Expendable.
Member
ha, these are the 8 different covers:
legend166 said:Has it leaked yet?
I already pre-ordered the thing so if it's leaked I just want to go get it now.
Reno7728 said:I may (am) be an idiot but how do you get the 30sec clips to play?
jstevenson said:sweet jesus I'm so excited for this to finally hit... I'm stunned it still hasn't leaked, and happy for them that it hasn't at the same time.
Dartastic said:Stuff doesn't really leak anymore these days. It comes out in little over a week, right? Dayumn. SO SOON.
Nappuccino said:What? Stuff leaks all the time. Menomena's album leaked two months in advance.
Leave your idiotic witchhunts on the gaming side.Odrion said:we should treat music leaks here the same way we treat people playing leaked copies of videogames
Odrion said:we should treat music leaks here the same way we treat people playing leaked copies of videogames
disappeared said:Can't wait. I remember back in 07 when Intervention leaked. I burnt it to a CD and spun it at the record store for a loooong time until Neon Bible dropped.
jstevenson said:but they played Intervention for the first time in 2005.
(I know what you mean tho... I've been listening to the singles, the live bootlegs, and the 30 seconds samples that amazon.de put up... A LOT)
What's your verdict based on those samples? Where do you think it will sit compared to the other albums?jstevenson said:but they played Intervention for the first time in 2005.
(I know what you mean tho... I've been listening to the singles, the live bootlegs, and the 30 seconds samples that amazon.de put up... A LOT)
disappeared said:Shit I missed that then. I remember it was a rip of song played on some european radio station, because I remember the DJ saying at the end of the track, "if that doesn't hit you, man, I feel sorry for ya." :lol
Dynamite Ringo Matsuri said:What's your verdict based on those samples? Where do you think it will sit compared to the other albums?
You could call it their OK Computer. But its arguably better than that.
On their fantastic third album, The Suburbs, they aim higher than ever, with Roman numerals and parentheses in the song titles. In their dictionary, "suburbs" is nowhere near "subtlety." But that just adds to the emotional wallop.
DanielPlainview said:we also know track lengths now:
1. The Suburbs 5:15
2. Ready To Start 4:15
3. Modern Man 4:39
4. Rococo 3:56
5. Empty Room 2:51
6. City With No Children 3:11
7. Half Light I 4:13
8. Half Light II (No Celebration) 4:27
9. Suburban War 4:41
10. Month Of May 3:50
11. Wasted Hours 3:20
12. Deep Blue 4:28
13. We Used To Wait 5:01
14. Sprawl I (Flatland) 2:54
15. Sprawl II (Mountains Beyond Mountains) 5:18
16. The Suburbs (Continued) 1:27
City With No Children, Half Light and Sprawl II sound amazing along with everything else. The Suburbs is literally continued...uses the same lyrics.
Inspired by frontman Win Butlers upbringing in the suburbs of Houston, Texas, they focus on their by now trademark urban and apocalyptic themes throughout the record, but the bands lyrics are more complex, theme-ridden and intricate than ever and the music is reflective and more diverse than they have ever dared to attempt. Elements of folk and even electronica pepper their indie rock sound this time around.
Heavily conceptual with an airy finish. Experimental and varied yet resolutely sticking to the gorgeous melodies they are renowned for. And hugely uneasy lyrically yet utterly catchy at the same time, The Suburbs is a thoroughly modern and intelligent work that sees Arcade Fire once again hit classic status. An awesome achievement.
okno said:Who's going to the show(s) at MSG? I'm thinking of going, even though I'd be going alone. Might be a problem with work, since I already requested the 6th off for berghain@Bunker... Well see. I don't mind paying $35-50 for an amazing time.
On an album full of moments when hope turns haunting, the ghosts hang heaviest on the spellbinding "Suburban War," which comes roughly halfway through Arcade Fire's blazingly intense third album.
There are no wrong turns.
Radiant with apocalyptic tension and grasping to sustain real bonds, The Suburbs extends hungrily outward, recalling the dystopic miasma of William Gibson's sci-fi novels and Sonic Youth's guitar odysseys. Desperate to elude its own corrosive dread, it keeps moving, asking, looking, and making the promise that hope isn't just another spiritual cul-de-sac. After all, you never know who might be coming in the next car.
Why this title because? "When I was younger, with a friend, Josh, we write a science fiction movie in which two commuter towns met." Move the time on this project, which contained many of our dreams of youth. Last year, I've reviewed La Jetée of Chris Marker and it reminded me this very strange film we had written. I decided to again me. "I found a true simplicity in these ideas of youth", explains Win Butler. "This disc is the soundtrack of a film that will probably never exist", continues Régine Chassagne.
After one listen to Arcade Fire's third album The Suburbs, John Doran reckons that Arcade Fire have played a blinder by ditching the faux apocalyptic Springsteenisms of Neon Bible and allowing their songs ample room to breathe. All hail The Suburbs . . .
Taking their perennial themes of loss, fear, control and time theyve re-woven their epic art rock around their fascinating suburban theme that literally lies on our own doorstep. Album reviews are often littered with hyperbole yet Suburbs flattens them like the demolition balls that have so shaped their urban subject matter. Growing old gracefully with their existential angst theyve once again captured yet more amorphous facets of the human condition in not so much a labour of love, as a labour of life. Further proof that The Arcade Fire may indeed be the best band on the planet.
Fortunately it's the band's musical leaps of faith - the majority of which are stunningly realised - that best breathe life into this towering monument.
This is a diverse, hypnotic and damn great record.
The songs that make up The Suburbs translate as apparitions from town Everywhere, a warped patchwork of fuzzy memory, imagination and adolescent longing. And just like those weird personal recollections, many are surreal in their vivid, emotionally sharp recall, while a handful remain blurred and fleeting, distant and beyond effect. For all its minor faults and major successes (even just democratically - that the song remains king, that no one here overplays, nor goes unnoticed, in a seven piece band, is a feat in itself), The Suburbs is the sound of a band stretching themselves - artistically and musically - whilst attempting to revisit their roots. Or as drummer Jeremy Gara said in a recent interview: "The underlying theme is where you grow up, where you come from. And given that weve been through the craziest life possible for the last five years, it was only natural for us to think back to how things were. Thats the concept but we just fall short of it being a total concept album." He's right. While it's slightly disappointing that there's no narrative arc to knit all this together (though it won't stop fans and critics trying), they've still managed to produce a fantastic set of thematically linked tunes that sound quite like nothing else. Not even them. Sure there's a few ideas that don't last, there's moments of indecision, morphing identities, thrills and fleeting confusion. Glorious growing pains.