Although, looking at the official website, it looks like there's going to be an advancing screening on December 28, and usually those things don't happen until right before a show is going to air. So it could very well be winter.
Did I misread the subs or did Rin even state that she's sorry for what happened "yesterday"?
As in...how the fuck would that timeline even work out then. Even if Shirou was dragged away by Caster in the early morning, did he somehow get healed (Saber?) and trained a lot within that short timeframe?
Saber's lines implies a few days have happened. Rin's line implies it was yesterday. Unless something escapes me, it seems a script error. edit: or Rin was talking of another thing, and not Archer attack?? But if that's the case, it was really misguiding.
Did I misread the subs or did Rin even state that she's sorry for what happened "yesterday"?
As in...how the fuck would that timeline even work out then. Even if Shirou was dragged away by Caster in the early morning, did he somehow get healed (Saber?) and trained a lot within that short timeframe?
It doesn't feel like the story has much palpable forward momentum now that the major crises with the production have been resolved however I am enjoying the examinations of various characters work related problems. It just doesn't feel like it has much 'drive', but I suppose that gives it more time to examine a wider variety of roles within the industry.
Shirobako's lack of a central force moving it's narrative forward is something I find to be pretty refreshing about it. It allows the characters to develop in their specific ways without being beholden to some overarching drama. Though I guess it's not entirely devoid of that with the various problems with Exodus.
Well I think it had to be given the benefit of the doubt, right? I mean, "cynical nerds" have discussed for years how bad the writing for story you can't always trust that kind of information. On the other hand, Nasu-fans insisted it was fine.
In this case, however, the naysayers were completely correct.
Half the happenings of this episode are dedicated to our MC saying fuck it and coming to the conclusion that he'd rather selfishly enjoy the company of his friends and ignore any of the inherently dangerous ramifications of that decision. Oh what's that love interest #1? You're worried that I may shove your face into some obscure piece of furniture again? Well tough. Later we're made to accept that despite the intervention supposedly turning off higher brain function temporarily and forcing a person to express their base and unfiltered desires that we can just fight it off if we really don't want to do what our desires express. How convenient. Let's ignore that the explanation given for why Kung-Fu Blondie won't singlehandedly destroy half the class is because she's already experienced the "pain" of hurting others while our other main characters repeatedly inflicted emotional damage on eachother for the past 3 episodes. I'm sure that'll work out just swimmingly.
And I sincerely hope the show hasn't forgotten Iori's original goal with this as being something that would reveal who she really is. We've accomplished nothing on that front and there really hasn't been any mention of it over the last few episodes.
An interesting episode. To be honest, it was being a weak one, the episode was reminding me of any medical tv series, it really focused on the angle of mushis as illness and Ginko having to guess a treatment in time to save the patient.
Then in the second part he actually dies, and super suddenly, and we have the emotional payoff, we learn the one who drowned was the mother, and (again as an illness) it passed from mother to son in the pregnancy period. While she "passed it" to him, it's also the case that thanks to the mushi she survived, and thanks she survived she could give birth. So life and death came from the mushi. Better to live a few years, than none at all.
So let me get this straight. You do a Cinderella Girls adaptation yet decide not to include the Queen, Kaede Takagaki herself in the main group? WHAT. THE. FUCK.
Well I think it had to be given the benefit of the doubt, right? I mean, "cynical nerds" have discussed for years how bad the writing for story you can't always trust that kind of information. On the other hand, Nasu-fans insisted it was fine.
In this case, however, the naysayers were completely correct.
I think around episode 1 or 2 I complained in this very same thread on how boring/plain/dumb was Shirou as MC, and someone said here that later his character would be explained, how it really he was much more deeper and better character than it seemed.
If that "deepness" and "betterness" was just him being edgy and oh-I'm too stoic-because my heart is empty and I'm made of metal because my trauma, well... I want to punch someone. Hopefully that Nasu-fan.
So now we have Shione playing the role of the bad guy because she's sure that if she fully reconciles with Nonoka, Noel will most likely disappear.
Though given what happened with Noel near the end of this episode, I suspect that Shione will probably fess up about why she was acting that way once she finds out about what happened to her.
I always thought 2 cour is overkill for UBW make thing too backloaded, all the good stuff is on latter season this way.. the earlier stuff is also fun but thing seem too stretched out now.
15 eps seem ideal, instead they waste 2 hour for prologue stuff, oh well.. I can deal.
I would say the biggest problem with UBW right now is that the direction is mediocre at best and dogshit at worse. There's no proper build-up to sequences nor any good sort of atmosphere.
It's really apparent how big the direction gap is.
Ufotable has no fucking clue how to handle the dialogue sequences as well.
