My dream is to open this thread one day and read the news that it's coming, it's finally coming.
TWOW of course.
That's ok we all have crazy dreams that will never come true.
I really hope he finishes late this year or early next year
My dream is to open this thread one day and read the news that it's coming, it's finally coming.
TWOW of course.
Has anyone here read The Ice Dragon? Saw it in Blackwells today and thought it was a really pretty book, but wondering if it's actually worth reading or not.
The Ibbenise,the giants and the Brindled Men from Sothoryos all appear to be analogues of extinct hominids.So I guess the Ibbenese are kind of like ASoIaF's Neanderthals?
The Ibbenise,the giants and the Brindled Men from Sothoryos all appear to be analogues of extinct hominids.
What I'm confused about, having read World of Ice and Fire is what exactly a Lizard Lion is. I thought it was just a fanciful way of describing a crocodile, like how Skaagosi unicorns are obviously woolly rhinos, but crocodiles appear elsewhere without any poetic names.
The July 5 list shows:
New York Times Bestseller List
July 5th, 2015
Trade Paperback Fiction
11. A GAME OF THRONES
Mass Market Fiction
1. A GAME OF THRONES
10. A DANCE WITH DRAGONS
11. A CLASH OF KINGS
17. A STORM OF SWORDS
Advice, How-To and Miscellaneous
13. THE WORLD OF ICE AND FIRE
E-book Fiction
19. A GAME OF THRONES: FIVE-BOOK SET
Combined Fiction
14. A GAME OF THRONES
Interesting... An influx of show watchers who've decided to jump in now that the show is caught up to the books?
Winds of Winter is going to be huge.
Like Harry Potter huge.
So weird to think that when Dance came out I could walk in and guarantee a copy at my local seller, but there has been a FIVE YEAR TV SERIES since then.
Dance came out after season 1. I remember because they put stuff from it into season 2 (Tyrion being in charge of the toilets in Casterly Rock)
Dance came out before season 1 was done tho. I think it was May or June of 2011 and the show premiered in April.
I remember the hope and optimism that TWOW would have a quicker turn around. It's been over 4 years and we're still hoping that somehow he gets it out in 2016.So weird to think that when Dance came out I could walk in and guarantee a copy at my local seller, but there has been a FIVE YEAR TV SERIES since then.
Thats what its always been. The mereenese knot was just a big excuse. The fact that its almost taken as long for Winds to come out proves that.At least with TWoW the gap isn't because of story problems, at least that we know of and more George spending a lot of time over the last four years doing a lot of things other than being at home writing.
Thats what its always been. The mereenese knot was just a big excuse. The fact that its almost taken as long for Winds to come out proves that.
It's now three books in a row that have taken 5-6 years to write and each one has had its own blend of problems, though we know very little about TWOW's writing process. It's hardly outrageous to suggest that's just how long it takes him to write books now and that there are not one or two particular issues that caused the delays that will one day cease to exist.
TWOW probably only seems like a smoother ride because he's been radio silent on why it's taking so long.
You're not disproving my point, just confirming that Martin used it as an excuse. The fact that his writing pace (whether he's actually working or not) has not changed much implies there is more to what takes him so long than just the knot.That doesn't make sense. The Meereenese Knot delayed Martin for what, eleven years? He started writing ADWD in 2000, split it in 2005, and then finally released a revised/different ADWD in 2011. It, alongside with the five year gap, forced Martin to rewrite a thousand pages if not more. It's not an excuse, it's a reality.
By every account you can find online, Martin did not start writing TWOW until January 2012. He seems to believe he can finish it next year, which would mean it took a little over four years. Obviously he's been wrong before so his predictions don't mean much, but personally I believe it'll be out next year. He's also on record as saying TWOW has not required nearly as much rewriting as AFFC/ADWD.
As has been pointed out before, Martin changed his schedule this year so that he doesn't have any events in September, October, November, or December; his first 2016 event is in late February. I think his goal is to finish sometime in that window. Personally I don't think he'll finish before S6 starts, which is what he says his plan is.
I was bad. I read the first few leaked chapters in the days before launch.
Really hope that doesn't happen again since Jon's death was spoiled by someone on GAF.
Ah passive aggressive ad hominems, a staple of any good internet discussion.Once again, readers profess great knowledge of how books are written.
You're not disproving my point, just confirming that Martin used it as an excuse. The fact that his writing pace (whether he's actually working or not) has not changed much implies there is more to what takes him so long than just the knot.
