XiaNaphryz
LATIN, MATRIPEDICABUS, DO YOU SPEAK IT
Did he mean The Dark Knight Rises?
The Dark Knight of Steel Returns
Did he mean The Dark Knight Rises?
Did he mean The Dark Knight Rises?
They legit sold me on the movie right there.
"It's morphine time!"
Did he mean The Dark Knight Rises?
Guillermo del Toro's paradoxically derivative yet imaginative sci-fi epic is everything that monster movies since the beginning of time might have wished they could be.
But, like Man of Steel or The Dark Knight Returns, it can't quite bring itself to believe in its own pop-culture disposability and ends up paying the price.
There’s a great thing about Pacific Rim in that the heroism on display is really old fashioned.. They’re fighting to save the world. How important was it to you to have that old fashioned heroism?These characters have things that happened and backstories and complexities, but they’re not fighting to get revenge on the guy who killed their dad
So important. It goes back to the line ‘We’re canceling the apocalypse,’ which sounds like a stereotypically badass line, but I wasn’t trying to write a macho line. I was thinking about everyone talking about the 2012 predictions and the financial crisis and all that stuff, and I think we as a culture have an almost fetishistic resignation to the end times. It’s almost like we’re looking forward to saying ‘I told you so.’ I always found that unappealing, and I wanted this movie to be about no, we say when it’s over. We’re people. We can change the world. We get to say when we’re done. That’s what I wanted the movie to be about - not any one country or one flag, just all people coming together. Coming together and saying, ‘We’re going to do something about this. And if it’s crazy? To hell with it, we’ve accomplished crazy things before.’
What the hell is this supposed to mean?
Nope. I know how to enjoy summer blockbuster movies - I was just wondering if the robits were floaty is all.
http://variety.com/2013/film/reviews/film-review-pacific-rim-1200535260/
Sounds like a movie I have wanted since I was a kid.Power Rangers on Acid
Totally delivers. Satisfying, no origin bullshit, no franchise building compromises.
These should be in OP under Impressions.
What we have here is an entirely earnest film, a love letter to giant monster movies and mecha anime, with every effort made to please the audience. We get the lavish set pieces expected of the typical summer comic blockbuster with the memorable visual design of del Toro's other films, in a successful pairing that the Hellboy series never quite managed to slam dunk.
The quirk hits at the right moments to break up the action, without dragging on or undermining the tone: socially awkward scientists scheming, but no 30 minute Transformers hacker interlude. It knows when to engage and when to reload. Emotional bonds are presented matter-of-factly and not exploited in a slow motion instrumental crescendo or silent staring contest, because no one has time for that: Godzilla needs to be punched in the face right fucking now or the world ends.
The characters are as earnest as del Toro's overall vision for the project. This isn't the platform for nuanced portrayals, but for big things in larger than life packages, heroes standing tall when it matters and overcoming or dying in the attempt, without apology or regret.
It wastes no time, no 90 minutes of Krypton and Kansas and brooding or high school and breaking basketball backboards. This is the equivalent of Fast Pacific Rim Five: Shit Just Got Real, where the origin movie is long gone and all that matters now is a rousing spectacle, just without that origin movie ever having existed. It doesn't pull any punches or feel like a carefully planned attempt at creating a franchise by spreading out the potential narrative and amounting to a "this is just the beginning, and you already need to start getting hyped for two years from now." Pacific Rim's the full load being blown in your face all in one shot and not worrying about the consequences.
Totally delivers. Satisfying, no origin bullshit, no franchise building compromises.
The quirk hits at the right moments to break up the action, without dragging on or undermining the tone: socially awkward scientists scheming, but no 30 minute Transformers hacker interlude. It knows when to engage and when to reload. Emotional bonds are presented matter-of-factly and not exploited in a slow motion instrumental crescendo or silent staring contest, because no one has time for that: Godzilla needs to be punched in the face right fucking now or the world ends.
It wastes no time, no 90 minutes of Krypton and Kansas and brooding or high school and breaking basketball backboards. This is the equivalent of Fast Pacific Rim Five: Shit Just Got Real, where the origin movie is long gone and all that matters now is a rousing spectacle, just without that origin movie ever having existed. It doesn't pull any punches or feel like a carefully planned attempt at creating a franchise by spreading out the potential narrative and amounting to a "this is just the beginning, and you already need to start getting hyped for two years from now." Pacific Rim's the full load being blown in your face all in one shot and not worrying about the consequences.
