We were throwing this one around the chamber and I think the best solution is either two kill votes to be used on two different shows or one save that can only be use once during the entire top ten rounds and you have to have voted at least once previously to use it.
What do you think?
We were throwing this one around the chamber and I think the best solution is either two kill votes to be used on two different shows or one save that can only be use once during the entire top ten rounds and you have to have voted at least once previously to use it.
What do you think?
We were throwing this one around the chamber and I think the best solution is either two kill votes to be used on two different shows or one save that can only be use once during the entire top ten rounds and you have to have voted at least once previously to use it.
What do you think?
Come on guys, don't allow the the World's Lamest super hero in the top 10. Make the right choice.
We were throwing this one around the chamber and I think the best solution is either two kill votes to be used on two different shows or one save that can only be use once during the entire top ten rounds and you have to have voted at least once previously to use it.
What do you think?
I think two kills but they have to be used on two different shows idea works the best.
OK that works for me then.I think keeping track of saves would be easy enough. Could just tally saves every round and make a list/post that list with the results. If you still wanted to do the "One save to use in all the rounds if you've previously voted" thing.
Threads have search, so finding posts by someone trying to cheat would be pretty simple.
So it would be two kills that have to be used on different shows, and one save to be used in only one round leading up to the Top 3.
i did a writeup of rugrats about a year ago:
considering rugrats in the 90s was really only 3 good seasons, i wouldn't mind seeing it kicked off. it's the worst nicktoon left, but there are so many other shows that deserve the boot right now.the history of rugrats is fascinating to me. it starts off so strong and it just gets worse in segments.
the first era of the show is season 1. this is before angelica really came into her own as the antagonist of the group. season 1 was about as close to the original idea that arlene klasky had for the show than anything that came since. remember the episode where they're in the theater, and there's almost no dialogue and it's just animation of babies running amok? that was what rugrats was supposed to be.
once angelica was introduced as the antagonist, everything changed. the focus was less on the animation and more on the writing. she was a brat that you could love to hate, and there were a lot (a lot) of jokes in there that weren't really meant for kids. klasky clashed with the writers over angelica in particular. she didn't want to make angelica a bully, but the writers won out in the end for the first production run of the show. 1991-1994 is the classic era of the show. the passover episode marks the end of it. during the first production run, things got so bad that gabor csupo acted as a mediator between klasky and the writing staff, and most of them left when the show went on hiatus.
when the show came back in 1997, the third big era of the show began, and it's marked with a change of the animation style, increased color saturation, increased reliance on mark mothersbaugh's music and sound effects, and generally less edgy writing. one of the problems klasky had with the original show was that babies did not act like babies. without a writing staff to fight her for 65 episodes, i have to think this was more to her liking. angelica was still a brat, but she was toned down. episodes would end with her learning a lesson instead of being defeated somehow. in general, the writing was a lot less subtle, with characters sometimes outright stating how they feel (and that makes me feel angry).
the next period of the show was when dil was added. this was in 1999, right after the movie, and this is when it started explicitly appealing towards the nick jr. crowd. i stopped watching the show at this point, but i managed to catch some episodes as part of the '90s are all that' and... it's not very good. dil as a character is basically a prop in these episodes, and most episodes deal with the baby (who is too young to communicate with the other babies and toddlers) as a thing to find, since dil is either getting lost or needs to be rescued. the majority of his on-screen time is making unintelligible noises or doing gross baby stuff.
the last era of the show was after the second movie when chuckie's dad marries a french japanese woman and chuckie gets an adopted sister. i haven't seen this part of the show aside from the all growed up episode that aired as the 10th anniversary show- which also serves as a series finale of sorts to rugrats and all grown up since it takes place after that show, i believe. can't really judge the entire era from one episode, but it seems like they got the extreme color saturation under control.
i think it's also fair to include all grown up as part of the series since it serves as a sequel to rugrats. for whatever reason, my sister and a friend and i sat through every episode. to be fair to all grown up, some jokes do land, and there is what i would call one good episode in the whole bunch. but if rugrats kept getting worse after the second era more and more, this was the ultimate culmination of it- and i think it's why we couldn't stop watching. in rugrats, you sorta had a hierarchy- tommy is the leader, chuckie is the cowardly second-in-command, and phil and lil the gruntwork guys who just kinda tag along (and angelica is the antagonist, of course).
