDK is so great in comparison to BB and now TDKR. It's all Gotham, all the time, there are no external factors encroaching into it. It's its own private puppet theater where a guy in a batsuit makes sense. As soon as you start imposing upon it a place in the "real world", the sense starts peeling away.
Just got back. Mehhhhh.
To me, Gotham City is the central character of any good Batman story. It's at its best treated like an island unto itself; Representative of the world, yet at the same time, sealed away from it.
There's something that takes me out of the Batman mythos when the US Army shows up at Gotham's doorstep, when the President comes on TV and addresses the city, when Batman spends half the movie in a prison far away.
That's part of why TDK is so great in comparison to BB and now TDKR. It's all Gotham, all the time, there are no external factors encroaching into it. It's its own private puppet theater where a guy in a batsuit makes sense. As soon as you start imposing upon it a place in the "real world", the sense starts peeling away.
The "no guns" line doesn't make any sense, since it's Batman's bike.
The "no guns" line doesn't make any sense, since it's Batman's bike.
Not to mention Wayne Manor isn't in the city limits.Are we retconning Hong Kong from TDK?
Just got back. Mehhhhh.
To me, Gotham City is the central character of any good Batman story. It's at its best treated like an island unto itself; Representative of the world, yet at the same time, sealed away from it.
There's something that takes me out of the Batman mythos when the US Army shows up at Gotham's doorstep, when the President comes on TV and addresses the city, when Batman spends half the movie in a prison far away.
That's part of why TDK is so great in comparison to BB and now TDKR. It's all Gotham, all the time, there are no external factors encroaching into it. It's its own private puppet theater where a guy in a batsuit makes sense. As soon as you start imposing upon it a place in the "real world", the sense starts peeling away.
Watched it for the second time today. I never noticed that the way Bale delivers one of his last lines is tricky. He tells Catwoman there's "No autopilot" when she asks something to the effect of how he plans to get the bomb out of Gotham. But after knowing the ending, when I watched the scene again today I took it as Bale saying "No, autopilot" as in he's going to use the autopilot. Understood most of Bane's dialogue this time around too.
On the flip side, I would find it odd that the government allowed a terrorist to take the city hostage for 5 months and not do anything about it.
The craziest rumour I read that didn't come true was that JGL turned out to be a spy for the League of Shadows that gets shot in the head near the end of the movie by one of Talia's goons or something.
Haha, I guess so.Did you forget the Hong Kong sequences?
It really did feel, in a weird way, like Bane almost had sympathy for Wayne in that moment. Bane is actually a genuinely interesting character. I lol'd at seeing Tom Hardy in the flashback sans mask for some reason, hahahaha.
The craziest rumour I read that didn't come true was that JGL turned out to be a spy for the League of Shadows that gets shot in the head near the end of the movie by one of Talia's goons or something.
Actually dude... that is the perfect explanation. He has billions stashed away.
"They don't even go broke like the rest of us." - Selina Kyle
Bruce probably had secret stashes all over the world.
I guess I just don't dig him being in stone-walled, non-urban places. It's not Batman without towering skyscrapers and urban decay.
Another line.. that was kind of a throwaway but kind of interesting...
Is Bruce talking to Alfred about why he doesn't give some of his tech to law enforcement, and he's like "One's man tool.. is another man's weapon"
What scene was that? I can't remember
What scene was that? I can't remember