I think that it means that it's a summerflick which takes itself too seriously. But honestly they just feel like fancy words that makes the reviewer think he's smart for using them,
What we have here is an entirely earnest film, a love letter to giant monster movies and mecha anime, with every effort made to please the audience. We get the lavish set pieces expected of the typical summer comic blockbuster with the memorable visual design of del Toro's other films, in a successful pairing that the Hellboy series never quite managed to slam dunk.
The quirk hits at the right moments to break up the action, without dragging on or undermining the tone: socially awkward scientists scheming, but no 30 minute Transformers hacker interlude. It knows when to engage and when to reload. Emotional bonds are presented matter-of-factly and not exploited in a slow motion instrumental crescendo or silent staring contest, because no one has time for that: Godzilla needs to be punched in the face right fucking now or the world ends.
The characters are as earnest as del Toro's overall vision for the project. This isn't the platform for nuanced portrayals, but for big things in larger than life packages, heroes standing tall when it matters and overcoming or dying in the attempt, without apology or regret.
It wastes no time, no 90 minutes of Krypton and Kansas and brooding or high school and breaking basketball backboards. This is the equivalent of Fast Pacific Rim Five: Shit Just Got Real, where the origin movie is long gone and all that matters now is a rousing spectacle, just without that origin movie ever having existed. It doesn't pull any punches or feel like a carefully planned attempt at creating a franchise by spreading out the potential narrative and amounting to a "this is just the beginning, and you already need to start getting hyped for two years from now." Pacific Rim's the full load being blown in your face all in one shot and not worrying about the consequences.
What we have here is an entirely earnest film, a love letter to giant monster movies and mecha anime, with every effort made to please the audience. We get the lavish set pieces expected of the typical summer comic blockbuster with the memorable visual design of del Toro's other films, in a successful pairing that the Hellboy series never quite managed to slam dunk.
The quirk hits at the right moments to break up the action, without dragging on or undermining the tone: socially awkward scientists scheming, but no 30 minute Transformers hacker interlude. It knows when to engage and when to reload. Emotional bonds are presented matter-of-factly and not exploited in a slow motion instrumental crescendo or silent staring contest, because no one has time for that: Godzilla needs to be punched in the face right fucking now or the world ends.
The characters are as earnest as del Toro's overall vision for the project. This isn't the platform for nuanced portrayals, but for big things in larger than life packages, heroes standing tall when it matters and overcoming or dying in the attempt, without apology or regret.
It wastes no time, no 90 minutes of Krypton and Kansas and brooding or high school and breaking basketball backboards. This is the equivalent of Fast Pacific Rim Five: Shit Just Got Real, where the origin movie is long gone and all that matters now is a rousing spectacle, just without that origin movie ever having existed. It doesn't pull any punches or feel like a carefully planned attempt at creating a franchise by spreading out the potential narrative and amounting to a "this is just the beginning, and you already need to start getting hyped for two years from now." Pacific Rim's the full load being blown in your face all in one shot and not worrying about the consequences.
Do the robots transform into cool trucks?
No. They don't say "my bad" at any point either.
my local cinema chain (Vue) got back to me on Twitter, re affirming the Tuesday update schedule for the UK cinemas.
fuck yes
my local cinema chain (Vue) got back to me on Twitter, re affirming the Tuesday update schedule for the UK cinemas.
THE TIME HAS COME AND SO HAVE I
How far are you from an IMAX?
This is the equivalent of Fast Pacific Rim Five: Shit Just Got Real, where the origin movie is long gone and all that matters now is a rousing spectacle, just without that origin movie ever having existed.
My local cinema has no times yet, then I saw that post about a limited UK release and I panicked and then I saw another post saying the listings are normally up on the Tuesday.
Hurry uppppp!!
It wastes no time, no 90 minutes of Krypton and Kansas and brooding or high school and breaking basketball backboards. This is the equivalent of Fast Pacific Rim Five: Shit Just Got Real, where the origin movie is long gone and all that matters now is a rousing spectacle, just without that origin movie ever having existed. It doesn't pull any punches or feel like a carefully planned attempt at creating a franchise by spreading out the potential narrative and amounting to a "this is just the beginning, and you already need to start getting hyped for two years from now." Pacific Rim's the full load being blown in your face all in one shot and not worrying about the consequences.
Nearest is about 30mins away from me, but if I was going to see it at the Imax it would be at the Waterloo which is about an hour away.
Depending on who I go with will depend on whether they can be arsed to go that far though.
Not sure if I want to see it in 3D TBH, never done anything for me before and I need to see superman again because I saw it at the Waterloo in 3D.