I also don't think it's fair to say it slowed him down for 11 years since as far as I was aware it was only a real problem after he ditched the five year gap and got around to the logistics of having multiple plot points converge in Mereen. I'd welcome any evidence on the contrary though since I haven't delved that deeply into it.
I'm not saying the Mereneese knot was not a significant problem he had to take time to solve. But my problem is that I think many people throw that out to take the light off the fact that the slow pace is a deliberate decision by GRRM more than anything else. It's his right to go at whatever pace he wants, but let's be honest about what it is.
http://www.westeros.org/Citadel/SSM/Month/2012/07/Now I can explain things. It was a confluence of many, many factors: lets start with the offer from Xaro to give Dany ships, the refusal of which then leads to Qarth's declaration of war. Then there's the marriage of Daenerys to pacify the city. Then there's the arrival of the Yunkish army at the gates of Meereen, there's the order of arrival of various people going her way (Tyrion, Quentyn, Victarion, Aegon, Marwyn, etc.), and then there's Daario, this dangerous sellsword and the question of whether Dany really wants him or not, there's hte plague, there's Drogon's return to Meereen...
All of these things were balls I had thrown up into the air, and they're all linked and chronologically entwined. The return of Drogon to the city was something I explored as happening at different times. For example, I wrote three different versions of Quentyn's arrival at Meereen: one where he arrived long before Dany's marriage, one where he arrived much later, and one where he arrived just the day before the marriage (which is how it ended up being in the novel). And I had to write all three versions to be able to compare and see how these different arrival points affected the stories of the other characters. Including the story of a character who actually hasn't arrived yet.
When you wrote these books you were a name people knew in the book world, but now theres a legion of people like me, who write about everything you say, everything you write, everything the show does based on the things you write. How does that level of scrutiny change how you do what you do?
Its made me more cautious. I dont know if Ive really changed enough. I mean, some of my minions and survivors are constantly on me to be more careful about things I say and do, and to be more aware that Im a more public figure than Im perhaps accustomed to being. As you say, Ive been at this since the early 70s. I went full-time in 1979. Ive never had another job besides writing since then, so Ive always been able to make my living and pay my bills. And Ive won awards and Ive gotten recognition, so Ive always considered myself pretty successful. But the levels of success you know, you break through to bigger things. Now youre a bestseller, and then suddenly youre a #1 bestseller, and then theres a show, and at some point here I became a celebrity, which Im still not used to and is still weird. My life does get a little surreal at times. Having my head get bitten off in Sharknado 3 was pretty weird! But fun.
Yeah, I do have to parse my words. Some of it, frankly, isand I dont necessarily mean this as criticism of you, but maybe some of your colleaguesthat this age of internet journalism is crazy. These clickbait sites take things that I say, and I read headlines that seem to bear no relation to what I actually say. I mean, just a couple weeks ago I didnt go to Comic-Con this year, and I did a blog post about Gosh, Comic-Con is going on, Im not there, and it feels strange that Im not there. I miss being there, but it was probably the right decision not to go there because I have all this work to do. You know, I explored it over several paragraphs on my feelings about missing Comic-Con, but the whole thrust of it was the fact that I miss being there. There was part of me that said, Well, I always go to Comic-Con and Im not there! I was missing it. Then I read a headline: George R.R. Martin Doesnt Miss Comic-Con. What? How did they get that out of that? Theyre parsing the words, some of these sites, I guess for clicks. Its clickbait journalism, and it irritates me.
George R.R. Martin Decries Clickbait Journalism.?
Damn, I did it again. [Laughs]
The number one question people ask me about the series is whether I think everyone will losewhether it will end in some horrible apocalypse. I know you cant speak to that specifically, but as a revisionist of epic fantasy?
I havent written the ending yet, so I dont know, but no. Thats certainly not my intent. Ive said before that the tone of the ending that Im going for is bittersweet. I mean, its no secret that Tolkien has been a huge influence on me, and I love the way he ended Lord of the Rings. It ends with victory, but its a bittersweet victory. Frodo is never whole again, and he goes away to the Undying Lands, and the other people live their lives. And the scouring of the Shirebrilliant piece of work, which I didnt understand when I was 13 years old: Why is this here? The storys over? But every time I read it I understand the brilliance of that segment more and more. All I can say is thats the kind of tone I will be aiming for. Whether I achieve it or not, that will be up to people like you and my readers to judge.
