So we have another Bill And Ted movie - Bogus Journey was in 1991. Fucking hell I feel old. 29 years, and as much as those first two films were, for better and worse (mostly better) products of their times, so is this one. It is also a product of the fact that Keanu and Alex are not young men anymore. Keanu especially is showing his age, and he's just not Ted anymore, nor can he remember who Ted was or how to be him. To Thea's credit, she tries very hard to be Ted, and has clearly watched the original films, but it comes off as a really bad cover version, a cliche.
Billie is better. She is not imitating Bill of old, or certainly not to the same degree, and is reasonably likeable. I wouldn't say I dislike either of them but I can't say I warmed to them in the same way I warmed to Bill and Ted in the original movies, but then again it's lightning in a bottle - expecting to recapture that magic 30 years later is optimistic.
Keanu is old, and it shows in a phoned-in performance. The interviews where they discuss switching from sons to daughters because back then they were young and stupid feels like they're disrespecting their past selves, which begs the question why make this movie?
The girls get to do the standard go through time and collect historical figures schtick feeling like a rehash of the first film, though for me it lacks the charm and that's partly because we know how it's going to go, partly because the characters know they're retreading an old path, and partly because, as mentioned before, you can't catch lightning in a bottle again (perhaps a warning here that the new Ghostbusters is equally unlikely to succeed, though I think Bill & Ted have particular issues that make it harder to make this film).
The boys.. so they go through time looking for the song from their past selves, a voyage that turns out to be as pointless as the trip to the casino in The Last Jedi, just a side journey that doesn't matter in the end, a way of filling screen time. The make-up for the various versions of their various future selves is poor, and yes I know the original films weren't amazing in their effects but really this is about the level of a Doctor Who episode mostly.
There is fan service - the brief Rufus hologram moment, but that only serves to highlight that this film has nothing new. It's just treading old ground. The future is sterile and dull, a world devoid of excitement, the leadership group is predictably diverse, with not a white male in sight, and yet I don't think wokeness is what spoils the movie. There's an emphasis on black musicians, I think the only white male they got was the obligatory classical musician (because there weren't any black ones) but that's ok - Louis Armstrong and Jimi Hendrix earned their place in the pantheon of greats long ago. Side characters are ok, Kirsten Schaal is normally someone I quite like, but she doesn't really pull it off in this movie, though it doesn't help that she's taking over from a great like Carlin - a philosopher with a sense of humour was the perfect man for the part. Kirsten is quirky. The robot.. they did play on the obvious Terminator rip-off early on with a few musical cues but turning him into a crap Woody Allen just didn't do it for me.
In a way I understand why they had to do it with them handing over to the next generation, I'm not sure how you'd do any other story given the 30 years between films. They're too old to rock out, and they do at least acknowledge that, and of course to have a hero's journey you must first have the hero fail, be placed in peril, etc. The problem is they never get to be the hero, instead the girls do, and yet they never truly earn it (they aren't Mary Sues by any means but they're not super-interesting either). Their adventure is never as Excellent, nor their journey as bogus, as those of Bill And Ted, no real highs or lows of interest, just a series of set pieces that don't really go anywhere.
The truth is they waited too long. If they were going to do a sequel to Bogus Adventure they should have done it in the 90s, but doing it in the 20s comes with baggage - the wokeness which isn't necessarily in your face but it does mean the casting will have missed opportunities, but the big problem is simply that they waited too long. The chemistry is gone. Keanu and Alex sparked off each other in those original films in ways that are missing now, because they're not young men who will party together, going out and doing crazy shit. They're old guys, with wives and families, who likely haven't seen each other in years, both have moved on and you can't just bring the magic back. Once it's gone, it's gone.
So they waited 30 years.. what could they have done? Well, they had the right idea in having them washed up. Like I said before, heroes journey. You have them perhaps going through time to find new musical influences, learning new musical tricks, sure that becomes a rehash of doing their homework in one night but it at least makes sense and gives them a journey. It all comes together when they fuse classical with rock with modern synthesizers maybe, I don't know, I'm not a writer - I lack that talent. However, if they save the world, they've fucking earned it. They've been through adventures in two films and a third set of trials, and if they save the world they've earned it. That said, because of the time passed, I'm not sure there was a good way to do this film. In the end it makes me sad, reminding me of what's gone, of what can never be again, of wonderful people lost (Carlin), of chemistry gone, it reminds me that we're all getting fucking old, it presumably set out to do none of those things - it presumably set out to give us old farts one last run-out, maybe some execs wanted to start a franchise (but really the story is too personal, too tied to the chemistry between Keanu and Alex to ever be a franchise), but in the end it's just a big bag of nothing.