Fancy Clown
Member
Yeah, I just it and all the complaints are spot on. The movie was ok.
What little Godzilla/MUTO action was pretty good, but all the human drama/exposition (I.e. 90% of the movie) is so so dull and lifeless. I don't think I've ever seen a protagonist in a film so utterly devoid of character and charisma--I think you could even count the lines he was given one one hand. Bryan Cranston was the only actor who evoked any sort of emotional response from me, but of course he's just a bit part. I don't even know why Elizabeth Olsen's character was in the movie besides to look pretty and give the protagonist someone to fight for.
The soundtrack was very weak too, and totally generic Hollywood fare that is more about making the movie feel like a rousing adventure than any sort of emotional journey. It also wasn't nearly as memorable as the original's music.
The music unfortunately compliments the tone of the film though, which is that of a Hollywood disaster picture, rather than a horrific and tragic tone that the trailers portrayed. Even the ending
was very hokey and Hollywood-esque.
The cinematography was quite good; nothing amazing but there are lots of strikig shots. It's certainly better than the majority of blockbuster's cinematography. It's probably the best asset of the film, along with Edward's direction on a scene level. There's a lot of clever, efficient, visual storytelling done within each frame. If only the script was better, Edwards could have made a fantastic film.
What little action there was was quite good. The MUTO's were distinct enough to offer some cool fights with Godzilla and they moved quite well. The CGI was decent, but doesn't feel like as big of a leap over rubber suits and models as it should. It 'looks' more realistic but suffers from the lack of weightiness and physical presence all CGI-fests have. Both
were spectacularly badass though. I just wish there was more rampaging considering how much better those portions were than the rest of the film. Hopefully they realize for the sequel that unless they hire a writer who isn't a studio puppet, then they have to have more monster action.
At least the protagonist's kid was spot on casting considering he had the same stupid, blank expression that Johnson had the whole movie.
What little Godzilla/MUTO action was pretty good, but all the human drama/exposition (I.e. 90% of the movie) is so so dull and lifeless. I don't think I've ever seen a protagonist in a film so utterly devoid of character and charisma--I think you could even count the lines he was given one one hand. Bryan Cranston was the only actor who evoked any sort of emotional response from me, but of course he's just a bit part. I don't even know why Elizabeth Olsen's character was in the movie besides to look pretty and give the protagonist someone to fight for.
The soundtrack was very weak too, and totally generic Hollywood fare that is more about making the movie feel like a rousing adventure than any sort of emotional journey. It also wasn't nearly as memorable as the original's music.
The music unfortunately compliments the tone of the film though, which is that of a Hollywood disaster picture, rather than a horrific and tragic tone that the trailers portrayed. Even the ending
where Godzilla is dubbed a savior of the city on CNN as he's stomping around the city
The cinematography was quite good; nothing amazing but there are lots of strikig shots. It's certainly better than the majority of blockbuster's cinematography. It's probably the best asset of the film, along with Edward's direction on a scene level. There's a lot of clever, efficient, visual storytelling done within each frame. If only the script was better, Edwards could have made a fantastic film.
What little action there was was quite good. The MUTO's were distinct enough to offer some cool fights with Godzilla and they moved quite well. The CGI was decent, but doesn't feel like as big of a leap over rubber suits and models as it should. It 'looks' more realistic but suffers from the lack of weightiness and physical presence all CGI-fests have. Both
MUTO kills
At least the protagonist's kid was spot on casting considering he had the same stupid, blank expression that Johnson had the whole movie.