Winds of Winter is going to be huge.
Like Harry Potter huge.
So weird to think that when Dance came out I could walk in and guarantee a copy at my local seller, but there has been a FIVE YEAR TV SERIES since then.
To be fair to Martin, his pace isn't just a matter of choice. These books get trickier as they go along because the more threads ("knotted" or otherwise, important or inconsequential) and characters and history he introduces, the more work he has to do to make sure that everything he writes from this point forward aligns with what he's written before -- and with what he'll write even further in the future.
Writing these books is a huge puzzle for him to both create and solve at the same time, particularly when you consider that he started the books as more of a self-proclaimed "gardener" than outliner.
It doesn't surprise me that it would take years to write these. The degree of difficulty is huge. And he knows these books are his legacy. He can't be writing just for audiences now. He wants to leave behind the best series he can for anyone who reads the books long after he's gone. Like any fan, I wish the books came out more quickly. But I'll appreciate what we get, whenever we get it.
The greatest strength of these books to me is that it feels like they are a fictionalized retelling of a real history. That's also part of what makes the wait tough. It feels like it shouldn't be this hard to write a history book, though the truth is that he's created this out of whole cloth.
(I do have a feeling -- based on, well, nothing really -- that he may at least be outlining the final book concurrently with his writing of the current one, to make sure everything fits together how he needs it to by the conclusion. Wouldn't surprise me if the wait for this one is longer than wait for the last one. It also wouldn't surprise me if I'm totally wrong!)
that's not an ad hominem
Right of course, it cant be an excuse because Grrm said so guys!It's not an excuse, it's an actual problem that delayed the book. That's a fact, which he has discussed before. You can even read his take on the writing process for AFFC/ADWD here:
http://grrm.livejournal.com/217066.html
The amount of rewriting done between both books baffles the mind.
Martin's comments on the 5 year gap can be found here: http://observationdeck.kinja.com/george-r-r-martin-the-complete-unedited-interview-886117845
A brief Knot explanation from Martin:
http://www.westeros.org/Citadel/SSM/Month/2012/07/
To be fair to Martin, his pace isn't just a matter of choice.
The degree of difficulty is huge.
He can't be writing just for audiences now. He wants to leave behind the best series he can for anyone who reads the books long after he's gone.
"you are representing yourself as an expert but you aren't an expert" is a valid criticism. "that's not an argument that's just somewhat informed speculation" is a valid criticism.
flyover's post has lots of unsubstantiated claims:
But of course his pace is a matter of choice. He chose to embark on this project in the first place. After completing each book, he should have been able to see that he'd left open more and more threads. He's not bound to those threads, he could have made the choice to tie some of those off sooner
If you're not a person who writes books like this, how would you know how difficult it is? That GRR claims it's difficult isn't particularly sound evidence: if he thinks it's difficult that could just as easily be evidence that he's not good at writing. If I'm going to assess whether or not writing this books is particularly difficult, I'm going to have to rely on the opinion of experts who aren't GRR. If flyover isn't an expert and if flyover isn't relaying the opinions of non-GRR experts, then flyover's just speculating.
Is this true? How do we know? Certainly if I was writing these books I'd feel this way. But it isn't clear to me that GRR feels this way. This assertion is projecting or it's speculation.
Which is not to put flyover's post on blast or anything; the post even acknowledges that it's speculation: "(I do have a feeling -- based on, well, nothing really". I generally agree with the intuition behind pretty much everything in there. But it's not logically invalid to dismiss it out of hand.
It's only an ad hominem if the person is actually constructing an argument and someone's trying to redirect the conversation away from the argument. We could answer any of flyover's claims with "or not" and we'd be on the same evidentiary grounds as flyover is. It's not an ad hominem to say "I'm not interested in engaging in speculation".
Correlation does not imply causation!And this is what happens in these threads when GRRM gives us nothing to talk about...
5) Tommen being almost a teenager in the show... such a shame in my opinion. In the books I imagine Tommen as being a plump, cute, curly-haired, innocent 10-year-old. Someone who signs royal decrees in childish scrawl... someone who prefers to play with his cats than rule the seven kingdoms. In the show he's old enough to have sex with Margeary.
So has this been posted?
(Apparently the image has been confirmed as legit by Elio, though he did sort of downplay it a bit)
People on GAF have poo-pooed my obsession with Braavosi lemon trees before.