As others have mentioned it's more like the freefall from 73% to 59% that's shocking people. 73% is "mostly watchable" while 59% is like "super divisive and or just bad".
THAT WAS THE TWIST!?The DoubleToasted review had me in stitches at the end.
I don't think I've ever heard Korey lose his shit that quick.
Just finished watching this and from someone who is a big fan of GitS, I thought it was great and ScarJo was perfect as Major.
I quite liked the "twist", it was also a big fuck you to all the "white washing" noise the YouTube/internet drama queens generated.
Send death threats if you disagree.
They could have done abody switch at the end to an asian body or black body or latina or whatever and I would have applauded them for it. But nope. Gotta keep Scarjo in case it becomes a franchise.
This is why it's always said that the more diverse a writer's room, the better
I don't like anime at all.
I'll go see this because of Scar Jo
Even earlier... Marlon Brando as Sakini:
Well the history here is different dude
Her real name is Motoko Kusanagi.
Again, her history in the manga or anime is totally different from the live action. You can't take facts from those and apply it here.They literally say it's an obvious alias like two pages into the comic.
Funniest thing about this "controversy" are the Americans trying to identify with a character that's all robot except for maybe a brain, because of her name. Kusanagi(草薙is meant to be a title referring to legendary blade. It's like the name Stephanie Excalibur.
The person I quoted said her "real" name in the new film is Motoko Kusanagi. As far as I know they only mention her first name.Again, her history in the manga or anime is totally different from the live action. You can't take facts from those and apply it here.
And Kusanagi is a real Japanese name.
It's definitely both, you see the full name at the end.As far as I know they only mention her first name.
I mean, it's all about money really - they (hollywood execs) sadly do have the numbers to back up this seeming prejudice with casting. Audiences by and large will pass on films that don't feature white leads
Nope.The person I quoted said her "real" name in the new film is Motoko Kusanagi. As far as I know they only mention her first name.
As a big fan of the original I really liked this and don't get the hate.
Yeah that's a myth that's isn't true. It's one of those cases where a lie repeated enough times became an established "truth".
http://newsroom.ucla.edu/releases/h...-that-more-diverse-casts-help-the-bottom-line
And in one of these GITS threads someone posted a study from 2006 that said the same thing.
Has the movies score been released?
Even though the music wasn't as good as the original I quiet liked what Clint Mansell did.
I can only find the soundtrack with the various artists on itunes http://www.imdb.com/title/tt1219827/soundtrack but I'm looking for the Clint Mansell score.
The DoubleToasted review had me in stitches at the end.
I don't think I've ever heard Korey lose his shit that quick.
For specific subject I think another topic is fine.Looks like film sites are picking up on the twist ending controversy. I wanted to make a thread about it but I felt like with two currently running GitS threads maybe another isn't necessary:
http://variety.com/2017/film/news/scarlett-johansson-ghost-in-the-shell-whitewashing-1202020230/
https://www.washingtonpost.com/news...ing-arguments-about-the-whitewashing-charges/
http://www.slate.com/blogs/browbeat...ell_s_twist_makes_the_whitewashing_worse.html
http://www.complex.com/pop-culture/...hell-whitewashing-worse-than-thought-possible
http://www.salon.com/2017/04/01/opi...ist-and-hollywoods-addiction-to-whitewashing/
http://io9.gizmodo.com/io9-roundtable-how-ghost-in-the-shell-fumbles-race-and-1793909653
http://collider.com/ghost-in-the-shell-racism-explained/
https://www.theguardian.com/film/20...ewashing-does-hollywood-have-an-asian-problem
gonna be difficult to title it without the title itself being a spoiler though.
It wasn't a fix, they actually thought they were being clever.
Funny analogy given the issueThank you. Now people can talk about the movie and the Borg have their own cube.
Watch out! They'll soon label you a liberal racist. I defended ScarJo's casting. Reasoning is that there are no Asian-American actresses who can carry a 120 million dollar niche sci-fi movie made from obscure anime/manga at the moment. The execs will not risk that budget on some unknown b-list actress. ScarJo will at least bring the minimum with her sex appeal.
Apparently I'm a racist. I also can't like beautiful Asian women, because that's racism as well. I also pointed out how manga and anime oppresses women, but apparently that's ok, because nobody took the bait and only wanted to talk how delusional I am. There are some very politically driven hypocritical people here, watch out. Most likely they haven't even seen the movie and never will, because these reasons. Movies are serious business, not entertainment.
For anyone whohave seen the movie can you answer the question which song was used in the shelling sequence?doesn't have a hard on for GitS bombing andIt was not the one I expected (anime version); odd, since they used that same sequence and song in their promotional material.
Again for those a bit let down by the score - Lorne Balfe re-did quite a few bits of it at the 11th hour for whatever reason.It's an original cue from (I believe) Lorne Balfe inspired by the Kawai original (hence the sparse sound and the choir).
What Mansell originally had for the sequence was a lot further away from the original but it was a *lot* more awesome.
Wow, that is brutal. I can't believe that's the ending twist. Jesus...
Has the score been released? I can't seem to find it anywhere.
