McConnaissance, and he's likely going to win the award because people like him on True Detective more than anything![]()
It's the reverse Eddie Murphy situation!
McConnaissance, and he's likely going to win the award because people like him on True Detective more than anything![]()
Well it is incredible that he went from the poster boy for tentpole "experience" films to putting in consistently good work.I actually thought Wolf was Leo's best performance yet, but the McConaugisance can not be stopped at this point. Academy loves for actors to show their work, and they go ga-ga for actors "transforming" themselves for The Craft.
When were voters required to turn in their ballots?
Where can i watch it live if i'm outside of US or canada?
Indeed, Blue is the film of the year for me. Maybe film of the forever too, not sure.Alright, I'm angry now.
Alright, I'm angry now.
I should stop watching the Oscars, everytime I get mad about movies that got nominated and movies that didn't. :lol
Russel got nominated for best director, for crying out loud, but Kechiche didn't. Bullshit.Alright i'm done talking about American Hustle. Unless it wins something.
Blue wasn't eligible since it missed the stupid deadline by 9 days.
It's only ineligible for the Foreign film category.Blue wasn't eligible since it missed the stupid deadline by 9 days.
It's only ineligible for the Foreign film category.
McConnaissance, and he's likely going to win the award because people like him on True Detective more than anything![]()
The foreign film category criteria is a hot mess, the Golden Globes system is much better.So, technically speaking, it could have been nominated for best movie but not foreing? Who the hell is in charge of these things at the academy? :lol
He won every single award up until now, he is that good.McConnaissance, and he's likely going to win the award because people like him on True Detective more than anything![]()
So, technically speaking, it could have been nominated for best movie but not foreing? Who the hell is in charge of these things at the academy? :lol
Agree with all of this. Although I'd say it doesn't need any white guilt card played in its favour because it speaks for itself as an excellent film. It's basically an art film that's been hijacked by an oversimplified marketing campaign targeted at a demographic thought to eat up the 'prestige' angle. Well, I guess that (read: award season attention) was the price of getting it made via the auspices of Brad Pitt's production company. McQueen will be fine whatever happens tonight though, especially if he delivers on that HBO series he's working on.
Established franchises are automatically adaptations under the screenplay categories, as are sequels. Moronic.There are some hilarious rules at work, like how Best Song submissions can't use samples, as the samples themselves were never specifically written for that film. Like, who the fuck really gives a shit?
There are some hilarious rules at work, like how Best Song submissions can't use samples, as the samples themselves were never specifically written for that film. Like, who the fuck really gives a shit?
Established franchises are automatically adaptations under the screenplay categories, as are sequels. Moronic.
Technically all films for best picture must have debuted on 35mm, I imagine lots of them didn't.
It certainly doesn't hurt to have a constant reminder of how good he is every week during the voting period, however.
Established franchises are automatically adaptations under the screenplay categories, as are sequels. Moronic.
Technically all films for best picture must have debuted on 35mm, I imagine lots of them didn't.
Actually, they've changed it, not sure how recently, this is the current rules:Oh wow.
The franchise and 35mm debut are especially idiotic. Who cares on which format the movie debuted. Academy should seriously freshen up those old rules...
feature length (defined as over 40 minutes),
publicly exhibited by means of 35mm or 70mm film, or in a 24- or 48-frame progressive scan Digital Cinema format with a minimum projector resolution of 2048 by 1080 pixels, source image format conforming to ST 428-1:2006 D-Cinema Distribution Master Image Characteristics; image compression conforming to ISO/IEC 15444-1 (JPEG 2000), and image and sound file formats suitable for exhibition in commercial Digital Cinema sites.
The audio in a Digital Cinema Package (DCP) is typically 5.1 or 7.1 channels of discrete audio and these are the preferred audio configurations. The minimum for a non-mono configuration of the audio shall be three channels as Left, Center, Right (a Left/Right configuration is not acceptable in a theatrical environment).
The audio data shall be formatted in conformance with ST 428-2:2006 D-Cinema Distribution Master Audio Characteristics and ST 428-3:2006 D-Cinema Distribution Master Audio Channel Mapping and Channel Labeling.
for paid admission in a commercial motion picture theater in Los Angeles County,
for a qualifying run of at least seven consecutive days,
advertised and exploited during their Los Angeles County qualifying run customary to industry practice, and
within the Awards year deadlines specified in Rule Three.