in all grown up, there's no hierarchy. the show actually focuses a lot on chuckie a lot more. the characters are all hugely different. i understand that you might not be the same person you were when you were a fictional baby and a fictional preteen, but a lot of the personality traits that defined them were replaced by things they did. tommy went from being the headstrong brave one to kind of a douche filmmaker. dil is a weirdo obsessed with the paranormal- especially aliens. lil has become a normal person while phil is still as weird as he always was (which always bugged me- since the point of lil was that it was okay she was weird and instead they make her like the other girls on the show). susie goes from being a defender of the group to wanting to sing (lots of episodes are devoted to her singing). chuckie gets something of an upgrade and goes from being a coward to being kinda ambitious and eager to try new things.
angelica gets it the worst though. she's a spoiled teen, but never really acts like it. instead of being something of a bully like what was hinted in all growed up, she's more embarrassed to be around the younger guys. it would have been the easiest thing in the world to make her an antagonist who could terrorize the younger group, but she instead just wants to fit in with the popular girls and tries oh-so-hard but just can't. the one good episode i mentioned actually deals with her as a spoiled teen and learning responsibility, and it's out of place for the series, but it's okay because the series sucks.
without an antagonist to sort of anchor the show, it wanders aimlessly and a lot of episodes spend their time on character interactions with each other- which is not bad, but it usually deals with them getting upset with one another and the problem resolving itself at the end of the episode. there's also this 'wah-waaaaaah' effect that mothersbaugh uses, and it will happen at least once per episode.
you can kind of pinpoint when the simpsons went bad, and maybe separate it out into eras too, but this show got progressively worse much quicker and never recovered.
Kill: Rugrats- This post really sways me into voting Rugrats out despite having liked it as a kid. Having rewatched a few episodes from various seasons, I find myself agreeing with a lot of AniHawk's post.
Kill: Rugrats
Save: Pending, but probably either DBZ or Supes.
I'd say both should make top ten.
I'd say both should make top ten.
Animaniacs is the only show left (besides Superman obviously) I would be okay voting against. If I want Superman not to make the top 10, he has to go down this round.It need not be DBZ against Superman TAS with Rugrats and a few others remaining, my friend.
Animaniacs is the only show left (besides Superman obviously) I would be okay voting against. If I want Superman not to make the top 10, he has to go down this round.
He does, because Superman is broken. He kills Goku after being thrown into the sun, which made him STRONGER.Doesn't Goku totally lose that fight though? (at least according to the video those gifs are from)
I say Batman TAS will beat both of them.
Doesn't Goku totally lose that fight though? (at least according to the video those gifs are from)
Doesn't Goku totally lose that fight though? (at least according to the video those gifs are from)
According to the logic that when into making that video, it was the man with limits vs. the limitless man. Superman was bound to win.
Doesn't Goku totally lose that fight though? (at least according to the video those gifs are from)
He does, because Superman is broken. He kills Goku after being thrown into the sun, which made him STRONGER.
According to the logic that when into making that video, it was the man with limits vs. the limitless man. Superman was bound to win.
Correct me if I'm wrong but...Superman...can't breath in space, yeah?
here's my case to save hey arnold:
hey arnold is probably the closest to the simpsons of the remaining shows, and not just because series creator craig bartlett married lisa groening and got dan castellaneta and tress macneille on the show. it's a surreal take on life that's true enough to let you in without suspending your disbelief.
i can't think of too many kids shows that went through the effort of depicting life honestly. doug has mouth-sound-effects, rocko's modern life (as much as i like it) has cartoony sound effects at any opportunity (watch any one episode and listen to the foleying work), dexter's lab is just kind of... there when it needs to be. hey arnold's soundscape is filled with honking horns, barking dogs, sirens, and traffic. it helps ground the show in what is meant to be a version of our world.
the city is littered with garbage, covered in grime, and tagged with graffiti. it fits well with a show that has people mug and hurt one another. it's a detail that's missing from a show like doug. eventually you can start tuning it out. it has the effect of being a kid and how you might not have noticed that was the world around you. this is aided in part by beautiful watercolor backgrounds. it makes the city feel handcrafted and organic.
to bring the world together is the music by jim lang. how perfect is snow for those days you just want to lay back and take it easy, or this piece from arnold's valentine that captures the wistfulness of unrequited love? and that's just a taste of a variety of music with a jazzy, down to earth feel that i've rarely seen represented in animation aside from cowboy bebop.
