Flow My Tears, the Policeman Said is my favorite.Gonna watch this some time. Looks good.
I've always wanted to read a Philip K. Dick novel. Which one should I read? Feels weird, like all his novels exist mainly to get adapted into critically-acclaimed movies.
From the first two episodes, yes there is more to it.
Uhh. Not sure if serious or not. Norway was under Nazi occupation for five years from 1940 to 1945. Our government and royal family had to flee to Great Britain to stay safe.Why was Bergen the only Nordic City (Beside Danmark which is a no brainier really!) Germany invaded during the Teh World War I and II?
Flow My Tears, the Policeman Said is my favorite.
I'm around half way through the book now. From what I've seen of the first 2 episodes it doesn't follow the book very much at all. That is probably a good thing because the book hasn't been terribly interesting to this point.
Yup, one of my favorites as well. It's more Bladerunner than Do Androids Dream of Electric Sheep.
To maintain a serialized storyline into future seasons seems to be the goal, and so the issue of just how slowly the first-ever TV series of the book will unfold is a legitimate concern. Yet you never get the sense that Spotnitz is stalling or has no plan for extending the story beyond the scope of the book, so thats a welcome relief. It could just be that The Man in the High Castle wants to let viewers marinate in the core issues of the series such as what its like to not be free and what it takes for a people to rebound from utter defeat and that could take some time. But even past the halfway point (Amazon made the first six episodes available to critics), The Man in the High Castle is still refreshingly intriguing and worth the investment.
Uhh. Not sure if serious or not. Norway was under Nazi occupation for five years from 1940 to 1945. Our government and royal family had to flee to Great Britain to stay safe.
Sweden stayed out the war due to its neutrality policy, though.
The book kind of gets into that, but in a very arcane, obtuse way that only makes the plot all too confusing. Going from the pilot, I wouldn't try to look too much into that. The show would certainly benefit if it paid no respect to that part of the book or at very least tried to handle it with more care.
The really cool thing about TMitHC is the universe. Nazis won the war and harnessed the power of the atom relatively early, which allowed them to curbstomp the Allies and go batshit with their grandiose projects. Nuclear planes cross the oceans in record time (much to the admiration and chagrain of Japan, which still has to become a nuclear power and feels threatened by Germany), the Mediterranean has been drained because fuck you and the Nazis are just arriving to Mars in nuclear powered rockets. Politics also play a huge part (I thought the conspiracies inside the Nazi party were one of the highlights of the book) and it's more or less explained that both Slavic and African peoples have been largely exterminated. The book doesn't go full Wolfenstein, though, so most of the tech is still really grounded in the XX century.
Wasn't a fan of the pilot - felt like they missed the point of the book entirely and used the premise to make a pulpy, idealistic adventure show.
Godspeed to those who did, though.
I think this show could turn into something else if the showrunners capture the political clashes within the Nazi party to turn it into a dystopian version of Rome.That's very interesting. Thanks for all the info!
Thanks for making the thread Ratsky. Between this and Jessica Jones this weekend is going to be intense for me.
You'd think that Amazon would've scheduled this on a different date than Jessica Jones, though. Why split the streaming audiences' attention?
Book was kinda meh for me. A lot less alternate history and a lot more Philip K. Dick weird metaphysical nonsense than I would have liked. Definitely checking out the show though, looks awesome.
Flow My Tears, the Policeman Said is my favorite.
Yup, one of my favorites as well. It's more Bladerunner than Do Androids Dream of Electric Sheep.
This version of The Man in the High Castle is not so much a character study as a meditation on how powerful and corrosive forces work their way through society, from the top of the food chain to the factory workers and secretaries who have to find ways to live within a system that leaves them few avenues of real dissent, let alone rebellion. Every secret told is dangerous, every one kept is like acid eating away at a relationship or an ideal. There is not much hope in this serious, ambitious drama, but there are moments of real connection that make one believe that individuals and even images can make a difference.
Is that belief an illusion? Author Dick built a career out of the question, and this adaptation of one of his most famous tales explores that in an intelligent and visually exhilarating way.
The Man in the High Castle is at its best when a familiar, early 60s America peeks through the Nazi trappings. In those instances, the show implicitly, unsettlingly asks if most people wouldnt learn to accommodate even such a hideous new world order.
In eerie moments like this, the world seems brokenand Amazon seems like it just might know exactly what its doing.
I thought the pilot was a bit tacky/cheap... Found it a bit unbelievable that besides some scientific advances nothing in the aesthetic really has changed since the 40ies.
And the "benevolent Japanese Empire" vs. "evil Nazi Reich" was also a bit cheap imo. But I'm sure this will be a hit for the setting alone.
The Man in the High Castle accomplishes so much, where most new broadcast TV dramas these days don't even try. As a parable about war, it's as potent as The Day After or Testament, two TV productions from the '80s that imagined nuclear bombs falling on American cities. Its use of music is clever and memorable. And finally, as a TV series with a captivating production design, The Man in the High Castle is as breathtakingly original as Twin Peaks and Pushing Daisies. You have to see it to believe it. And even then, like the characters who watch the filmstrips in The Man in the High Castle, you may not believe it. But that's the point.