Films that, in any version, receive their first public exhibition or distribution in any manner other than as a theatrical motion picture release will not be eligible for Academy Awards in any category. This includes broadcast and cable television as well as home video and Internet transmission. Motion pictures released in such non-theatrical media on or after the first day of their Los Angeles County qualifying run remain eligible. Also, ten minutes or ten percent of the running time of a film, whichever is shorter, may be shown in a nontheatrical medium prior to the films qualifying run.
Eligibility is contingent on the receipt by the Academy of the following information on Official Screen Credits forms, available on the Academys website, to be signed by the films producer or distributor (unless waived by the Academy), which shall include:
full, complete and authentic credits,
the name of the Los Angeles County theater where the film has played, and
the dates of the Los Angeles County qualifying run.
Eligibility for all awards shall first be determined by credits as they appear on the screen and/or as certified to the Academy by the producing companies, but final determination in any event shall be made by the Academy. The Academy shall not be bound by any contract or agreement relating to the sharing or giving of credit and reserves the right to make its own determination of credit for purposes of Awards consideration.
In the event of any dispute concerning credits, the Academy reserves the right to declare any achievement ineligible or, alternatively, to reject all claims to credit, list credits as being in controversy and withhold any award until the dispute is resolved.
The alteration of an achievement by changing a picture from the version shown in Los Angeles County, upon which eligibility is based, shall subject such achievement to the risk of being declared ineligible by the Board of Governors.
Motion pictures from all countries shall be eligible for the annual awards listed in Rule One Paragraph 3, as long as they satisfy the requirements of the other applicable rules, and contain English-language subtitles if released in a foreign language.
Exceptions to the eligibility requirements and methods of qualifying listed in Rules Two and Three appear in the Special Rules for the Animated Feature Film award (see Rule Seven), the Documentary awards (see Rule Eleven), the Foreign Language Film award (see Rule Thirteen), the Music awards (see Rule Fifteen), and the Short Film awards (see Rule Nineteen).
Where can i watch it live if i'm outside of US or canada?
Guys?I would like to know this too.
Was The Wind Rises eligible for Best Foreign Film? I could definitely seeing it win there if it were nominated?
It was eligible, but Japan didn't pick it.Was The Wind Rises eligible for Best Foreign Film? I could definitely seeing it win there if it were nominated.
She was pretty bad, but the Live and Let Die bit is the only thing in the film worth nomination for anything.Jennifer Lawrence's acting in every clip I've seen from American Hustle was beyond fucking terrible. How she's nominated is bewildering.
Jennifer Lawrence's acting in every clip I've seen from American Hustle was beyond fucking terrible. How she's nominated is bewildering.
eh, good question. I'd like to watch too but probably won't in any case since it's gonna be pretty late.Guys?
She's actually one of the best parts of the movie
If she's one of the best things about the movie... damn.
So there's a live stream, but it's only if you're a cable subscriber to certain companies? Fuck that. Wonder how I'll watch it (or if anybody has a link, PM me).
JLaw in AH seems like a little girl in mommy's shoes and lipstick. "Aw, that's cute, she's acting like a much older person!", but she never seems like the real thing. It feels like a SNL gag, I never actually believe she's that woman, living in that house, with that guy, behaving that way.
JLaw in AH seems like a little girl in mommy's shoes and lipstick. "Aw, that's cute, she's acting like a much older person!", but she never seems like the real thing. It feels like a SNL gag, I never actually believe she's that woman, living in that house, with that guy, behaving that way.
JLaw in AH seems like a little girl in mommy's shoes and lipstick. "Aw, that's cute, she's acting like a much older person!", but she never seems like the real thing. It feels like a SNL gag, I never actually believe she's that woman, living in that house, with that guy, behaving that way.
Best scenes were with Louis ck and the one where bale meets Deniro
What?
It's funny, because he's the straight man.
Haven't seen it yet, but I thought Like Father, Like Son was getting some major international buzz.