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It's a good movie. If you check out the thread for it on here you'll see it's being well received by the GAFers who watch it. not just reviewers.
It's a shame this doesn't translate to sales I guess.
It's a good movie. If you check out the thread for it on here you'll see it's being well received by the GAFers who watch it. not just reviewers.
I have heard of most of these movies, but that's also because I pay a lower price for the ad-tier on my subscription services.It's a pretty damn good romp and worth a watch. But the fact you've not heard about it highlights the problem of good films just being ignored where as I bet you know what films are "woke" and what you don't want to watch.
It's a pretty damn good romp and worth a watch.
It certainly highlights a problem with marketing. It's easy to ignore things you've never heard of.But the fact you've not heard about it highlights the problem of good films just being ignored
Other than OBAA I can't think of any 'woke' films this year that would have been on my radar.where as I bet you know what films are "woke" and what you don't want to watch.
Sure, it would have been nice to see it do better. But quality and box office results don't always correspond. I was surprised when I read how much the budget was and did think it was going to be a big ask for it to recoup that. I think spending that much on a movie that's just for adults is a big risk these days. Maybe studios don't mind taking a loss on something like this if it's good for their perception, both to potential collaborators in the industry and to the public, for being willing to take a swing at something high quality like this. Maybe it will build up an audience in years to come. Either way, it's not my money. I got a good film out of it so that's what matters to me. Personally, I think people spend way too much time talking about how much a film cost, how much it needs to recoup and what its marketing budget was. But if that's where other people's interest is then fair enough.It's a shame this doesn't translate to sales I guess.
The same happens with gaming. I'm a hardcore gamer and I find the business side interesting to discuss.Personally, I think people spend way too much time talking about how much a film cost, how much it needs to recoup and what its marketing budget was. But if that's where other people's interest is then fair enough.
It's a good movie. If you check out the thread for it on here you'll see it's being well received by the GAFers who watch it. not just reviewers.
That's totally fair. I do get that when people are into something they then also get interested in how the sausage gets made. And I am interested in that stuff to a degree. But recently, it seems like when it comes to films the focus on that stuff has been increasing and the number of people willing/able to discuss the film itself is decreasing.The same happens with gaming. I'm a hardcore gamer and I find the business side interesting to discuss.
I'm more on the casual side with movies but the box office discussion has always been interesting. Also helps with discovery.
The revolutionaries in the film are intentionally absurd.The idea of "revolutionaries" in 21st century America where people have it better than others at almost any point in history is just absurd.
It's harder to get people to go and see movies. I mentioned above about people's tastes seemingly getting narrower. But I think people's attention spans are a lot shorter and so sitting somewhere and not checking your phone for a couple hours is a big ask for a lot of people. You also have a bunch of new mediums that have risen up recently and I think film plays a lesser role in people's lives than it did in the past.I don't think that help either if thats the case.
I remember Gaf saying that Eddington was good(lol I remember people praising Velma). Even though very low ass budget, it still failed to make money. Maybe the reason is not because its actually a good movie, but something else.
Sure, it would have been nice to see it do better. But quality and box office results don't always correspond.
I understand. That's why I created a separate thread for this and didn't drop it in the OBAA discussion thread.But recently, it seems like when it comes to films the focus on that stuff has been increasing and the number of people willing/able to discuss the film itself is decreasing.
True, but box office results and projects that are likely to be greenlit in the future usually DO correspond. Especially in the modern streaming era where studios aren't recouping money by home video/disk sales anymore. Used to be if a movie flopped at the box office, you could still make up the ground with DVD/Blu-ray sales. That's no longer the case. A theatrical flop is now a money pit and damning for future projects, especially smaller niche projects, and has made Hollywood increasingly risk-averse.
True, but box office results and projects that are likely to be greenlit in the future usually DO correspond. Especially in the modern streaming era where studios aren't recouping money by home video/disk sales anymore. Used to be if a movie flopped at the box office, you could still make up the ground with DVD/Blu-ray sales. That's no longer the case. A theatrical flop is now a money pit and damning for future projects, especially smaller niche projects, and has made Hollywood increasingly risk-averse.
Matt Damon spoke on this on an episode of Hot Ones years back.
people simply need to go watch more movies, instead of talking about how movies are shit while not watching any of them because "it didn't look interesting", or living and dying by the opinion of some reviewer; with how fast movies come out on VOD, there's not much of an excuse to not watch ~2 movies a month.It's a pretty damn good romp and worth a watch. But the fact you've not heard about it highlights the problem of good films just being ignored where as I bet you know what films are "woke" and what you don't want to watch.
It's a pretty damn good romp and worth a watch. But the fact you've not heard about it highlights the problem of good films just being ignored where as I bet you know what films are "woke" and what you don't want to watch.
I'd guess people dont spend a lot of money watching these quirky movies or rom coms or dramas so much in theathres anymore because if someone is going to pay good money buying a ticket, buy something splashy like a superhero movie or sci-fi movie or family fun animated movie. Big screen. Big sound.people simply need to go watch more movies, instead of talking about how movies are shit while not watching any of them because "it didn't look interesting", or living and dying by the opinion of some reviewer; with how fast movies come out on VOD, there's not much of an excuse to not watch ~2 movies a month.
wouldn't be reddit without some massively updooted cringe
Crazy. I just googled it and MC did have about the same budget. Thats nuts as it must had been made with a ton of graphics guys. Also, Leonardo's salary for One Battle is $20-25M according to sites. So for a movie like that where the hell did the rest of the production budget go?I know people will catastrophize everythhing but movies do bomb. It is interesting it is happening with a Leonardo DiCaprio movie. Looks like the fact that he is now fat and ugly and women are sickened by his dating history has caught up to him.
wouldn't be reddit without some massively updooted cringe
Exactly. And that big screen and sound for a wow factor movie is worth the hassle of sitting with randoms who make noise, block your view or bump your seat.Movies are jumping to digital like 2-3 weeks after release, so unless it's a movie that really takes advantage of a big screen and sound system. There's no point.