- NY Times reviewStill, the world itself is fascinating and fully-realized enough to compensate for the people who live there. A show set in the actual 1962 featuring these characters would probably be a drag, but drop a few Nazi flags in places where they have no business being, and things become much more interesting, even if they're not the least bit right.
The result is bracing but shaky. The series is trying to explore difficult themes the psychology of defeat, free will vs. fate, the tensions between conquering cultures but its thin characters and pulp story twists raise doubt as to whether its sophistication matches its ambition. That said, I finished six episodes eager to see the last four. High Castle is at least addictive as a mystery.
Totalitarian regimes have a thing for symbols.Did Nazi Germany have swastikas on everything?
I sure hope so!Is this the beginning of another resurgence in adapting every single Philip K Dick story people can find though?
I've never understood criticism like this. An author killing Roosevelt early is okay, but not adhering to how WWII actually unfolded isn't? Read Norman Spinrad's The Iron Dream, where Adolf Hitler is a failed science-fiction writer.It's not a realistic alt history by any stretch. In the book, it's revealed that Roosevelt got shot before coming to power, great depression makes America weaker than historical and Nazis defeat the USSR+UK through Phillip K Dick's poor understanding of the war (e.g. they would have won if only hitler did this other thing) then conquer ZE WORLD.
It bothered me but that was not even close to the biggest problem the book had.
Why are alt-histories that have the Nazis winning always portrayed as being much more technologically advanced?The really cool thing about TMitHC is the universe. Nazis won the war and harnessed the power of the atom relatively early, which allowed them to curbstomp the Allies and go batshit with their grandiose projects. Nuclear planes cross the oceans in record time (much to the admiration and chagrain of Japan, which still has to become a nuclear power and feels threatened by Germany), the Mediterranean has been drained because fuck you and the Nazis are just arriving to Mars in nuclear powered rockets. Politics also play a huge part (I thought the conspiracies inside the Nazi party were one of the highlights of the book) and it's more or less explained that both Slavic and African peoples have been largely exterminated. The book doesn't go full Wolfenstein, though, so most of the tech is still really grounded in the XX century.
PKD is my favorite author (and I like MIHC, though I haven't read it in years and didn't hope for it to be something it wasn't). UBIK, Martian Time-Slip, A Scanner Darkly, Time Out of Joint, Do Androids Dream of Electric Sheep and The Three Stigmata of Palmer Eldritch are all great.I've always wanted to read a Philip K. Dick novel. Which one should I read? Feels weird, like all his novels exist mainly to get adapted into critically-acclaimed movies.
I think it's deserving, but I wonder what the competition was like that year.Same here. I never understood why that won the Hugo Award.
I like Blade Runner. I love Ubik. I'm just not that fond of this one.
Maybe I just don't understand the I Ching.
Sci-fi in the 1970s had the best titles of all time. Of all time! I keep a list.Can I say, Philip K Dick stories have the best titles. I'm a sucker for long titles that scan well (The Assassination of Jesse James by the Coward Robert Ford is the best movie title ever), with bonus points if they're complete sentences . Philip K Dick is the master of titles like that.
Do Androids Dream of Electric Sheep?
The Man in the High Castle
Flow My Tears, the Policeman Said
We Can Remember it for You Wholesale
Delicious titles.
To Your Scattered Bodies Go by Philip Jose Farmer
I Have No Mouth, and I Must Scream by Harlan Ellison
"Repent, Harlequin!" said the Ticktockman by Harlan Ellison
Barefoot in the Head by Brian Aldiss
The Doors of His Face, The Lamps of His Mouth by Roger Zelazny
Nine Princes in Amber by Roger Zelazny
Stars in my Pocket like Grains of Sand by Samuel R. Delany
Camp Concentration by Thomas Disch
On Wings of Song by Thomas Disch
Where Late the Sweet Birds Sang by Kate Wilhelm
A Clockwork Orange by Anthony Burgess
The Left Hand of Darkness by Ursula K. LeGuin
The Lathe of Heaven by Ursula K. LeGuin
I, Robot by Isaac Asimov
The Stars, Like Dust by Isaac Asimov
Stranger in a Strange Land by Robert Heinlein
The Moon is a Harsh Mistress by Robert Heinlein
The Mote in God's Eye by Larry Niven & Jerry Pournelle
They Shall Have Stars by James Blish
Soldier, Ask Not by Gordon Dickson
The Sheep Look Up by John Brunner
I Am Legend by Richard Matheson
I Sing the Body Electric by Ray Bradbury
Farenheit 451 by Ray Bradbury
Something Wicked This Way Comes by Ray Bradbury
The Stars My Destination by Alfred Bester
Do Androids Dream of Electric Sheep? by Philip K. Dick
Flow My Tears, the Policeman Said by Philip K. Dick
Time Out of Joint by Philip K. Dick
Enemy Mine by Barry Longyear
A Canticle for Leibowitz by William M. Miller, Jr.
A Clockwork Orange by Anthony Burgess
Slaughterhouse-Five by Kurt Vonnegut
Ill say that I cant deny its engrossing, and that, like Boardwalk Empire, even though I have a lot of problems with it and was disappointed by it a lot of the time, there was never a moment when I wasnt gripped by the performances, the costumes, the production design, the photography, and the music.
Why are alt-histories that have the Nazis winning always portrayed as being much more technologically advanced?