Back in 2015, I made FXs anthology drama Fargo my No. 1 series of the year. That second season of Noah Hawleys remake of the Coen brothers movie was an extraordinary take on murder and mayhem in the Midwest and it was remarkably original, too, as it moved beyond the source material. After watching the premiere of the third season of Fargo, which airs Wednesday at 10 p.m., I sense that I just may need to put the show at the top of this years list, too. Its as confidently filmed as season 2, with witty musical choices and a falling-air-conditioner-cam, and the plotting promises all kinds of the cosmic surprises that have become a Fargo trademark. And then the script is a model of tonal elasticity and a gift bag of twisted and comic pieces of wisdom.