and it's a show that's nothing without its characters. arnold is an idealist, sure, but that's something that gets him in trouble. he chases his grandfather's watch into the sewers because he feels he's responsible for it (and it turns out grandpa phil actually had a bunch of extras). or in arnold's christmas, he puts so much pressure on himself to find the perfect gift for mr. hyunh that he stops believing in miracles. aside from that, he's a daydreamer, can be pushed to anger, and doesn't always solve everyone's problems (despite being a usually well-meaning kid). he's a much more relatable character than someone like dexter or doug.
the surrounding cast of characters is fantastic. there's oskar kakoshka, an out of work loser who leeches off his wife (among many others); grandpa phil, who doesn't always or can't give arnold the best advice; gerald, arnold's best friend, who is there to balance arnold's idealism with some realism. and then there's the patakis. helga's love-hate relationship with arnold is what leads to a lot of the show's humor and conflict. it also leads to a lot of the show's heart. arnold's christmas and arnold's valentine stand out strongly due to her and her voice acting. what's great about the show is that it shows the entire family and lets the viewer make guesses as to why people are the way they are. helga's ignored at home by a loud, verbally abusive father and an alcoholic mother (and a clueless prodigy of a sister), so she acts out at school as a means for attention.
i also think it's a pretty damn funny show too. a lot of it is pretty dry and rests on delivery. i love the way dan castellaneta as the jolly olly man says 'i am outta here' in his paranoid way as he gets into his truck at the end of 'heat'. or how grandpa phil is trying to cheer arnold up by telling him bad things will pass, and as an example, he casually says 'i knew i made a mistake' when he took a bit of a sandwich with bad ham.
hey arnold is a show i enjoyed when i was a kid, but as i've watched it more and more, it's become an absolute favorite. it's like the animated version of the adventures of pete and pete (except with slightly more and stronger female characters).
I've been in and out of this thread since its inception and looking at what it's been whittled down to makes it there were too many hate votes. Rocky lasting this long is just wrong. It had the perfect blend of inoffensiveness to apparently everyone to never get voted out, yet in truth it's not nearly as iconic or memorable as shows like ren and stimpy or tailspin.
And that's one reason why Superman sucks.According to the logic that when into making that video, it was the man with limits vs. the limitless man. Superman was bound to win.
Some stupid super stamina BS allows him to not need air in space for at least a few hours.LordCanti said:Correct me if I'm wrong but...Superman...can't breath in space, yeah?
I've been in and out of this thread since its inception and looking at what it's been whittled down to makes it there were too many hate votes. Rocky lasting this long is just wrong. It had the perfect blend of inoffensiveness to apparently everyone to never get voted out, yet in truth it's not nearly as iconic or memorable as shows like ren and stimpy or tailspin.
Correct me if I'm wrong but...Superman...can't breath in space, yeah?
This is also true. It's absurd how strong he is.To be honest, I'm not a big enough fan of Superman to know the answer to this. My best guess though would be that if he absorbs enough power from the sun then he can probably do literally anything.
That, or he is super good at holding his breath.
This is also true. It's absurd how strong he is.
After the 00's (in case anyone reads this and hates it and thinks it pertains to this thread), Goku gets the power to warp himself (and anyone touching him) anywhere instantly. This includes warping into/out of the afterlife and, more importantly, far far away from any suns that might give Superman power.
I...
Why do I care about this again?
After the 00's (in case anyone reads this and hates it and thinks it pertains to this thread), Goku gets the power to warp himself (and anyone touching him) anywhere instantly. This includes warping into/out of the afterlife and, more importantly, far far away from any suns that might give Superman power.
I...
Why do I care about this again?
Goku can actually be killed and has to work to become stronger and faster. Superman is just naturally powerful. I think Frieza and Vegeta are iconic.ЯAW;98027822 said:Same goes for Goku. Sure he gets beat up now and then, but he will always return stronger and faster. Superman and Goku are equally lame heroes. At least Superman universe has some interesting bad guys.
Doesn't Goku need to concentrate really hard to do that though?
let's just kill both shows and move on
let's just kill both shows and move on
Kill: Superman
KIll: DBZ
Save: TBD
Because why not?
Because why not?
rugrats is pretty easily on its way out. superman and dbz have too big a defense force and are cancelling each other out.