Lets all watch this this weekend.
only if you show dangerous days right after the ending. :3
Lets all watch this this weekend.
only if you show dangerous days right after the ending. :3
Best making of I have ever seen. I mean The best!
It was clearly put together with a lot of love and dedication.
You should check out Charles de Lauzirika's other making of docs, especially the ones from the Alien Anthology Blu-ray set.
Lets all watch this this weekend.
Will do.
That's great to hear. Just got the Alien Anthology boxed set on blu-ray last month for my birthday.You should check out Charles de Lauzirika's other making of docs, especially the ones from the Alien Anthology Blu-ray set (the uncut "Wreckage and Rage: The Making of Alien 3" is particularly amazing).
I need to rewatch this. Haven't seen it in like six months.
Edit:
That's great to hear. Just got the Alien Anthology boxed set on blu-ray last month for my birthday.
What a coincidence, I was listening to the Esper Edition of the soundtrack, combined with www.rainymood.com at work today.
Lets all watch this this weekend.
Tonight or tomorrow or Sunday?
The last time I saw this movie was like 10 years ago but I don't remember which version. I have the Final Cut on Blu-ray, is that the best version?
Very.Are the commentaries worthwhile?
Don't do it!! It's beautiful, but it's one of Ridley Scott's worst films. It's atrocious.I think I will watch Dangerous Days and then Legend afterwards!
only if you show dangerous days right after the ending. :3
Final Cut. Best version by far.
Very.
Especially Ridley Scott's on the Final Cut. If anyone watches and listens to that and still thinks it's ambiguous if Deckard was a replicant or not, they're a fool.
Don't do it!! It's beautiful, but it's one of Ridley Scott's worst films. It's atrocious.
Yes, it's considered the definite version. But I feel lately people are nostalging over the original theatrical release with the voice over.
Final Cut. Best version by far.
?Switched to commentaries! I know what I am getting myself into with Legend. I love it. It's kinda amazing how he did two movies that absolutely define their genres Sci-Fi and Fantasy visually. I always wonder how these two movies relate for Scott himself. I mean the unicorn dream can't be the only connection.
Wankery? It's an essential storytelling device for revealing the final twist.I think I actually prefer the Workprint, if only because it seems to keep almost ALL of the positives of the Director/Final Cut, and cuts out the Unicorn scene, which was blatant Scott wankery for the sake of wankery.
I think I actually prefer the Workprint, if only because it seems to keep almost ALL of the positives of the Director/Final Cut, and cuts out the Unicorn scene, which was blatant Scott wankery for the sake of wankery.
Wankery? It's an essential storytelling device for revealing the final twist.
Also, it's a visual motif repeated in more than just the dream sequence.
How on earth does that "kneecap" exploring humanity? That Deckard, who we believe to be human, suddenly turns out to not be is further exploration of that very theme you claim it undoes.The final twist is bullshit and undoes a lot of what makes Blade Runner a great movie. It's Ridley Scott not understanding the story he's telling, and not for the first time, either.
If Deckard doesn't dream of an implanted unicorn, the unicorn Gaff leaves at the end can be interpreted in a much different manner: Maybe he knows that Rachel is unique, like the unicorn, suggesting that Deckard gets to spend a long time with her. Or maybe like a Unicorn, it's a fantasy, and the future they're running towards is blank and empty.
But with that unicorn dream in the movie, Gaff is commenting on Deckard directly, and the comment is "You're a replicant, dude," and that kneecaps a lot of what the movie is, up to that point, going for regarding humanity and what it means to be human.
How on earth does that "kneecap" exploring humanity? That Deckard, who we believe to be human, suddenly turns out to not be is further exploration of that very theme you claim it undoes.
How? Your point seems to be ambiguity = depth. I don't get it. You're not explaining yourself.No, it's a cheap twist Ridley forced into the movie because he thought it was cool. That's it. It's an empty stinger. If Deckard is a robot too, then the contrast between Batty and Deckard flattens out considerably. It removes ambiguity, it rounds off the points on the questions the film is asking, all because Scott wants a cool image that is puddle-deep once you think on it for longer than 3 seconds.
"How it got in the movie." Want to expand on that?It was annoying before I found out how it got in the movie, and it was even MORE annoying once I found out why. The justification you posted, which is well thought out and considered, has almost nothing to do with why Scott put it in.
I think the only real problem w/ the Workprint is that it wasn't restored like the Final Cut was.. but of course it wasn't. Still - there's something to the rough quality of it that I appreciate. The sound mix is a little more punchy & jagged. The composite work is a little easier to spot, but I don't think that necessarily takes away from the atmosphere of the film at all.
How? Your point seems to be ambiguity = depth. I don't get it. You're not explaining yourself.
"How it got in the movie." Want to expand on that?
(Though, I must point out, authorial intent isn't actually considered overly relevant in criticism of art. You criticise what is there, not the reason why the author put it there)
In what formats is the workprint available? Are there many differences other than the ending?
He made the choice before finding out he was a replicantI think it also flattens out his choice to leave with Rachel at the end if it's because he knows he's a robot, and not because he's overcome that apathy/prejudice you mention.
He basically forced it in over the protestations of anyone else involved in the movie at the last second solely because he wanted it in there. Neither his producers, or his writers, or anyone else he had to work with on the picture wanted it, and he basically bulldogged it in there, mostly for it's visuals. Any thematic weight was definitely an afterthought, and I get the sense he couldn't quite explain it. He definitely couldn't at the time, as nobody understood why he was doing it even after he told them.
That must be awful. I'm sorry.To this day, I still don't understand what is so good about this movie other than cool settings.
To this day, I still don't understand what is so good about this movie other than cool settings.
Vehemently disagree about the twist with Deckard. Think it works just fine.