Dope beats, dope rhymes, what more do you want
Making a decent concept album is a pretty tough job, even moreso when it's your sophomore album. 2005 was a great year for backpackers like myself. Late Registration, Monkey Barz, Be, Beauty And The Beat, You Can't Imagine How Much Fun We're Having, Hell's Winter...I ate all year. Not to mention The Documentary on the mainstream level, or Thug Motivation 101 and Carter II if you're into that bullshit. Hip hop didn't need to be saved, yet The Minstrel Show still managed to make its point.
If you were a backpacker back then you probably remember 2004/2005 being one of those pivotal moments where a shift started. 50 Cent was dominating but southern shit was on the rise; ringtone rap would take over a year or two later. BET threw underground rap in the bushes, starting with Little Brother by banning the Lovin' It video because it was "too smart." The Source retracted the original 4.5 mic rating for the album and gave it a 4 instead, just so Little Brother did not overshadow Jeezy's Thug Motivation 101 (which received a 4). Not to mention the label issues the group had with Atlantic. It felt like war was being declared on dope shit. And what better album to lampoon the entire farce than The Minstrel Show.
Lyrically the album doesn't spare anyone. Execs, BET, UPN, everyone takes the L. I remember watching BET back then and wondering what the fuck happened. They used to throw in a Ghostface track every now and then at least. Then it became all G Unit, Dipset, and southern bullshit. Scust.
So much underground rap in the 00s sounded weak. Flat beats, wack drums, preachy lyrics, shit that couldn't move a crowd. Little Brother was like Tribe to me: conscious shit you could bump. The Minstrel Show is full of bangers. The Beginning, Saying It Again, Lovin It, Watch Me, Sincerely Yours...sheeeit. Dope beats, dope rhymes. Yea I still rag on 9th's drums (Phonte even mentions this on the album) but overall the production is dope from beginning to end.
The album is every man rap. It's a blueprint for what came later: Drake, Kendrick, Cole, etc. Not to mention Phonte being a clear melodic influence on Cole and especially Drake.
Overall it's a great album that still holds up. And in many ways, Little Brother lost the battle (they were dropped shortly after the album flopped) but won the war. Like Blu they came out right before social media changed everything and made it easier to build your fanbase without radio. Gotta give them dap. Forever.