Can't imagine the cold, black, Femmeworth-esque heart of the person who actively disliked The Martian. Its so goddamn humanistic you want to hug the stranger sitting next to you. Its not even as rah rah USA as I feared, since it (major spoilers)required cooperation with China, and Watney's rescue was celebrated across the world. This is a tribute to human ingenuity and our capacity to overcome impossible challenges with a little luck and a lot of hard work. Damon holds the center, proving his Hollywood leading man bonafides in case anyone forgot. The other characters are thin, but you couldn't ask for a finer cast of actors to fill them out. Michael Pena, Jessica Chastain, AND Chiwetel Ejifor are in this movie, b. I even like the Donald Glover character; you seen him before, that weird nerd in the weird clothes who sees something the suits don't and comes up with a plan to save the day.
Drew Goddard, a Whedon acolyte, appropriately nails that crowdpleasing mix of pathos and punchlines. Just when the tone gets to light, something fucks up and your heart sinks a bit. There's plenty of science to explain to the audience, but its often accomplished by the film actually showing Watney doing it as well. There are a few charming montages set to 70s disco hits, extra points for using Bowie but resisting the temptation of "Life on Mars". It even has that thing I love that I always give extra credit for; the montage with the actors with their names next to them. You know, like the credits to Predator? Love that shit.
The climax, even though in your head the result isn't in question, is really tense spectacle. Ridley Scott and his collaborators have such an assured vision for translating this story to us. My particular favorite bit besides the end was near the beginning, with the storm that separated Mark from the crew. Its a dark storm of black debris, which could have been very confusing with the crew turning back and forth for Mark. But the ship they have to go back for is tall, with a lighthouse beacon, and Ridley's compositions uses that. When we see it in the background, we know where the characters are in relation to it, and when we don't see it we know we're facing the other way. Seems obvious when I explain it here, but its such an effective shorthand for keeping the audience engaged in a scene that's very chaotic to the characters.
Just one of the movie's where everybody involved did a damn fine job, which couldn't be more appropriate for the movie's theme of cooperation.