One of the reasons why Demon Slayer making 600mil off a 20mil budget. Course anime fans are rabid, but if your a fan and interested, you 100% should have seen on a picture for the eye candy and sound
How did I not know that Caught Stealing was a Darren Aronofsky film? That's an instant watch now.Caught Stealing was pretty good. It's a bit ridiculous to suddenly expect PTA and Darren Aronofsky to be "woke" though. They're hardcore filmmakers who have a strong grip on the fundamentals of human nature.
Hence why I haven't been to the theater in the last decade.Movies are jumping to digital like 2-3 weeks after release, so unless it's a movie that really takes advantage of a big screen and sound system. There's no point.
It's a bit of a departure for him, shades of early Guy Ritchie asHow did I not know that Caught Stealing was a Darren Aronofsky film? That's an instant watch now.
Just read up on Eddington and yeah, that's a big no for me. Flopped with a $25m budget. Good cast and director though.I remember Gaf saying that Eddington was good(lol I remember people praising Velma). Even though it was very low ass budget, it still failed to make money. Maybe the reason is not because its actually a good movie, but something else.
Just read up on Eddington and yeah, that's a big no for me. Flopped with a $25m budget. Good cast and director though.
Joaquin's 5th flop in a row according to this.
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Joaquin Phoenix’s Divisive New Movie Is His 5th Flop In a Row
Joaquin Phoenix's divisive new movie with Pedro Pascal is his 5th box office flop in a row.collider.com
He looks great on the poster. Thought it was Jeff Bridges for a moment. I'll give Hell or High Water another watch instead.And don't get me wrong, Phoenix looks like born for this role, at least in terms of costume.
But yeah...
I can understand She Hulk's budget, because she's a walking CGI character and that's 20-30 minutes of seeing her per episode.That's media budgets for ya. Dont forget She Hulk. 9 episodes $225M.
Who thought Joaquin Phoenix of all actors would be a blockbuster star? He's a quirky character actor at heart, if the film he is in does gangbusters its purely coincidence. He can't manufacture mass appeal.Just read up on Eddington and yeah, that's a big no for me. Flopped with a $25m budget. Good cast and director though.
Joaquin's 5th flop in a row according to this.
![]()
Joaquin Phoenix’s Divisive New Movie Is His 5th Flop In a Row
Joaquin Phoenix's divisive new movie with Pedro Pascal is his 5th box office flop in a row.collider.com
It was filmed in California so that might be whyWhat the fuck were they thinking anyway? How can you read that script and think "yeah sure this is going to make hundreds of millions at the box office"?
I say that about most big-budget movies these days.What the fuck were they thinking anyway? How can you read that script and think "yeah sure this is going to make hundreds of millions at the box office"?
Agreed.Who thought Joaquin Phoenix of all actors would be a blockbuster star? He's a quirky character actor at heart, if the film he is in does gangbusters its purely coincidence. He can't manufacture mass appeal.
His early career was pretty good but he's always been great as a supporting actor. Around 2010 when he did that rapper social experiment he started doing a lot of smaller indie stuff. Recently he's been doing more big movies but the consistency has been lacking.Agreed.
Most of his movies are nobody films. He either chooses to do those or simply no studio offers him big money to be a leading man.
I bet for most people (like me), his biggest known film is Gladiator. And they dont know or remember most of his films. His wiki shows he's actually been in a ton of movies. Most I've never heard of before.
Agreed.
Most of his movies are nobody films. He either chooses to do those or simply no studio offers him big money to be a leading man.
I bet for most people (like me), his biggest known film is Gladiator. And they dont know or remember most of his films. His wiki shows he's actually been in a ton of movies. Most I've never heard of before.
They almost certainly didn't think that it would. These studios make money long term and care about stuff like Oscar's attention or just getting talent to work with them for longer term goals.How can you read that script and think "yeah sure this is going to make hundreds of millions at the box office"?
Is anyone really watching movies these days? Besides one friend who is absolutely obsessed with all things television and film, I don't know too many people who actually go out of their way to the theaters. It also seems very expensive these days.
It's not cheap and to be honest , these movies that they're pumping out just aren't doing it. In the last month, I've seen Spider-Man 1/2 and From Dusk till Dawn, it's easily the most fun I've had in theaters in years.Is anyone really watching movies these days? Besides one friend who is absolutely obsessed with all things television and film, I don't know too many people who actually go out of their way to the theaters. It also seems very expensive these days.
From Dusk Till dawn was LEGENDARY in theater, and basically sealed my fate to marry a busty LatinaIt's not cheap and to be honest , these movies that they're pumping out just aren't doing it. In the last month, I've seen Spider-Man 1/2 and From Dusk till Dawn, it's easily the most fun I've had in theaters in years.
Today's reminder Quentin Tarantino wrote a film script and then cast himself in the film so he could have Salma Hayek pour wine down her leg and have it run over her foot into his mouthFrom Dusk Till dawn was LEGENDARY in theater, and basically sealed my fate to marry a busty Latina![]()
Same here, it has been 13 years since I went to a cinema and I don't miss it at all.I haven't been to a theater in probably a decade at this point and don't plan on going anytime soon.
I have a huge OLED, surround sound, comfy couch, and I can pause whatever I'm watching whenever I want. There's zero reason for me to step foot in a theater.
That said, if you make movies that aren't dogshit, people will see them in the theater. I mean, not me, but other people presumably.