Just finished watching this and from someone who is a big fan of GitS, I thought it was great and ScarJo was perfect as Major.
I quite liked the "twist", it was also a big fuck you to all the "white washing" noise the YouTube/internet drama queens generated.
Send death threats if you disagree.
Good detail on the review.Just got back from seeing it.
The juxtaposition between the breathtaking visuals and the plot was indeed very interesting to watch. I had a hunch about it going in, but it's hard to prepare for such a weird
outcome, such as this film is. Visually, this adaption of Ghost in the Shell is absolutely breathtaking. I don't know if I've ever seen such a beautifully shot CGI film before. The visual world building was a masterclass, and the visual artists that crafted it are amazing at their work. I really felt that the world was faithfully adapted from the original film. Unfortunately, the beautiful world was completely dead and hollow. The acting in this film was terrible. Apart from Scarlett Johansson and a couple of others such as Kitano Takeshi, made me cringe multiple times. The delivery between the actors felt flat and phoned in more times than I bothered to count, which was disappointing. They certainly weren't convincing anyone. Also, I felt that Rupert Sanders really doesn't know how to deliver tone and feeling. The cutting in this film felt disjointed, and many scenes felt rushed and awkwardly inserted, which just made it feel illogical and frankly amateurish. The film is trying to hit so many story points without really hitting anyone, switching scene to scene without any fluidity. The organic unfolding that the film should of had felt technically forced and rough around the edges. Very sloppy. Section 9 were featured so little in this film that there weren't any connection to any of the characters, which I thought was a shame. Togusa and the rest of the team should of had a bigger part in this film, and unfortunately, they were almost written out. As for Scarlett, I thought she did a solid job considering what she was working with. The script was absolutely amateur, but she did her part as best as she could of, which I liked. I'm glad that she didn't phone it in like so many others in this film. Battou was also solid in this. The interaction between Major and Battou was on point, which I liked.
Now, onto the spoiler territory (be warned, spoilers about the 95 film ahead as well).The soundtrack was forgettable in this, and didn't do much to lift up the film. This was yet again a missed opportunity to give this movie depth and feeling, but it just rang hollow. Very bland and uninteresting.The thing about the original film is that Motoko Kusunagi was living in a world that wasn't black and white. It was an ambiguous world with ambiguous reasons. The discovery of the self and the journey towards the truth was masterfully crafted in the original film. Motoko was genuinely trying to discover the reasons behind her being, and the world around her, and her resolve felt so much more powerful than what it did in this. We never really find out who she really was in the original film, and the ambiguity and uncertainty reflects and alludes to the philosophical idea about our own existence. Why are we really here? Who are we really? The movie isn't really trying to answer that question, but is instead asking that question to the audience. That's the exact opposite what they did here, which I feel misses the entire point. We shouldn't really know who the Major really was before, because that's irrelevant for us. It's not about the goal, but the journey towards the goal. That's why I felt that they mishandled the second and the third act. The twist switch that they went with in this one felt flat and unconvincing, and also made Kuze a shadow of what the Puppetmaster was in the original film. It's unfortunate that the philosophical elements that made the original movie the cult classic that it is, wasn't carried over into this adaption. The exploration of the consciousness mind, where the borders between sentient and artificial life merges was masterfully crafted in the original. The idea that A.I could reach a higher transcendent state that could make them become sentient begs the question of what life really is. If a machine can think for itself, does it mean that it's "alive"? As the famous Descartes once said in order to prove his existence: Cogito ergo sum, I think, therefore I am. Major might of been a human brain in a robot body, the Ghost in the Shell, but she too struggled with her existence of being. The problem with this adaption is that the movie is trying to answer all the questions that it shallowly brings forth, and it does it in a unfulfilling way. We never really connect with Major or her past, since she learns her true reason for existing in this film. The uncertainty about her background should of been prevalent throughout the film, since her journey towards discovery is what makes her human.
All in all, the visuals were magnificent, and Scarlett, Battou and Kitano Takeshi did solid jobs. Another plus were all the easter eggs (The dog, the plane scene etc) which I felt was a nice touch. However, the rest were just uninteresting and bland, frankly. What this movie needed was a director that knew how to capture mood and feeling, that knew how to transition between scenes fluidly, and that focused on highlighting the story beats that ultimately defines the movie for what it was. Unfortunately, the focus was on the action sequences rather than the underlying reasoning and the allusions behind the happenings of this film. The movie also should of had writers that ultimately understood what the original film was about, and what message it was trying to portray. It just felt too dumbed down for its own good, and treats the audience as brain dead without the ability to think for themselves. Although I do appreciate the effort of bringing anime to the silver screen (especially great ones as GiTS), Hollywood shouldn't really be bothering if they must restrict themselves creatively like they did with this. Hopefully, they'll stop doing that at some point.
4/10
Just finished watching this and from someone who is a big fan of GitS, I thought it was great and ScarJo was perfect as Major.
I quite liked the "twist", it was also a big fuck you to all the "white washing" noise the YouTube/internet drama queens generated.
Send death threats if you disagree.