We love to joke about it, "it's so bad it's good", etc, but at the end of the day it's one that I wait the most every week.
Mushishi, Parasyte? Good series!, but they don't have the same punch for me, as I read their mangas a few yeas before. There is no novelty for me, so there no craving to know the next bit of plot.
Your lie in April? It kinds of annoys me with the melodrama and the predictability.
Fate UBW? Nope, very good fights, but I'm not liking the characters or the writing, which is more in the category of bad and boring, and not bad and entertaining.
Bahamut is the only other good one that it's new and interesting, and even then it's going to a predictable path, following closely the genre it belongs, adventure, so fighting the big bad evil approaching (the dragon), the main characters solving their difference on their journey, etc. And every time the narration focus on the 3d dragon bores me, it isn't getting to transmit the correct feeling of danger or doom. It's just an ugly 3d dragon.
I think the lesson here is how real unpredictability can make enjoyable hot garbage.
I didn't predict Ange being a Norma in the first episode (as I started it without knowing shit about the series), I didn't predict she causing the death of the sergeant, I didn't predict she being lost in an island and finding Kira Yamato in it, nor I predicted him being in contact with the boss, and I didn't predict this being a trap by a BDSM wheelchair imouto.
Himemiya! You never watched season 2 of gdgd? How you not gonna watch that after getting me to watch the show??!! I think season two is even better than the first.
I still need to finish teekyuu. Stopped after the first season for some reason.
Grisaia no Kajitsu 09: Well they concluded Makina's arc rather quickly, and now we finally get to the decent one and with 4 eps to spare! I'm ready Angelic Howl.
Himemiya! You never watched season 2 of gdgd? How you not gonna watch that after getting me to watch the show??!! I still need to finish teekyuu. Stopped after the first season for some reason.
Lemme explain. If gdgd Fairies was a flowchart you would have 2 paths; The Koutarou Ishidate (series composition on gdgd s1) path and the Souta Sugahara (director, character design, planning of gdgd s1) path. Instead of doing gdgd s2 Ishidate worked on Straight Title Robot Anime, Tesagure! Bukatsumono, Minarai Diva most notably and ehhh I like his sense of humour so I went and watched those (if there were good subs, anyway). Still planned to watch s2 eventually hopefully they didn't change up too much--
Grisaia no Kajitsu 09: Well they concluded Makina's arc rather quickly, and now we finally get to the decent one and with 4 eps to spare! I'm ready Angelic Howl.
Lemme explain. If gdgd Fairies was a flowchart you would have 2 paths; The Koutarou Ishidate (series composition on gdgd s1) path and the Souta Sugahara (director, character design, planning of gdgd s1) path. Instead of doing gdgd s2 Ishidate worked on Straight Title Robot Anime, Tesagure! Bukatsumono, Minarai Diva most notably and ehhh I like his sense of humour so I went and watched those (if there were good subs, anyway). Still planned to watch s2 eventually hopefully they didn't change up too much--
Good to hear!
Not a Sega fan so SeHa Girls isn't on my radar js. It's not like I have an MMD fetish..or anything...
I would say the biggest problem with UBW right now is that the direction is mediocre at best and dogshit at worse. There's no proper build-up to sequences nor any good sort of atmosphere.
It's really apparent how big the direction gap is.
Ufotable has no fucking clue how to handle the dialogue sequences as well.
Yeh, the direction just seems to put another shit-layer on top of the, I assume, bad source material. It's night and day difference to F/Z, which has also left a much better impression of its visuals, even though the budget wasn't as high (if that's actually the case?).
Who knows, maybe with great direction and a looser adaptation this could've been just fine.
nasuverse is hot garbage and fate/zeros the only exception
ronja 1-2
yeah this is basically cg world masterpiece theatre and i like what i see thus far. the cg can be a bit iffy at times but it looks so much better than the teasers let on thanks to how well its animated and how nicely it blends in with the great background work.
I'm really liking how the main lead isn't some boring girl who's like "Oh hey, I can be somebody in this club!" and instead has this selfish attitude with a backbone to boot.
It doesn't feel like the story has much palpable forward momentum now that the major crises with the production have been resolved however I am enjoying the examinations of various characters work related problems. It just doesn't feel like it has much 'drive', but I suppose that gives it more time to examine a wider variety of roles within the industry.
While it's true that there might not be so much 'forward momentum', I don't think it's really an issue with the show. The character exploration and look at the industry itself gives the show enough drive, and it's proving to be a pretty unique view in the realm of anime. I'm sure we're going to get some more of what we had in the first few episodes before too long (especially with the continued lack of forward motion on the final episode), but for now I'm really enjoying the examinations the show is doing.